How to make interesting work in Photoshop. How to quickly learn how to work with Photoshop and which version is better to use

Is Photoshop new to you? We'll help you figure out what's what!

Learning Photoshop can take a lot of time, and there are a lot of things that I, unfortunately, did not know about when I started. Therefore, today I present to your attention ten useful notes, thanks to which working with Photoshop will become much easier! You will learn about the most important tools and tricks that even a beginner can master.

1. Get to know the Tools

This is the Photoshop toolbar.

Click on the double arrow to arrange the tools on the panel in one or two rows.

Did you know that you can customize it for yourself?

Although many useful tools will always be in your sight, you may miss additional tools, hidden behind the triangles in the lower right corner, using only what is located "on the surface".

So customize the toolbar for yourself - let it be a useful reminder to try new tools!

Click Edit > Toolbar(Edit > Toolbar...) to manually select the tools. Group them according to priority levels - for example, one group could be tools that you have yet to master, and another group that you use all the time.

Don't overload the panel with tools you don't use; put your favorite instruments in it instead!

Decide on the Core Toolkit

All tools will not be needed in every job and so it is important to build a strong base, with a few flexible tools that are good at different types works.

Here you see two different projects: tablet drawing and photo manipulation. Did you notice that the tools for both projects are identical?

While the first project is entirely drawing, the second one is very dependent on my illustrative skills. So don't worry if you're not familiar with these tools yet! Your core set should reflect your interests, be it design, photography, or illustration.

Also, don't forget that many of Photoshop's tools can be used for different purposes. For example, a tool Pen(Pen) can be used both to separate the model from the background, and to create a vector illustration.

There are other tools you will need, but consider them secondary. For example, tools Pen(Feather) and move(Move), at first glance, do not seem very creative, but they are needed (and sometimes needed very often) to improve the workflow.

What are your main tools?

In the beginning, you will always have favorites. But as your skills improve, challenge yourself to try new tools and creative effects.

2. Introduction to the Layers Panel

Rollover Control-Shift-N creates a new layer.

Layers panel very efficient and helpful. It will change the way you design, opening up the myriad possibilities in Photoshop.

But how?

Well, in general, the panel allows you to control several parameters. Opacity(Opacity), Fill(Fill) and color(Color) are just a few. With these options, you can modify your layers to create many cool effects.

Text effects, for example, are often created using incredible Layer Styles(Layer styles).

In the beginning, you'll probably use the Layers panel for its primary purpose of keeping your work on separate layers, but I highly recommend getting to grips with it. Explore the panel as much as you can and you'll discover new ways to create detailed work.

Experiencing color issues? Try to work with Layer Blend Modes(Layer blend modes). Want to get a brighter result? Maybe your solution is adjustment layer(adjustment layer).

3. Save Time With Layer Masks

It's time to have an important conversation - a conversation about layer masks.

For beginners, layer masks can be confusing, but they are vital to effective editing.

To use a layer mask:

Here I've drawn a circle in the middle of the mask to show the white background underneath the blue filled layer.

Use layer masks in any work! Incorporate them into your day-to-day work so that any adjustments can always be painlessly undone.

Most of the time, the difficulty with this feature comes from not knowing when to use it. Beginners often just use the tool Eraser(Eraser) as this is the fastest solution.

You can also use masks to create isolated objects and then insert them into your work.

4. Control-S Right?

Quality matters, so before you save your work and close the program, consider the following:

• Why do I need this file?
• Where can I store it?
• In what format do I need it?
• How to save it in the best quality?

Above you see a comparison different levels quality, 1 - 83%, 2 - 1%. Image courtesy of Envato Elements.

What and Where

The answer to the first question is whether your work will be used online. In graphic materials for posts online quality not so important, while printed materials must be saved in high resolution. Explore the print guidelines to understand why these are needed. important settings, how Color Modes(Color Profile) and how to manage them.

Store your files somewhere on your computer that you have quick access to. Photoshop can throw an error if some elements (such as fonts) are missing from the file, so try to keep everything in order.

Format and quality

Now that you know what your work is for, you can move on to saving it in a suitable format. Many designers save their work in multiple formats, which provides additional flexibility.

Click File > Export > Save for Web(File > Export > Save for Web).

Check out how your work looks with different compression settings. Avoid quality loss!

How good will your design look when printed?

Saving work in different formats is also necessary in order to understand the quality of printing. If, for example, your drawing, design or other work contains bright neon colors, then you may be disappointed with the physical result.

Minimalist design is a huge trend in part because it gives you more typing options. This design is often easier to print and therefore used more often.

What looks good on screen won't always look good on paper. There are many reasons for this, and the essence of one of them is how exactly the ink falls on paper. It is also essential for this step to understand the difference between color profiles. RGB And CMYK.

Work according to your situation. To open/change Color Mode(Color Profile) of your file, click Edit > Color Settings(Edit > Adjust Colors…).

Test your work by printing it out! To achieve the best result, find out the intricacies of the printer for a particular printing industry.

6. Sets! Sets! Sets!

IN real world there are things like tight deadlines and intimidating tasks. So save valuable time by using Photoshop's built-in presets!

There are sets of brushes, shapes, patterns, and more. You can quickly add a filter to your photo or create a brochure with abstract elements.

To view them all, click Edit > Presets > Preset Manager(Edit > Presets > Manage Presets).

One of my favorite sets is brush sets. Brush sets from your favorite artists are great too, but use the ones you already have!

These sets include various textures, beautiful gradients and more.

In the screenshot you see an example of a set of brushes Wet Media (Wet brushes).

Use kits to create amazing effects! They're already organized for your convenience, so all you have to do is download them and get started.

7. Easily Change Colors With Adjustment Layers

Create incredible lighting schemes with just a couple of clicks!

Adjustment Layers(Adjustment Layers) are just perfect for beginners in Photoshop. They allow you to seamlessly change many of the visual aspects of your work.

Need to save original photo? No problems. Tools that let you roll back any changes, like adjustment layers, can help you create amazing effects without losing quality.

To use an adjustment layer color lookup(color search):

Click Layer > New Adjustment Layer > Color Lookup(Layer > New Adjustment Layer > Color Search). Select file set 3DLUT File from the dropdown menu. Click OK and enjoy the result.

Stock Photo Envato Elements.

Adjustment layers are one of my favorite tools, and I'm very happy with the fact that they are also suitable for illustrations on a tablet!

Photoshop artists use these adjustments to try out different color palettes before making a final decision. Explore different schemes lighting and more with incredible tools like Curves(Curves).

8. Learn to organize your Workspace

Chefs love to keep their kitchens tidy as it keeps them tidy and productive. So why not create yourself a clean workplace in Photoshop?

Organization contributes to the creation of good working atmosphere. And even if sloppiness seems very creative, an organized workspace can enhance your work.

First, close all unnecessary tabs!

After that, there are still many ways to do everything even more accurately. For example, you can pin and unpin your favorite panels and toolboxes.

Then click Window > Arrange(Window > Arrange).

Choose one of the layout options listed so that all your documents display neatly. Keep sources of inspiration close at hand so you can easily access them.

The standard solution is Consolidate All to Tabs(Combine all in tabs) but you can also choose to e.g. 2-up Vertical(2 up, horizontal) to place the sample next to your work.

Need to get your workspace back to its original state? Click Window > Workspace > Reset Essentials(Window > Workspace > Reset Main Workspace).

Each artist's workplace will be different. Some people like to see more dashboards than others. For example, I am not one of those, as I prefer to minimize the mess. But whatever you personally like, you can always customize working environment the way you want.

9. Master the Pen Tool

Tool Pen(Feather) (P) can be intimidating at times, however, with time you will be able to fully master it.

First, get to know the tool itself. Option Path(Contour) is needed to select an area, and shape(Shape) allows you to create your own shapes.

Then get to know Path Operations(Operations with contour), Alignment(Contour alignment) and Arrangement(Contour ordering). Designers who are familiar with Adobe Illustrator may find it easier to get comfortable with this tool.

Most The best way to master something is to experiment! Create a bunch of lines and swirls and then play around with the settings like Blending Options(Overlay options). The possibilities are truly endless! Don't forget to use the Pen tool when creating text effects, illustrations, and more!

10. Memorize Hot Keys

Hotkeys are not new.

However, designers sometimes have trouble remembering them. Want to learn a little trick to help you remember these keys?

Try this old trick to help you think about tools. When you think of a hotkey, imagine an image that explains what it is, or how to use it.

By pressing the letter B, which calls up the tool Brush(Brush), I automatically render like this:

Remember these keys in order of priority. As in the first part of the lesson, it is important to figure out which hotkeys you need the most. You will also need to remember additional keys related to your favorite instruments.

To increase the size of the brush, for example, press the right or left square bracket: [ or ] .

Your favorite hotkeys are easy to remember as you use them often, but it's worth exploring new possibilities.

You won't master Photoshop in one day, and that's absolutely fine! Just think of it as a creative adventure that gets better with time.

Before you close this lesson, remember:

1. Decide on your core toolkit
2. Get to know the Layers panel
3. Save time with layer masks
4. Save files correctly
5. Know the difference between print and web recommendations
6. Use sets...
7. ...and adjustment layers.
8. Organize your workplace.
9. Learn the pen tool.
10. Memorize hotkeys.

Try these tips and tell us in the comments about the most useful for you!

(examples of work are taken from the training portal http://www.photoshop-master.ru/)

Exercise 1

How to Create an Abstract Gold Ring in Photoshop The final image.

Step 1. Create a new document of any size with a black background. Create a new layer and take EllipticalMarqueeTool(Oval Selection) (M) with these options:

Hold down the SHIFT key and draw a circle as shown below:

Right click on selection and select Stroke(stroke):

-

Outline the selection with the following parameters: ( White color, width 2px)

We reduce Opacity(Opacity) of the layer to about 40% and we get this effect:

Step 2 Now let's use the Smoke brushes to add texture to the circle. Create a new layer and select one of the brushes from the set, then paint as shown below: (before working, reduce the size of the brush)

We use Edit-Transform-Warp(Edit - Transform - Warp) to transform the smoke around the circle:

soft eraser(E) Carefully remove the end of the smoke so that it blends smoothly into a circle:

Duplicate (CTRL+J) the smoke layer several times and place each copy around the circle.

Tip: Use FreeTransform(Free Transform) (CTRL+T) to rotate each layer and adjust its shape.

Merge all smoke layers together (CTRL+E) and duplicate (CTRL+J) the resulting layer several times. Then using FreeTransform(Free Transform) (CTRL+T) Transform the duplicated layer to add more effect:

Create a new layer and paint the smoke inside the circle, then scale it down. Opacity(Opacity) layer to about 20%:

Add an adjustment layer Levels (Levels) above all previous layers:

Edit the mask adjustment layer Levels (Levels):

We get the following result: (as you can see, by adding an adjustment layer, we increased the depth and contrast of the smoke)

Step 3 Now let's add a simple light effect to the circle. Create a new layer above all the previous ones and with a soft white brush make one click, as shown below:

Deform this layer with Warp(Deformation) by the shape of a circle:

As you can see, now we have a light spot:

Duplicate (CTRL+J) this layer several times to enhance the effect:

Repeat this process on the opposite side of the circle:

And we get this effect:

Step 4 Now we will add a cloud effect around the circle. To do this, create a new layer and draw a selection with EllipticalMarqueeTool(Oval selection) (M) (feather (feathering) 40 px), inside the selection, generate clouds using a filter filter-render-clouds(Filter - Rendering - Clouds):

Press CTRL+L and apply the following settings for the cloud layer:

Then we use Warp(Warp) to transform the clouds as shown below: (this will create a slight movement effect of the sphere)

And we get the following result:

Step 5 We're almost done! Let's add the finishing touches in the form of additional effects. I added more smoke to the top and bottom of the sphere:

To add a golden hue, I created an adjustment layer colorBalance(Color balance) above all previous layers:

And finally, we merge all layers layer-flattensImage(Layer - Flatten), then apply the filter filter-noise-Reducenoise(Filter - Noise - Reduce Noise): (this will sharpen the effect and reduce the color noise of the circle)

It is impossible to imagine modern high-quality advertising without computer processing of photos or videos. People just won't understand.

A little over a month ago there was a post with well-known photographs of modern studios and individual creative masters. Today - the second part, many of their photographs were made by the same authors. Many prints have been seen in advertising campaigns, some - you can guess where.

Learning from the best!

Platinum FMD, Brazil

Remix Studio Bangkok, Thailand

Carioca Studio, Romania

Cream Studios, Australia

Beefactory, Belgium

Saddington & Baynes, UK

Saddington & Baynes is one of the pioneers of digital retouching. The studio began its work in 1991, when this instrument was not so widespread, and therefore the studio took over the mission of studying and distributing it.

Advertising images for Saddington & Baynes photographers and designers are complex, layered and almost technically perfect. Their striving for the absolute is appreciated by the world's leading advertising agencies A: They partner with Saatchi & Saatchi, Ogilvy, BBDO, Lowe and many more around the world.

Jekill "n" Hyde Studio, Belgium

The services of the Jekill "n" Hyde retouching studio are used by most European photographers. Which, in general, is not surprising. The studio not only does its job on the highest level, but also directly admits - "We love photography."

Garrigosa Studio, Spain

Studio Garrigosa makes the wildest fantasies of creatives come true.

The name of the studio comes from Joan Garrigosa, one of the legendary advertising photographers, whose passion grew into a strong studio with offices in several European countries.

Staudinger & Franke, Austria

Studio Staudinger+Franke is an Austrian photography/advertising agency that specializes in the development of creative images.

Founded by Robert Staudinger and Andreas Franke, the studio works with both European and American clients. Their portfolio includes creative for Lipton, Juicy Fruit, Coca Cola, Absolut.

Electric Art, Australia

Electric Art is an internationally recognized retouching studio located in the heart of Sydney's creative Surry Hills.

Over the past 15 years, the studio has built a solid reputation in the print post-production industry by delivering outstanding solutions to all of its clients and exceeding all technical and creative requirements.

Lightfarm Studios, New Zealand

Cream Studios, Australia

Cream photo retouching and 3D modeling studio is one of the largest and most reputable studios in Australia.

The works of this studio are always distinguished by a special brilliance, moreover, most often in the truest sense of the word. Their works shine, play with highlights and attract the eye.

Christophe Huet, France

No matter how much we would like, but the surname of the retoucher Christophe Huet is read only as "We", Monsieur is French. But even without the Russian frontal transcription of the surname, he is a master of attracting attention and provocation.

The retouching surrealist and symbolist perfectly masters professional retouching tools, collaborates with most major European agencies and photographers, does not hesitate to share his work with people and has a strong social position. In addition, he is a composer and plays the piano beautifully.

Taylor James, United Kingdom

Taylor James aims to produce creative images, but more importantly, they must be compelling and compelling. They formulate the principles of their work as follows: perspective, light, angles, color and a three-dimensional way of thinking.

LSD, Italy

There are no big names in the portfolio of the Milanese studio LSD. However, taken together, the work of this team literally takes out the brain.

Two Italian guys Marco Casale and Paolo Dall "ara, known under the common "brand" LSD, shoot people, children, animals, and cars. By combining their talents, photographers have created a huge portfolio that amazes with both the quality of images and ideas.

Vienna Paint, Austria

The studio was founded in 1988, when few people had heard of computer photo retouching, and were engaged in it, according to the founders Andreas Fitzner and Albert Winkler, "a few insiders-dreamers."

From a small studio just starting to master retouching with tools that were not the most diverse at that time, Vienna Paint has become one of the largest and most famous as a result.

Good day, dear readers. Do you seriously want to learn how to work in Photoshop and hope that you will succeed? Hundreds of people every day, inspired by the video miracles in three-minute videos, open this program and forget about it after a week.

“They teach, they teach at school, and also here, in adult life piled on! ”, - a quote from a Soviet cartoon appears in my head. After a week, everything is forgotten, a person begins to think that he already knows how to do everything, and much more, you can’t apply it anywhere anyway.

As a rule, all this knowledge remains unfulfilled by useless talents No. 7463. Why do you think that you will succeed? Well, at least you still haven't stopped reading this article and that's good enough. So you're kind of a realist, that's great, which means we have something to talk about. Then, let's find out how to work with Photoshop, or rather, from which side it is better to approach it, so as not to leave everything halfway.

How not to stop there

Motivation is the most important thing in life, especially for beginners. You can start writing a book and quit after a month, leave cross-stitch after a week, as a rule, you forget about the work of creating websites somewhere in six months. Why it happens? Initially, the wrong approach to business.

You must constantly work on your own motivation. How to do it? First things first, let's find out what you want from Photoshop?

Play and process a couple of your own photos?

Don't even bother learning. Find tutorials on YouTube for dummies, or dig into Photoshop yourself, at random. Here are some interesting drawings that can be obtained when working with just a few buttons.

What exactly? "Image" in the top toolbar. Special attention make corrections. There are a lot of gizmos that can surprise friends and diversify your leisure time.

Some of the most interesting tools here, in my opinion, are Curves and Juiciness.

You will also definitely like the "Filter Gallery".

You do not even have to download the program itself and spend money on it. There is a wonderful online service with a program in Russian ( https://editor.0lik.ru ), it is less functional when it comes to work, but it is ideal as a toy. In addition, you can work with it for free. Create.

Have tried, are interested and want to go further

Wait. It's too early to work with layers and other advanced features. First decide why you need it, otherwise you will just waste your time.

If you don’t feel sorry for days, weeks, months, that’s good, but when you start one thing, don’t finish it, take on a second or third, then in the end you don’t get anything.

How many more roads do you have to go to earn real money from your hobby. Do you really not need it? Many people take on some stupidity and create something incredible, getting millions from the project. And in the end, you will remain a person who knows a little more than others in each area.

How can you make money with photoshop?

1. Sell ​​cool photos own production through photobanks.
2. Create your own page and offer photo processing services.
3. Create illustrations for books, of which there are now about a million.
4. Make logos for companies.
5. Web design.

Do not believe that someone will really pay for this? Pf, don't hesitate. You can find a bunch of offers on the Weblancer site ( https://weblancer.net ).

Do not worry that you do not have enough strength or lack of experience. Take more time to complete the project, and less money so that the claims against you are not too serious. You can always justify your own actions later: “What did you want for 1,000 rubles? If you don’t like it, don’t take it, I completed the work on time, and it’s up to you to decide whether to refuse or take the results.”

You are new and that's great. Keep your ambitions to yourself as long as possible. Behind form style professionals can take at least 5,000 rubles. Do not think about big money during training while gaining experience. Over time, good orders will come, and then you will be able to set your own prices with all responsibility. In the meantime, set yourself tasks and solve them through educational articles and videos, of which there are a million on the Internet.

Start creating projects as early as possible. Make them for yourself, create projects for any money. No one will know how much you were paid, but you will have a great portfolio. Over time, you will learn to cope with tasks faster, which means you will be able to complete more orders.

The ambition is very strong and you want to earn a lot of money

If hard work and impressive performance are observed behind you, then you need to earn money on this and start doing it as soon as possible. There is a lot of money in design. Behind good project sites can pay about 80,000, for corporate identity 30,000, for a cool illustration 1,000. But to get that kind of money and find customers you have to really try.

Of course, you can't get by with tutorial videos, articles, or the poke method. Real, professional training is required. You will need to understand the intricacies of art, quickly learn the intricacies of business, see how specialists work, what they use when creating, study, so to speak, the case to the maximum and do it quickly.

Talent alone is not enough, experience is also needed. Whatever industry you start in, you need to grow to a professional. We don't have time for this! If you are very hardworking, then you are ambitious, and if the earnings do not go, you, again, will abandon what you started without completing it. You need to do everything so that the work performed by you is liked by others, and especially by customers.

I recommend you the course of Zinaida Lukyanova ( https://photoshop-master.org/disc15 ). It costs about two and a half thousand rubles and provides everything you need for work. All knowledge in 18 hours. A day will not pass as you reach good level. Of course, it will have to be improved, but at least you will know the basics. Further - a matter of technology, it remains only to look for your options. No one will tell you where to put this or that element, but you will know how it can be done and will not waste time on the technical side. It is not difficult to figure it out, if you have already seen how one or another tool of the master is used, you will be able to grab a lot of useful chips.

You will know specifically what can be done in Photoshop and what you can do, and therefore you will be able to find quick ways creation. Why spend an hour lighting up a shape perfectly when you can insert it perfectly and quickly into another object?

Which photoshop to choose

Naturally, in this case it is not enough online versions. She is only interested as a toy. On your own, you can install your own gradients, brushes, stamps, fonts. By the way, the last time I managed to download as many as 4,000 options. Look at some of them. Can you imagine how they simplify the life of a designer?

Naturally, you can install them on any version. By the way, let's talk about software. First came Photoshop CS5, this version is slightly less functional compared to latest version CS6.

And the coolest is CC 2015. I have it. Of course, for the designer it is better to choose it. There are a bunch of extra features that you probably won't need. For example, support for 3D printing. But what do you want from her, is it bad or what? There is and is. But in addition to this, you use smart sharpening, perspective deformation, improved layer correction CC just can't dance!

Do not think that you will not understand such a cool version or that it will be more difficult. All photoshops are basically the same. It's just that there are additional functions and buttons somewhere that you are not required to use. But what options do the latest versions perform a little better. For example, add a glow or sharpness.

Learn one Photoshop - you will understand all the rest. The main thing is to understand the logic of the developers, and it will not be difficult to figure it out further.

Finally, I will leave you a motivating video, where without them. Cool, the girl is turned into a robot. Great, by the way, if you remove the acceleration, then I think that it took him from two to eight hours to work. Agree, not so much. Just a day, and this is the result:

If you liked this article, subscribe to the newsletter and get more useful and necessary information that will help you do right choice and earn more money on the Internet, even if you don't know anything yet.

Photoshop is a very versatile program that gives us amazing possibilities. However, if you are just learning this software, then you probably still do not understand which techniques are best to use. In this post, Hungarian designer Martin Perhiniak shares his experience and talks about how NOT to work in Photoshop. Your attention 10 bad habits which would be nice to get rid of!

1. Work in one layer

Whatever you do in Photoshop, try to do it in extra layers. If you make all your edits directly on the original image layer, you'll run into problems anyway. In particular, with the ability to undo or edit changes. The basic principle of the so-called non-destructive method of working in Photoshop is based on working in new layers. In this case, it becomes incredibly easier to make changes to the work done.

2. Delete and erase instead of masking

It's also a bad habit to erase and delete parts of an image. This is the most destructive way of working! Instead, use masks. For example:

• Pixel Mask
• Vector Mask
• Clipping Mask

The easiest way to hide part of an image is with a mask. At the same time, you hide the objectionable part only for the time you need. In case you change your mind, you can always edit the mask or cancel it altogether.

3. Losing time on extra clicks

Using Photoshop without hotkeys is like eating soup with a fork. It is possible, but very long and inconvenient. A true Photoshop master should have one hand on the mouse (or tablet) and the other hand on the keyboard. Here are some of the most common keyboard shortcuts you'll find useful:

• Cmd / Ctrl + T - Free Transform / Free Transform
• Cmd / Ctrl + Enter - accept text / Accept typing
• Cmd / Ctrl + S - save document / Save document
• Cmd / Ctrl + A - select all / Select all
• Cmd/Ctrl + D - Deselect
• Cmd / Ctrl + I - invert colors / Invert colors
• Cmd / Ctrl + Shift + I - invert selection / Invert selection
• Cmd/Ctrl + click on layer icon - call selection from object in this layer
• Cmd/Ctrl + Option/Alt + A - select all layers
• Option / Alt + click between two layers - Clipping Mask / Clipping Mask
• Cmd/Ctrl + G - group layers
• Cmd/Ctrl + Shift + G - ungroup layers

If you are interested in more Photoshop hotkeys, study this picture:

4. Transforming raster layers

Many Photoshop users have heard about the usefulness of Smart Objects, but not everyone uses them regularly. And it's a shame, because when you convert a raster layer into a smart object, Photoshop starts working with it as a separate file. And this is what it means:

Thanks to the technologies that appeared in Photoshop CS2, we have the ability to transform Smart Objects as much as we want, without losing the quality of the file contained in them. Try to do the same with a bitmap file, and after reduction you will not return to the previous quality.

5. Ignoring Adjustment Layers

Working in Photoshop without using adjustment layers / Adjustment Layers is similar to working in one layer. This is a big mistake. If you apply an adjustment from the Image menu directly to an image, you won't be able to edit the changes afterwards. And when using adjustment layers, you can change the selected parameters at any time, as well as experiment with opacity and blending mode.

6. Disorganized

When working in Photoshop, it is very important to build your work in an organized manner. If you have already learned, or already used the first tip about working in new layers, then you should definitely get into the habit of naming each new layer according to its content. This may seem like a waste of time, but trust me, it will save a lot more time for you and especially your colleagues if you work in a team.

7. Using destructive filters

Photoshop filters can be applied non-destructively using Smart Filters. In this version, you can turn filters on and off, change parameters, opacity and blending mode.

8. Sub-optimal navigation

Some users drag the vertical and horizontal scroll bars to move around the document. This is instead of pressing Space, thus activating the Hand tool / Hand and moving around the document in any direction. There are several keyboard shortcuts to help you navigate.

• Space - hand tool / Hand tool
• Z + drag left and right - zoom in and out
• Hold down H + click - bird's eye view mode
• Cmd/Control + 0 - Expand to screen size
• Cmd/Control + 1 - Actual Size

9. Not Using Bridge

Adobe Bridge is a program that has been included with Photoshop since version CS2. The software helps you structure and not get confused in the files you work with in Photoshop. ( Nevertheless, Adobe Bridge is still an amateur program. It is quite possible not to include it in the list of mandatory software for use. - approx. ed.)

10. PSD not saving

Never forget to save the PSD file. Also ALWAYS save the document as you work. It should become a habit on a reflex level. There is nothing worse than loss a large number work done, due to the fact that your computer freezes. Always save PSD files. You do not need to show it to anyone, but if you suddenly need to make changes, the file will be at hand.

Translation - Desk