Studying the landscape lyrics of Russian poetry, you should definitely read the verse “There is in the original autumn” by Tyutchev Fedor Ivanovich. The unusual construction of the work, consisting of only three sentences, attracts attention. Tyutchev wrote this poem in adulthood, in 1857. Like many other descriptions of landscapes created by Tyutchev, it is based on the poet's personal observations of nature. native land. Fedor Tyutchev treated autumn without much love, for him it was associated with the withering of nature and human life. That is why most often with the onset of autumn he went abroad.

In this poem, the author describes the period of "Indian summer", when autumn only reminds of itself with a thin cobweb hair flying above the ground. Calling the day "crystal", the poet conveys the feeling of transparent air, pierced by the last warm rays of the sun. Describing the beautiful landscape, Tyutchev mentions that before cold winter still far. He deliberately skips the period of this dank autumn, with its cold rains and bare trees, because this particular autumn was his least favorite time of the year. But such a period of transition from summer to autumn causes a slight sadness in the poet’s soul, it symbolizes for him the onset middle age illuminated by the wisdom of past years.

In the poem, the poet uses many epithets, metaphors and comparisons, giving brightness and expressiveness to his creation. These lines sound like beautiful music, captivating the reader from the first words. The poem is written so precisely that one can very easily imagine the picture described in it. In preparation for a literature lesson in the classroom, you can download the entire text of Tyutchev’s poem “There is in the original autumn” or learn this work by heart completely online.

Is in the autumn of the original
A short but wonderful time -
The whole day stands as if crystal,
And radiant evenings ...

Where a peppy sickle walked and an ear fell,
Now everything is empty - space is everywhere -
Only cobwebs of thin hair
Shines on an idle furrow.

The air is empty, the birds are no longer heard,
But far from the first winter storms -
And pure and warm azure pours
On the resting field…

Is in the autumn of the original

Short but wonderful time -

Clear air, crystal day,

And radiant evenings ...

Where a peppy sickle walked and an ear fell,

Now everything is empty - space is everywhere, -

Only cobwebs of thin hair

Shines on an idle furrow ...

The air is empty, the birds are no longer heard,

But far from the first winter storms -

And pure and warm azure pours

On the resting field…

Other editions and variants

3   The whole day is as if crystal

Autographs - RGALI. F. 505. Op. 1. Unit ridge 22. L. 3;

Album Tyutch. - Birileva; Ed. 1868. S. 175 et seq. ed.

COMMENTS:

Autographs (3) - RGALI. F. 505. Op. 1. Unit ridge 22. L. 3, 4; Tyutch album. - Birileva.

First publication - RB. 1858. Part II. Book. 10. S. 3. Included in the Ed. 1868, p. 175; Ed. SPb., 1886. S. 222; Ed. 1900. S. 224.

Printed by RGALI autograph.

The first autograph of the RGALI (sheet 3) was written in pencil on the back of a sheet with a list of postal stations and travel expenses on the way from Ovstug to Moscow. The handwriting is uneven, the writing of some letters gives out road shaking. Starting from the 9th line, from the words “no more birds are heard”, the text was added by the hand of the poet’s daughter M.F. Tyutcheva. She also made an explanatory note in French. lang.: "Written in a carriage on the third day of our journey." The second autograph of the RGALI (sheet 4) is white. In the third autograph from Tyutch album. - Birileva before text date on fr. lang. Ern's hand. F. Tyutcheva: "August 22, 1857". The autographs contain variants of the 3rd line: the pencil autograph of the RGALI - “The whole day stands as if crystal”, the same version in the autograph from Tyutch album. - Birileva, white autograph RGALI - "Transparent air, crystal day".

AT RB The 3rd line is printed according to the version of the white RGALI autograph, in subsequent editions - according to the version of the draft RGALI autograph and the autograph from Tyutch album. - Birileva.

Dated according to the litter of E.F. Tyutcheva in an autograph from Tyutch album. - Birileva August 22, 1857

I. S. Aksakov believed that Tyutchev’s “ability to convey with several features the entire integrity of the impression, the entire reality of the image” is clearly manifested in this poem: “Nothing can be added here; any new feature would be superfluous. This “thin hair of the cobweb” alone is enough to revive in the reader’s memory the former feeling of such autumn days in all its fullness with this sign alone” ( Biogr. pp. 90–91).

L. N. Tolstoy marked the poem with the letter “K!” (The beauty!) ( THOSE. S. 147). Special attention he drew on the epithet "idle". On September 1, 1909, Tolstoy, in a conversation with A. B. Goldenweiser, recalling the lines: “Only cobwebs of thin hair // Shines on an idle furrow,” remarked: “Here the word“ idle ”seems to be meaningless and it’s impossible to say so in poetry meanwhile, this word immediately says that the work is over, everything has been removed, and a complete impression is obtained. The ability to find such images is the art of writing poetry, and Tyutchev was a great master at this ”(Goldenweiser A. B. Near Tolstoy. M., 1959. P. 315). A little later, on September 8, while talking with V. G. Chertkov, the writer returned to this poem and said: “I especially like“ idle ”. The peculiarity of poetry is that in it one word hints at many things ”( Tolstoy in rem. S. 63).

V. F. Savodnik ranked the poem “to the best samples Tyutchev's objective lyrics" and noted that it is "very typical of Tyutchev's manner of depicting nature. Objectivity, complete simplicity, accuracy and accuracy of epithets, sometimes completely unexpected ("crystal" day), the ability to grasp a small but characteristic feature of the depicted moment ("webs of thin hair"), and at the same time convey the general impression - a feeling of light serenity, serene humility, - that's main features characterizing artistic techniques Tyutchev. The lines of his drawing are surprisingly simple and noble, the colors are not bright, but soft and transparent, and the whole play gives the impression of a masterful watercolor, subtle and elegant, caressing the eye with a harmonious combination of colors. Gardener. pp. 172–173).

In "as if crystal", "as if" - in their opinion - is clearly undesirable, like other indirect comparisons such as "as if", "as if", "similar to".

They would advise avoiding "already", "only", "more".

They are "appraisers", NOT CRITICS! And so they would cry out:

- O! My God! In the first two quatrains abab, and in the third - abba!

They would advise the “unskillful poet” not to write “trees”, but to indicate exactly the type of tree, and for tomatoes ... even indicate the variety.

They will want to know which birds "no longer sing" in this "wonderful time." And especially advanced connoisseurs of nature will say that the birds do not sing because the mating season has passed, and the males no longer show off in front of the females.

Such are the times. Such qualified critics.

Thank God, F.I. Tyutchev wrote “There is in the original autumn ...” a century and a half ago and did not live to this day! Otherwise, I would have been a loser in some literary institute.

Everything is known in comparison, so first we read another poem by the poet - “Autumn Evening”.

Is in the lordship of autumn evenings

A touching, mysterious charm! ..

The ominous brilliance and variegation of trees,

Crimson leaves languid, light rustle,

Foggy and quiet azure

Over the sad orphan land

And, like a premonition of descending storms,

A gusty, cold wind at times,

Damage, exhaustion - and on everything

That gentle smile of fading,

What in a rational being do we call

Divine bashfulness of suffering!

And then - peer-reviewed - "There is in the autumn of the original ..."

Is in the autumn of the original

Short but wonderful time -

The whole day stands as if crystal,

And radiant evenings ...

Where a peppy sickle walked and an ear fell,

Now everything is empty - space is everywhere -

Only cobwebs of thin hair

Shines on an idle furrow.

The air is empty, the birds are no longer heard,

But far from the first winter storms -

And pure and warm azure pours

To the resting field...

Most of today's landscape painters live in cities, only occasionally going out into nature, "to barbecue" or staring at the ground, trying to find porcini. Returning to their apartment on the 9th floor, having sobered up, they describe nature from memory, forgetting (not knowing?) Looking through binoculars from under the roof of the house at the trees offended by asphalt fumes. It is even worse if they, not having time to consider, understand, feel nature, attribute to it something that is not and cannot be in it. It would not hurt to remind such people about “males showing off in front of females”. And I also want to tell them:

- Do not misinform your own and other people's children with your nonsense! The stamen is not the bride, and the pistil is not the groom, but quite the opposite.

Tyutchev's landscape lyrics are a world perceived by all the gut, with all the soul. The poet from the cradle sleeps with nature in an embrace, feels it with all his being. He shares with us his "intimate" feelings, but does not impose them on us, does not dictate his perception. Recreating the impressions of nature clearly and vividly, he calls us to fly over the vastness of fields and forests, without putting blinders on our eyes and thoughts. Dots give us time to think, to remember what has amazed us since childhood. And this is achieved just by a "flaw" - the use of generalizing words instead of excessive detailing, which would limit the flight of our associations.

"Autumn evening". There, too, autumn, but a different time. This is a symbol of the withering of wildlife (although temporary, reborn in the spring, and not dying, as many believe).

AT " autumn evening» Fyodor Tyutchev admires the decoration of the trees of the “Balzac era”, skillfully forcing us to remember the sky with still cumulus clouds and a crane wedge.

In "There is in the original autumn ..." the reincarnation of nature is shown in that short moment, which is called "Indian summer". Autumn has not yet come into its own. These are the last gifts of the caressing sun. The day is still in summer “crystal and radiant evenings”, but no longer disgusted, not tired of the heat, but there is still no dull rainy weather. There is an opportunity to rest a little, to comprehend, to dream, to see the “webs of fine hair” that glistens in the furrow of a long-harvested field. It can easily end, like life itself.

Is in the autumn of the original
A short but wonderful time -

And radiant evenings ...

Where a peppy sickle walked and an ear fell,
Now everything is empty - space is everywhere, -
Only cobwebs of thin hair
Shines on an idle furrow.

The air is empty, the birds are no longer heard,
But far from the first winter storms -
And pure and warm azure pours
To the resting field...

Analysis of the poem by F. I. Tyutchev "There is in the autumn of the original ..." (for students in grades 6-7)

The poetry of Fyodor Ivanovich Tyutchev depicts pictures of Russian nature. The poem "There is in the original autumn ..." was written in one thousand eight hundred and fifty-seven. This work captures a wonderful autumn landscape.

The poem is an example artistic style poet. Here Fedor Ivanovich Tyutchev shares the feelings that a beautiful autumn gives. Loneliness and a sense of loss, calmness and mute joy reign in the soul of the poet. Depicting what is revealed to the poet's gaze, and representing the past and the future, F.I. Tyutchev reveals his thoughts and feelings.

The work is rich in epithets: "in the initial autumn", "wonderful time", "crystal day", radiant evenings", "cheerful sickle", "cobwebs of thin hair", "idle furrow", "pure and warm azure", "resting field ".

Epithets allow you to reveal the landscape more deeply. The author puts deep meaning into short lines:

The whole day stands as if crystal,
And radiant evenings ...

Epithets allow the reader to imagine these images on their own, to imagine an autumn landscape. This can happen when the sun shines brightly, but gently, calmly, and in the evening bright orange and yellow clouds appear in the sky.

At the same time, epithets serve to convey the author's attitude and feelings. The author is sad about the time when "a peppy sickle walked." Now he becomes sad because "cobwebs of thin hair glisten on an idle furrow."

This work is a vivid example of the work of a Russian poet. Love for the motherland, the image of the beauty of Russian nature are the main motives for the work of Fyodor Ivanovich Tyutchev.

Is in the autumn of the original
A short but wonderful time -
The whole day stands as if crystal,
And radiant evenings ...

Where a peppy sickle walked and an ear fell,
Now everything is empty - space is everywhere, -
Only cobwebs of thin hair
Shines on an idle furrow.

The air is empty, the birds are no longer heard,
But far from the first winter storms -
And pure and warm azure pours
To the resting field...

Analysis of the poem by F. I. Tyutchev “There is in the original autumn ...”

Fedor Ivanovich Tyutchev is an unsurpassed Russian poet, a contemporary of Pushkin, Zhukovsky, Nekrasov, Tolstoy, who left a rich creative heritage. The meaning of life for Tyutchev is love. Not only to a woman, but also to nature, the Motherland, all living things. His lyrics are multifaceted. It can be distinguished: philosophical, civil, landscape and love motifs.

The poet admired the nature of his native land, yearned for it when he worked and lived in Europe. It is deeply reflected in his work. This poetic world, recreated on the basis of personal impressions, is so vivid and accurate that it seems as if you were next to the poet when he admired the views described in the text.

The poem "There is in the original autumn ..." appeared on August 22, 1857. On that day, the poet was returning with his daughter from the Ovstug estate to the capital. And was amazed by the landscape around them. Moscow could not boast of untouched, pure, natural beauty. AT big city not so noticeable changes in the weather. Longing for picturesque open spaces, the admiring Fyodor Ivanovich immediately makes a poetic sketch in his notebook, which invariably accompanied him.

The lyrical landscape sketch gives us a picture of the very beginning of autumn. It was the end of August, but changes were already being felt in the air, the weather, the trees were beginning to dress in gold and copper. Summer has receded, but just a few steps. This fine line of transition from one season to another was captured by the poet.

The poem is permeated with lyricism, a keen sense of anticipation of something new. Fyodor Ivanovich with attentiveness peculiar only to creative people, notes that the described period is very short, not everyone can catch it. The process of withering, preparation for winter has not yet begun, and the world around us gives the most bright colors goodbye.

The nature of Tyutchev is spiritualized, filled with images. The endowment of weather phenomena with life, conscious activity is characteristic of many writers. One of the first to use the principle of artistic parallelism was M. Yu. Lermontov.

The author introduces us to the mysteries of early autumn. Even the poet himself does not have enough words to reflect the features of the time he saw and his delight. He uses the comparison of an August day with crystal. It is just as beautiful, it reflects the whole world, but at the same time fragile, fleeting, it is impossible to hold it, fix it. And the evenings are even more magnificent, they are "radiant".

The calendar autumn has not yet arrived, but nature has its own laws. The singing of birds is no longer heard, the harvest is harvested, the fields are resting, a little longing that they are no longer in demand. The reservoirs are silvered, over which the fog rises in the evenings, it gives them "radiance".

The summer heat is gone, the nights are cool now. And the cranes, having gathered in a wedge, with drawn-out cries moved towards the southern edges. The approaching autumn is also spoken of by “cobwebs of thin hair”. The air is filled with silence, peace, harmony reigns all around. Nature froze in solemn expectation, golden September is about to come. Everyone understands that it is still far from the onset of snow storms, this makes it even more pleasant, more fun in the soul of people, forest animals and other living beings.

In this poem there is no dull landscape that we can find at Fet. The poet saves us from describing a dying nature and a dull time. This is still a long way off. Bare trees, cold rains, the wind tearing off the last leaves - there is still time for all this. Time to enjoy beauty, happiness.
The description is facilitated by means of artistic expression, selected by the poet.

Tyutchev himself rarely saw Russian autumn. He met this period more often in Europe. Therefore, what he saw was especially valuable for him.

The read poem leaves joy, peace - emotions similar to the feelings experienced by the author himself.

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