How old is Oleg Tabakov the actor. Oleg Tabakov died: latest news, funeral

Oleg Pavlovich Tabakov. Born August 17, 1935 in Saratov - died March 12, 2018 in Moscow. Soviet and Russian theater and film actor, theater and film director, teacher. People's Artist of the USSR (1988). Laureate of the State Prizes of the USSR (1967) and the Russian Federation (1997). Full Cavalier of the Order of Merit for the Fatherland.

Artistic director of the Moscow Art Theatre. A.P. Chekhov. Founder, artistic director of the theater under the direction of Oleg Tabakov ("Snuffbox"). President of the Saratov suffering documentary melodrama festival. Member of the Council for Culture and Art under the President of Russia.

Father - Pavel Kondratievich Tabakov.

Mother - Maria Andreevna Berezovskaya.

He spent his early childhood with his parents and grandparents. His family experienced all the hardships of the Great Patriotic War: his father went to the front, leading the military hospital train No. 87, his mother, in order to feed the children, worked in a military hospital at the Elton station of the Ryazan-Ural Railway. After the war, the parents separated.

Oleg Tabakov studied at the male secondary school No. 18 in the city of Saratov. The decisive influence on the choice of profession was exerted by classes in 1950-1953 in the Young Guard theater group of the Saratov Palace of Pioneers and Schoolchildren, led by theater teacher Natalya Iosifovna Sukhostav, who became the “godmother” for one hundred and sixty actors.

In 1953, Oleg Tabakov graduated from high school, entered the Moscow Art Theater School, on the course of Vasily Osipovich Toporkov. Was one of the best students. While studying in his third year, he played his first film role in the film Sasha Enters Life, directed by Mikhail Schweitzer.

In 1957, under the roof of the Moscow Art Theater School-Studio, Oleg Efremov created the Studio for Young Actors, which was later transformed into the Sovremennik Theater. Efremov had a great influence on the final professional development of Tabakov.

According to Tabakov, Sovremennik became at the same time "confirmation of the greatness of the Moscow Art Theater, its methodology, the teachings of Stanislavsky and Nemirovich-Danchenko about the living actor, the living life of the human spirit, reproduced on the stage today, here, now".

Sovremennik became an independent unit, and Oleg Tabakov became the youngest of the six founders of the new theatre. The role of student Misha in the play "Forever Alive" was his first work in the theater. From 1957 to 1983, Oleg Tabakov was the leading artist of Sovremennik. His roles in the performances "The Naked King", "Three Wishes", "Always on Sale", "An Ordinary Story" gained incredible success.

Due to his heavy workload, at the age of 29, he suffered a heart attack (1964).

He worked a lot on the radio.

Since 1965 - a member of the CPSU.

In 1968, at the invitation of the Chinogerny Club Theater, Oleg Tabakov played his favorite role in Prague - Khlestakov in the play The Inspector General. The resounding success abroad finally confirmed the "star" status of the thirty-three-year-old artist among theatrical masters of international class.

In 1970, after the appointment of O. N. Efremov as the artistic director of the Moscow Art Theater, Tabakov decided to become the director of the theater and contributed to the approval of G. B. Volchek as the chief director of the Sovremennik Theater. Tabakov's directorship lasted six years and brought a lot of benefits to the theater.

From 1976 to 1983, Oleg Tabakov remained in Sovremennik in "one-time" roles, and in 1983, at the invitation of Oleg Efremov, he moved to the Moscow Art Theater. His first role on the stage of the Art Theater was Salieri in the play based on the play by P. Schaeffer "Amadeus". In 1987, when the theater was divided into two troupes, he actively supported Oleg Efremov.

In 1973, Oleg Tabakov, a prosperous and maximally loaded person, makes an unexpected decision - to take on another burden: to teach young acting.

In 1976, on the basis of GITIS, Oleg Tabakov took a course of twenty-six students, the basis of which were those whom he brought from his "drama club": N. Lebedeva, I. Nefedov, L. Kuznetsova, M. Ovchinnikova, V. Nikitin, A .Yakubov, O.Topilina and K.Panchenko. Elena Mayorova was among those who came to study at Tabakov. A new page has opened in Tabakov's life - professional teaching. Tabakov gave the maximum to his first course. The training program was very different from the one that existed at the Institute of Theater Arts. Tabakov's "first-born" got to read "forbidden" literature, and meetings with Vysotsky, Okudzhava, Shverubovich, and other iconic figures of that time. The master was always generous to his students, devoting all his free time to his studies.

In 1986-2000 was the rector of the Moscow Art Theater School, where he completed four acting courses, the head of the joint postgraduate program of the Studio School and Carnegie Mellon University (USA).

In 1992 he founded the Stanislavsky Summer School in Boston (USA).

Since September 2010, with the arrival of the first students at the open theater college at Tabakerka, he has been the artistic director of the college and a teacher of acting, continuing the traditions of the acting school of Stanislavsky and Nemirovich-Danchenko.

Since 1976, with the production of N.V. Gogol's "Inspector General" in the theater of Sheffield (Great Britain), Oleg Tabakov has been working a lot and fruitfully abroad as a stage director and teacher - in the theaters of Hungary, Finland, Germany, Denmark, Austria , USA he staged Russian, Soviet and foreign classics, more than 40 performances in total.

In 1977, with the help of the head of the Bauman RSU, Yu. L. Goltsman, Tabakov managed to get a former coal warehouse at Chaplygin, 1a. With their own hands, the master and his course cleaned and repaired an abandoned room, which eventually turned into a famous basement "Snuffbox".

In 1978, the premiere of the "basement" took place - the play "In the spring I will return to you" based on the play by A. Kazantsev. Then there were "Two Arrows", "Farewell, Mowgli!", "Snow White and the Seven Dwarfs", "Passion for Barbara". Tabakov's students learned the art by participating in performances every day. Soon the "basement" became known not only in Moscow.

Since 1979, the best journalists and critics of that time began to write about the studio - A. Adzhubey, E. Surkov, A. Svobodin, I. Solovyova. After the most successful tour of the studio in Hungary, it became obvious that a new theater had come into being. However, the theater was not given official status.

From 1980 to 1982, Tabakov's graduates, forced to disperse to different theaters, continued to gather at the Tabakerka at night, rehearse and even release premieres. In those years, "Notes of a Madman", "Jacques the Fatalist", "A Case at the Zoo" were published. The last attempt to restore the former life of the basement was the play "The Proletarian Mill of Happiness", once disrupted due to the absence of an actress who was not released from her "main place of work". The basement has come to a standstill.

In the most difficult time for himself, during the period of the "ban on the profession", Tabakov continued to work, lecturing to students of the Helsinki Theater Academy. Staged with the Finns graduation performance "Two Arrows". In 1982, Tabakov is gaining a new acting course, which in a few years will become the basis of the troupe of the new theater.

1986 - First Deputy Minister of Culture signed an order to create three Moscow studio theaters, one of which was a studio theater led by Oleg Tabakov.

March 1, 1987 - completed the reconstruction of the basement on the street. Chaplygin, 1a. Tabakov puts on performances in the basement, plays himself and educates the actors, combining everything with extraordinary ease.

In 2000, Tabakov headed the Moscow Art Theater. A.P. Chekhov.

In 2004, Tabakov, as a producer, head of two theaters, with other combination of duties and professions, won the "Seagull" award in the "Angel Heart" nomination.

In 2008, the opening of a theater college at the Tabakov Theater was announced - a unique boarding school in which children from all over the country will study the acting profession.

On September 3, 2014, at the initiative of Oleg Tabakov, a monument to the founders of the Moscow Art Theater V.I. In 2015, construction began on a branch of the Moscow Art Theater at the intersection of Andropov Avenue and Nagatinskaya Street (Kolomenskaya metro station), and the opening is scheduled for 2018.

He made his film debut in 1956. and became one of the most sought-after and famous artists of the national cinema.

The first work is a young communist Sasha Komelev in the film "Tight Knot" by Mikhail Schweitzer.

Oleg Tabakov in the movie "Tight Knot"

In 1969, the painting “Burn, burn, my star” was released. The film takes place in a small town during the Civil War. Power changes every week, troubled times have come. The main character is a self-taught director Vladimir Iskremas (played by Tabakov) - a kind of pseudonym surname means "art for the revolutionary masses." Volodya does not think about the severity of wartime, he is an enthusiast, absorbed in the idea of ​​​​creating a new revolutionary theater.

Notable was the role of Makar Ovchinnikov in the 1971 film "Property of the Republic" directed by Vladimir Bychkov. His hero is Makar Ovchinnikov, a novice criminal investigation officer, who will have to investigate the loss of valuables confiscated from the royal family.

In 1973, Tatyana Lioznova's cult series Seventeen Moments of Spring was released, in which Tabakov brilliantly played the role of Walter Schellenberg.

Oleg Tabakov in the movie "Seventeen Moments of Spring"

The actor successfully played both main and secondary roles. The audience knew: if Tabakov is in the credits, then the film must be watched.

In the 1970s, he successfully starred in such films as “Lev Gurych Sinichkin” (playwright Fyodor Semyonovich Borzikov), “Kashtanka” (Monsieur Georges), “12 Chairs” (Alkhen is a supply manager, a shy thief), “An unfinished piece for a mechanical piano” (Pavel Petrovich Shcherbuk), “On the Eve of the Premiere” (Chief Director of the Youth Theater Nikolai Nikolayevich Patov), ​​“Handsome Man” (Apollo Evgenievich Okoyomov), “Ah, vaudeville, vaudeville ...” (Akaky Nazarych Ushitsa), “Moscow Can’t Tears believes "(Volodya)," D "Artagnan and the Three Musketeers" (Louis XIII), "A Few Days in the Life of I. I. Oblomov" (Ilya Ilyich Oblomov).

Oleg Tabakov in the film "12 chairs"

Oleg Tabakov in the film "D" Artagnan and the Three Musketeers"

Oleg Tabakov in the film "Moscow does not believe in tears"

In the 1980s, he created memorable images in the films “Flying in a Dream and in Reality” (Nikolai Pavlovich), “Mary Poppins, Goodbye!” (grumpy Miss Andrew), "Time and the Conway Family" (Robin Conway), "Someone else's wife and husband under the bed" (Ivan Andreevich), "Monsieur Perrichon's Journey" (Monsieur Perrichon), "The Man from the Boulevard des Capucines" (the owner of the saloon Harry McKue), "The Heart is Not a Stone" (Isai Danilych Khalymov).

Oleg Tabakov in the movie "Mary Poppins, goodbye"

Oleg Tabakov in the film "The Man from Boulevard des Capucines"

In the 1990s, roles in the films Inner Circle (General Vlasik), Shirley Myrli (Sukhodrishchev), Moscow Holidays (Maurizio Costellani), Orphan of Kazan (Pavel), What the Dead Man Said ( Inspector Jensen), "The President and his granddaughter" (President).

Oleg Tabakov was actively filming in the 2000s. It is worth highlighting such films with his participation as “Additional Time” (Tarasov), “State Councilor” (Moscow Governor-General Prince Vladimir Andreevich Dolgorutsky), “Andersen. Life without love" (Simon Meisling), "Admirer" (publisher, Chekhov's friend Nikolai Alexandrovich Leikin).

Oleg Tabakov in the film "State Counselor"

Oleg Tabakov in the film "Fan"

Socio-political position of Oleg Tabakov

In February 2012, he became a confidant of the candidate for the President of the Russian Federation, who put forward his candidacy for the third presidential term. In July of the same year, by the Decree of V.V. Putin, he was included in the Council for Public Television.

On March 11, 2014, he signed an appeal by cultural figures of the Russian Federation in support of the policy of Russian President V.V. Putin in Ukraine and Crimea.

He spoke out with the support of the director of the Novosibirsk Opera and Ballet Theater Boris Mezdrich, director of the opera Tannhäuser, against whom an administrative case has been initiated: “The very fact of initiating a criminal case over a work of art, no matter how controversial and ambiguous it may be, cannot but cause concern” .

In July 2015, in a commentary to the Ren-TV channel about the list of 117 Russian artists prepared by the Ministry of Culture of Ukraine who could pose a threat to the national security of Ukraine, Oleg Tabakov made a number of statements, saying about the Ukrainians who advocate for the black list that they " and so not very enlightened. It's like a grandmother sometimes said: "Yes, you spit on them, it's dark and illiterate people." The trouble is that normal people will suffer from the fact that normal information does not reach them in any way ... I feel sorry for them. In a way, they are miserable." In the same comment, Tabakov stated that "at all times, their best times, their brightest representatives of the intelligentsia were somewhere in the second and third positions after the Russians."

18:28 - REGNUM People's Artist of the USSR Oleg Tabakov died on March 12, 2018 in Moscow at the age of 82. President of Russia Vladimir Putin, politicians, government members and cultural figures express their condolences to the family and friends of the artist, as well as to all admirers of his talent.

Oleg Pavlovich Tabakov was born on August 17, 1935 in the city of Saratov in a family of medical workers. While studying at school, Tabakov was engaged in a theater group in the city Palace of Pioneers and Schoolchildren, conducted radio programs for children and youth.

In 1953, Oleg Tabakov entered the Moscow Art Theater School, where he quickly became one of the best students.

Together with Oleg Efremov organized the Studio of Young Actors at the Moscow Art Theater School, from which the Sovremennik Theater subsequently grew, one of the leading actors of which Oleg Tabakov remained until 1983.

Even in his student years, Oleg Tabakov began acting in films. His debut work was the role in the film of the famous director Michael Schweitzer Sasha enters life.

After that, Oleg Tabakov starred in more than a hundred films, especially remembered by the audience for his roles in such famous films as "The Living and the Dead" Alexander Stolper, "War and Peace" Sergei Bondarchuk, "Burn, burn, my star" Alexandra Mitta, serial television film "Seventeen Moments of Spring" Tatyana Lioznova, “A few days from the life of I. I. Oblomov” Nikita Mikhalkov, comedy film "The Man from Boulevard des Capucines" Alla Surikova and many others.

Children and adults of all the republics of the USSR remembered the voice of Oleg Tabakov from the cartoons Prostokvashino, where he voiced the cat Matroskin. The artist voiced dozens of cartoons and participated in numerous radio performances and programs for both children and adults.

Since 1973, Oleg Tabakov also became a teacher, creating a theater group for high school students, and then working at the State Institute of Theater Arts (GITIS), where two acting courses were released under his leadership.

In 1977, in Moscow, Oleg Tabakov, with his students from GITIS, created a new theater called "Snuffbox", which then did not receive an official status and interrupted its activities from 1980 to 1986. Nevertheless, in 1986, the USSR Ministry of Culture issued an order establishing the Studio Theater under the direction of Oleg Tabakov, who has since remained the artistic director of this group.

At the same time, Oleg Tabakov, since 1983, has been actively working at the Gorky Moscow Art Academic Theater, and since 2000, after the death of Oleg Efremov, he took up the post of artistic director of the Moscow Art Theater. Chekhov.

For his creative achievements, Oleg Tabakov in 1967 became a laureate of the State Prize of the USSR, and in 1988 he was awarded the title of People's Artist of the USSR. In 2002, Oleg Tabakov received the Russian Presidential Prize in the field of literature and art, the Golden Aries and Golden Mask prizes, the A. Stanislavsky and many others.

Oleg Tabakov was awarded the Soviet Orders of the Badge of Honor, the Red Banner of Labor, as well as the Russian Orders of Friendship of Peoples and "For Merit to the Fatherland" of all degrees.

In November 2017, Tabakov fell seriously ill and was admitted to the First City Hospital in Moscow with a diagnosis of pneumonia.

As reported IA REGNUM, recently the artist's health has deteriorated, and doctors were forced to put his body into a state of artificial coma to reduce the load on internal organs.

In Moscow, after a long illness at the age of 82, a Russian and Soviet theater and film actor, People's Artist, laureate of the USSR State Prize Oleg Tabakov died.

This was reported in the press service of the Moscow Art Theater. Chekhov, whose artistic director was the artist.

Tabakov's hospitalization became known on November 27 - the artist was taken to the First City Hospital with a diagnosis of sepsis. Against the background of infection, the actor exacerbated many chronic diseases.

Before the New Year, the media reported that doctors put Tabakov into an artificial coma in order to reduce the burden on the body weakened by the disease. Despite some stabilization, the artist's health remained serious. It was later noted that the actor regained consciousness, but did not recognize anyone.

Tabakov was born in Saratov on August 17, 1935. In 1953 he entered the Moscow Art Theater School, where he was among the best students. Known as one of the founders of the Sovremennik Theatre. The artist won the love of the audience, becoming famous for many roles in theater and cinema. His images in such films as "War and Peace", "Seventeen Moments of Spring", "Twelve Chairs" gained fame. Tabakov also voiced the cat Matroskin in the cartoon "Three from Prostokvashino" and "Vacation in Prostokvashino".

At the Moscow Art Theatre. Chekhov was told that the tragic event happened on Monday afternoon. The theater staff, despite the fact that Oleg Pavlovich was in the hospital for more than three months, all early believed in the strength of his body. Today's theater performances have been cancelled.

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Oleg Tabakov died. Favorite actor and director of "Snuffbox" - Oleg Tabakov died at the age of 83

MEANWHILE

The cause of death of Oleg Tabakov: the actor's heart stopped, unable to cope with inflammation

Since November 27, Oleg Tabakov has been in the First City Hospital. Information about his well-being came conflicting. Even his sons - Anton and Pavel, fighting off journalists, said different things. One is that his father has pneumonia, the other is that he has problems with his teeth. Then a more intelligible explanation appeared: six months ago, Oleg Pavlovich was given dental implants, which was risky at such a respectable age. But he did the operation with reliable, proven doctors. They say not in Moscow, but not abroad either, but in one of the Russian cities

CONDOLENCES

Ivan Krasko - about the death of Oleg Tabakov: His whole life was a feat

People's Artist of the USSR Oleg Tabakov died in Moscow at the age of 83. According to media reports, recently the director was in an artificial coma. Doctors introduced him into this state to reduce the burden on the body. ()

Vladimir Menshov: I admired Oleg Tabakov from the first minute I saw

People's Artist of Russia, actor, director, teacher and head of the Moscow Art Theater named after A.P. Chekhov" and "Snuffboxes" passed away at the age of 83. Oleg Tabakov was a real heavyweight in the art world. He is excellent in everything he has to do with. ()

Yuri Mamin: “Tabakov is one of the pinnacles of acting. And there are not so many peaks

The death of Oleg Tabakov, who died today after a long illness at the age of 83, was a blow. Petersburg theatrical community mourns. ()

Kadyrov on the death of Oleg Tabakov: He was known and loved by several generations Ramzan Kadyrov joined those mourning the death of the great actor, director and artistic director of the Chekhov Moscow Art Theater, the great Oleg Tabakov. The huge loss upset and touched the heart of the Chechen leader. He wrote about this in Telegram. - He was known and loved by several generations of citizens of the Soviet Union and Russia. Oleg Pavlovich was a People's Artist of the USSR, a laureate of prestigious awards and state awards. He raised a galaxy of talented actors

Oleg Grigoriev, Deputy Head of the Federal Agency for Press and Mass Communications:

“It's sad and bitter. Boundless charm and talent man. It's like a piece of your soul has been torn out."

Director Nikita Mikhalkov: Oleg Tabakov could turn any material into a work of art

A great artist is gone. A man for whom the acting profession was an integral part of his life, a man with an incredible ability to turn any material into a work of art of the highest class. Whether it's the boy from the picture "A Noisy Day" or Ilya Ilyich Oblomov in "A Few Days in the Life of I.I. Oblomov", or Walter Schellenberg in "17 Moments of Spring". Tabakov was one of those few people at the sight of whom you immediately feel their amazing unique individuality. But most importantly, he knew how not only to own what God gave him, but also to share, to teach others the skill. Do not count the wonderful artists who have a name and a huge track record in the domestic theater and cinema, the road to which was opened by Oleg Tabakov. They say: "No one is irreplaceable." Maybe in some spheres of life this is true, but in this particular case I cannot imagine who could occupy the niche that Oleg Pavlovich Tabakov has occupied all his life in our art. A whole planet has gone, but I am sure that its light will illuminate the road for a long time to those who want to do the business to which Tabakov devoted his whole life.

Dupak Nikolai Lukyanovich, former director of the Taganka Theater:

Tabakov is gone! It can't be. Boy! I am a hundred - he is eighty-two, he would live and live. I remember the first time I saw him in 1960. A mischievous, charming kid, asked to see the performance at the Taganka Theater. Of course, I always let him in. How else? Who could resist his charm? Tabakov had many talents, but his main and unsurpassed quality was charm. How much light and energy there was in him, as if the sun shone from within, as if all human principles merged in him.

I also remember how Sovremennik came to congratulate me on my birthday. “You give us Dupak, and we give you Tabaka,” the actors said and carried out the clothes box in which Tabakov was sitting.

He had everything and he succeeded in everything. I was in his theater and rejoiced when they opened. But there was only one thing I didn't like. Why, when opening the Moscow Art Theater, he removed the board with the name of the founders: Stanislavsky and Nemirovich-Danchenko. All I wanted to do was turn to him and tell him. Oleg, well, you're wrong... I didn't have time. Didn't say.

For me and for Russia, for the world - this is an outstanding person. The last of the Mohicans, the last Soviet actor, director, leader. In everything he undertook he was a professional. May the earth rest in peace to you, boy, my bright man.

Voznesensky's widow: I was sure that he would be with me, at least as long as I was alive

The call of "Komsomolskaya Pravda" found Zoya Boguslavskaya, the widow of the poet Andrei Voznesensky, in the doctor's office. The woman could not contain her sobs.

I was sure he would live. At least while I'm alive, - said Boguslavskaya.

They were connected with Tabakov not just by cooperation. Oleg Pavlovich was a family friend. At one time, Boguslavskaya dedicated one of her essays "The King and the Clown" to Tabakov. Tabakov loved and appreciated the poetry of Andrei Voznesensky, and after the death of the poet, he helped Boguslavskaya in the work of the Andrei Voznesensky Foundation.

A few days ago, Konstantin Bogomolov consoled me. He said, you'll see, Oleg Pavlovich will not only survive, but also enter the stage. I did not really believe that he would go on stage. But I hoped that he would live. I know we were all hoping. Marina Zudina did not leave him, - the woman admitted.

For the funeral of a friend, which will be held on Thursday, she refused to travel abroad for treatment.

Someone compares him with the cat Matroskin, someone with Oblomov. This role in Mikhalkov's film was an acting masterpiece, although in life Oleg Pavlovich was completely devoid of Oblomov's features ... He managed so much. He did so much... You see, Oleg Pavlovich believed that activity multiplies goodness. At least that was the case in his case. Sorry, I can't talk further. Painfully.

Lyudmila Petrushevskaya: For me, Tabakov will forever remain a sneezing Cook

A great actor, a wonderful director, and what a director he was - there are none like him. Of course, in the memory of the people, he will remain as Cat Matroskin. Gorgeous, magical tone. And in my memory - all the roles in the young Sovremennik. I can’t stand the theater, but I watched it, Tabakova. I remember his wordless role as Cook in The Naked King. Good God, "The Naked King", where only the stars played, and he was very young, did not get lost. I remember standing over a dish of pies and sneezing desperately. Yes, I was told that for every performance they come up with something new. It was a happy game. I am grateful to him for the fact that the performance "He is in Argentina" directed by Dmitry Brusnikin was staged with him. The wonderful Marina Golub played in this performance, she died a week after the premiere. Then this performance went on for four years, tickets were not available, and the performance even received the Oleg Tabakov Prize.

Every time we met with him somewhere at a buffet table, Tabakov said: let's play the play. But nothing else happened. All my character. Once he began to speak to me on "you". And I called him "Lelik" for this. I don't like being called "na you". This is where our conversation ended. Well, I have character. He has a habit .... Oleg Pavlovich led a huge team, he had a huge number of cases in which he dominated, and then I made a remark to him ...

That's what's weird. Literally the day before he left, I posted a poem on my Facebook. now let it be in memory of Oleg Tabakov.

In life then only

You understand everything

When there is a lump in the throat.

So hard to find

Losing so fast

That's the law

SEE PHOTO GALLERY

OPINION

Oleg Tabakov: the gift of endless charm

Denis KORSAKOV

The fact that Oleg Pavlovich does not feel very well has long been known. In 2014, he came to Kinotavr - they showed Star, a film by Anna Melikyan, where his son Pavel played the first big movie role. He flashed at the opening, having lost weight, having lost a lot - and then he almost did not appear in public: they said that he did not leave the room, because he felt very bad in the stuffiness of Sochi. ()

People's Artist of the USSR Oleg Tabakov died after a long illness. The tragic event became known on the afternoon of March 12. The information was confirmed by the press service of the Moscow Art Theater. Chekhov.

The artist was taken to intensive care in November 2017. Despite the fact that the condition of Oleg Tabakov was not always stable, no one could have imagined that the famous actor would die so soon.

Columns appeared daily on the Internet with the latest news about the health of Oleg Tabakov - however, there were no new photos after November 2017, since the artist was in extremely serious condition almost all the time.

For several months, fans have been entering disturbing queries into search networks: “Is Oleg Tabakov alive or dead?” Today is the time when it is worth remembering all the good things that Oleg Pavlovich did for the development of the national theater and cinema.

https://youtu.be/UJn_zpMCEog

The life of an actor

Oleg Pavlovich was born in 1935 into a family of doctors and grew up in an atmosphere of family warmth and support. When the future artist was six years old, the war came to the country, and his father went to the front as a volunteer. After another year, the artist's mother became seriously ill. Thus ended the troubled times.

As a student of the eighth grade, Tabakov began to play in the well-known children's theater in Saratov "Young Guard". A childhood hobby quickly grew into Oleg Pavlovich's life's work: having entered the stage for the first time, Tabakov realized that he no longer wanted to leave it.

Tabakov decided to act in Moscow. The entrance exams opened the doors of GITIS and the Moscow Art Theater for him, but the future master of the theater gave preference to the studio school. The artist's fellow students were Valentin Gaft, Tatyana Doronina, Galina Volchek, Leonid Bronevoy, Mikhail Kazakov, and other pillars of the national theater and cinema.

In young age

Theatrical career

After graduating from the university, Tabakov joined the troupe of the theater. Stanislavsky. However, Oleg Pavlovich did not stay there for long: life led him to Sovremennik, in which the talented Oleg Efremov was wholly in charge of the creative process.

The split in the theater allowed Tabakov to stand at the head of Sovremennik. Subsequently, Oleg Pavlovich will become the face of the theater. Statements appeared in the press that after Oleg Tabakov died, Sovremennik would never be the same again.

In the mid-eighties, as part of the cultural plan, it was decided to open three new theaters in Moscow. Tabakov took the opportunity and fulfilled his old dream - he created his own Theater Studio, which very soon received the half-joking name "Snuffbox".

On your favorite stage

Despite the conflicting reviews of critics immediately after the opening of the theater, the auditorium was always full. The success of "Snuffbox" began from the very first performances. The career of many talented artists of the national stage began with the Tabakov Theater-Studio. Among them are K. Raikin, Yu. Bogatyrev and others.

Tabakov's theatrical career was not limited to Russia alone. In the United States, Oleg Pavlovich opened the Summer School. Stanislavsky at Harvard University. Tabakov has many classical productions in the best European theaters.

Filmography

They say that a talented person is talented in everything. Oleg Pavlovich proves this idiom with an example of his own life: his theatrical career began to be closely intertwined with works on the big screen even in his university years.

In the movie "Moscow does not believe in tears"

At first, the artist got the roles of slightly naive and believing in the best heroes. Tabakov lived on the screen of the life of the best people of the Khrushchev era. Examples would be the following roles:

• Victor Bulygin in "People on the Bridge";
• Sasha Egorov in "Probation";
• Oleg Savin in "A Noisy Day".

Tabakov took part in the filming of more than 120 films. His charismatic roles remained in the memory of the audience, even if they were not the main ones. Tabakov’s talented film works were recognized as shooting in the series “Seventeen Moments of Spring” (his employees on the set were Vyacheslav Tikhonov and Leonid Bronevoy), as well as in “12 Chairs” - where the artist had to collaborate with Andrei Mironov and Anatoly Papanov.

Oleg Tabakov in the series "Seventeen Moments of Spring"

A striking role was the role of Nikolai Rostov in the film "War and Peace" in 1968. The film was awarded an Oscar. They also warmly recall the painting “A Few Days in the Life of I.I. Oblomov, where Tabakov played the protagonist of Goncharov's novel. A small, but bright and spectacular role in the film "Moscow Does Not Believe in Tears" also remained in the memory of Soviet and Russian viewers.

An example of great acting skills is the role of Tabakov in the film "The Man from the Boulevard des Capucines". Oleg Pavlovich perfectly performed the greedy salon owner Harry McKue. This time, Mironov, Durov and Yarmolnik became Tabakov's partners on the set.

Personal life

Now the most relevant request on the Internet is whether it is true that Oleg Tabakov died. However, in this dark time, it is better to remember the positive moments of his life - for example, love stories.

With Marina Zudina

In the 90s, the press exploded with a grandiose scandal related to changes in Tabakov's personal life. After a thirty-five-year marriage with Lyudmila Krylova, Oleg Pavlovich suddenly decided to divorce a woman and go to a young actress Marina Zudina. The event irrevocably ruined Tabakov's relationship with two children from his first marriage.

Despite the evil tongues, the romance of Tabakov and Zudina was continued within the walls of the registry office - ten years after the start of the relationship.

However, the artist's love stories do not end there. For a long time, there were rumors in the press about the romance of Oleg Pavlovich and Elena Proklova. The actress herself does not hide the fact that the master of the theater was her first love.

Elena Proklova and Oleg Tabakov

In the second marriage, Tabakov had two more children - son Pavel and daughter Maria. Pavel continues his father's work by graduating from Oleg Tabakov's studio school.

So far, the actor has three grandchildren - Anna, Polina and Nikita.

Last years

Since the mid-1910s, Tabakov and his team have been busy opening a new stage in Moscow, this time on Sukharevskaya Square. It was the long-awaited housewarming party of the famous Snuffbox. Oleg Pavlovich followed the accurate execution of the planned plan and did not allow either the builders or the designers to deviate from the original idea by a single step.

In 2017, the 30th anniversary of the theater was held in the new hall. A brilliant benefit performance united everyone who created the theater in the eighties on Sukharevskaya - Marina Zudina, Sergey Belyaev, and many others. Television versions of the famous performances of "Snuffbox" were broadcast on the "Culture" channel.

With the theater troupe

The press notes that Tabakov at that time was full of energy and ideas, and was going to implement many more plans. Until the very deterioration of his condition, Oleg Pavlovich continued to go out on the wall and took an active part in the life of his beloved theater, which became his main brainchild.

Medical history and death

Inquiries “Did Oleg Tabakov die?” began to appear on the Internet in connection with the disturbing events that occurred last fall. On the afternoon of November 27, 2017, Tabakov made a scheduled visit to the dentist. The artist became ill right in the treatment room. Tabakov was hospitalized. The reporter managed to find out at the Tabakerka Theater that Tabakov installed implants for himself in the Moscow dental clinic.

Later, information appeared on the Web that Tabakov had sepsis. According to the doctors, the artist was admitted to the hospital in an extremely serious condition - even young and strong people cannot cope with such a disease. It is hard to believe that Oleg Pavlovich Tabakov was dying due to a banal oversight - perhaps the disease could have been detected earlier.

There was information that Tabakov was diagnosed with sepsis

Immediately after the New Year, news appeared on the Internet that Oleg Tabakov's health had recently improved. The source said that Tabakov responded better to the examination and complained of mild pain in the lung area, and also began to understand where and why he was.

However, already at the end of January, information appeared again in the media that Tabakov's condition was unstable. Oleg Pavlovich Tabakov's vital organs began to fail. The fact that the artist died, it became known on the afternoon of March 12. The actor never left the hospital, although he dreamed about it from the very first day spent within its walls.

Today it is hard to believe that Oleg Tabakov is no longer among us: the fans daily monitored the state of health of their idol and until the last minute did not want to believe that the artist was dying.

"Snuffbox" and "Sovremennik" cancel performances for the next few days due to mourning for the artist. Farewell to the artist will be held on March 15 at the Moscow Art Theater. Chekhov. The funeral will take place presumably at the Novodevichy cemetery.

https://youtu.be/_GjHGbYm_Nw

No one can speak, as if general paralysis struck people of different generations. Should this be surprising? After all, Oleg Pavlovich is probably the only one who, in one way or another, specifically or tangentially, lives in everyone. And this is only in a professional environment, what can we say about the army of millions of fans. And she is the whole country, and this is not a figure of speech in a mournful moment.

In the Moscow Art Theater named after Chekhov, the play "The Bright Path" was supposed to be on today. It is canceled, like all subsequent ones indicated in the poster. The theater officially declared many days of mourning.

A bright path - this is how you can call the life of Oleg Pavlovich Tabakov. A boy from Saratov, skinny, with a thin neck, high voice, laughing eyes, in the middle of the last century he came to the capital and began his unrestrained rise, a beautiful flight that lasted a lifetime, almost without stopping, which can be considered an exceptional and unique phenomenon. It is enough to start listing names, events, objects to understand - Tabakov is in everyone, everywhere, always and forever!.

Tabakov is "Sovremennik", Basement on Chaplygin, New Snuffbox on Sukharevskaya, Theater College on Makarenko. And colleagues, and partners, and students - Mironov, Mashkov, Bezrukov, Smolyakov, Egorov, Germanova, Zudina, Belyaev ... He is a teacher, he is a builder ... he ...

In Tabakovo, Tabakov the actor amazed, Tabakov the organizer, Tabakov the father for his children and children of the theater. Tabakov is a joker, Tabakov is the first magnitude, discouraging with its incredible simplicity.

No pathos, meaningful poses, phrases - this is not him. Tabakov is the absence of distance, accessibility for almost anyone associated with him by profession or business. He did not turn off the phone, and if he could not answer, he would certainly call back: “This is Tabakov. Did you call me?" Is that him, the man from the top? Yes, he, and no one else - with a sly smile, with a dozen intonations in his voice, and these intonations could change any situation. He is naive as a child and wise as a guru.

Tabakov is a brain, a generator of ideas. He has an army of students, because his students taught their own according to Tabakov, and those, in turn, according to the same system. He could calm down, having a system of successors and defenders, but he opened a theater college in order to build his own system of acting education, which he had suffered for many years. The system is tough, but it turned out to be effective - college graduates are gladly taken to the capital's theaters. College is his last joy and pride, three graduations. He dreamed that his school would bring up not only professionals, but also educated people. Therefore, in addition to disciplines, the compulsory program for students of this secondary specialized educational institution included visits to theaters, museums and significant events in the cultural life of the city.

Two qualities that distinguish Tabakov from all the theater workers are the memory of the past. Memory is not in words, but in deeds, not a dream, but a reality. He was the first to show gratitude to the playwrights, on whose plays he grew up and in which he played: in the courtyard of the Tabakerka, he was the first to erect a monument to Rozov, Vampilov, Volodin. Remember his Oleg Savin from Rozov's play "Noisy Day"? He played the representative of a new generation of Soviet people, who would later be called the sixties, in such a way that many put an equal sign between the hero and the artist. It is no coincidence that a monument to Oleg Savin was opened in Tabakov's homeland, in Saratov, a few years ago. But in fact, they immortalized the eternal youth of Oleg Tabakov. I am sure that this is not the only monument that will be erected to this amazing person. And the street will be named, and maybe the new city - it is worthy.

And then he erected a monument to those whom he did not personally know, but whom he revered as his teachers - Konstantin Stanislavsky and Vladimir Nemirovich-Danchenko. But the main thing is that with this monument, or rather, its incarnation, Oleg Pavlovich corrected the mistake once and for all - they say, Stanislavsky went first, and only then his colleague Nemirovich. No, - decided Tabakov, - they built the Moscow Art Theater on an equal footing, built the Russian theater, so there is no difference in their height on the pedestal of the new monument, thanks to Tabakov, Stanislavsky and Nemirovich are now on an equal footing.

Another incredible quality is the will and its strength. No matter how seriously ill he was (and in recent years he struggled with a serious illness), he came because he knew that they were waiting for him to decide, they depended on him.

Pale as a sheet, after a serious operation, leaning on the arm on one side of Mashkov, and on the other - Mironov, Oleg Pavlovich came to college for his very first graduation. When he went to the microphone, the first thing he apologized for was: "I'm sorry, I can't stand", sat down, started talking, but - what a miracle - gradually the hypocrisy removed the painful signs and he began to joke, whistle and became like the same Oleg Pavlovich, who ( and everyone knows it) - THE MOST informal, MOST mischievous gatherings of the troupe, awards and anniversaries.

“Tabakov burns,” they said about him at our MK theater award, where he was considered her living talisman almost from its very foundation in 1995. He himself repeatedly became its laureate and with pleasure went out for a personalized porcelain plate, came to support his artists and those who had long fluttered out from under their father's wing. He let out remarks from their seats, and everyone was rolling with laughter, whistled along with the young artists, and there was no exaggeration in this, the desire to adapt to the new generation. He himself was young, hot, warm-hearted. A rare combination observed in the theatrical and artistic environment in general. His youth so suited his gray hairs, it was so organic with his age, because “ego”, the main word for an artist, is not his word. Ambition, vanity, pettiness - too.

His word is life and only life. He did not allow anyone or anything to step on her, to interfere with her rapid movement - only forward or upward. He did not know what it was to retreat if there was an idea, a dream. This means that no matter what happens, no matter what happens, it must be embodied, acquire flesh and blood, and, in turn, give life to another, new, fresh.

Once he admitted that he had never woken up in a bad mood in his life. I didn’t believe him: “Oleg Pavlovich, well, it doesn’t happen like that. What if bad news came the night before? What if you were upset? Or did you have a fight with your wife? “It’s still good, trust me. And we will fight the bad." He fought, but not with the air of a revolutionary or a sufferer, but a cheerful mischief-maker, whose greatness hardly anyone can ever achieve.

He spent the last three months of his life in the hospital. He fought. He wanted to live and not leave us. How will we be without him now? Shut up. Confusion. Woe.