Regional Scientific Society of Students "Search"

scientific society of students "Thought"

MOU "Russkopolyanskaya secondary school No. 2"

Historical and moral lessons of Pavel Vasiliev's poem "Salt Riot"

Direction - philology

MOU "Russkopolyanskaya" secondary school

No. 2, 7 "B" class

Leader: Irina Dvoretskaya

Vladimirovna, Russian teacher

language and literature.

1. Introduction. Research methodology…………………………..3

2. Historical and moral aspects of Paul's poem

Vasiliev “Salt Riot” ………………………………….5

a) About Pavel Vasiliev and his poem …………………………. five

b) The historical basis of the work…………………….8

c) Confrontation of the heroes of the poem………………………….10

d) Historical and moral lessons of the poem…………..12

3 Conclusion. The main conclusions of the study…………….13

4 Literature……………………………………………………14

5 Applications…………………………………………………. 15

Introduction. Research methodology.

Objective: to find out what historical and moral lessons can be learned from Pavel Vasiliev's poem "Salt Riot"

Tasks that have been delivered:

1. Study the literature on this issue;

2. Analyze the work, find out if it has a real historical basis;

3. Through a survey, find out whether this work is familiar to students of our school and adults, and whether they even know about the salt riot in Siberia in the 17th century?;

4. Systematize the studied material;

5. Draw conclusions on the studied problem.

From such works, which tell about little-known historical events, we learn a lot about the history of our country and our small Motherland.

We do not learn this in the lessons of history and literature, so such works are very important for our generation. They instill patriotism and humanism in us. Let this event not be the most important for the history of Russia, but important for the history of Siberia. If the salt riot in Moscow in 1698 is known from the course of history, then only a few know about the salt riot in Siberia.

Russia is famous for its rich history, the salt riot in Siberia is part of the history of our country.

Relevance my work lies in the fact that through the layers of time we look into the history of our native land, learn about a real historical fact, reflected in P. Vasiliev's poem "Salt Riot".

Having drawn the right conclusions, having managed to draw historical and moral lessons from this work, we will not only know the history of Siberia better, but we will also try to avoid the mistakes described in the poem, we will not infringe on a person and his rights. The poem "Salt Riot" carries a huge moral potential, makes you think about the role of man in history, about the philosophical problems of life and death, love and hate.

We should not be "Ivans who do not remember kinship." We, the younger generation, need to know the history of our Motherland.

In my work, I used some philosophical terms:

Moral: 1. A set of norms that determine human behavior. 2. The very behavior of a person. 3. Moral properties.

Problem- a theoretical or practical issue that needs to be resolved. The task to be researched.

Logics- 1. The science of the general laws of development of the objective world and knowledge. 2. Reasonableness, correctness of conclusions. 3. Internal regularity.

The study used materials from the following authors:

Pavel Vasiliev "Collection of poems and poems"; Internet - resources, "Essays on the history of the Kazakhs of the Russian Irtysh region", etc.

The logical chain of my research (Appendix) is as follows:

* When was the poem written?:

* How was it perceived by the critics of the 30s of the 20th century?

* Fictional or historical facts underlie the poem?

* What do pupils and adults now know about P. Vasiliev's poem "The Salt Riot" and about the salt riot in Siberia?

What historical and moral lessons can be drawn from this poem?

For the study, the following methods:

1. Survey of students of our school, adults;

2. Material analysis;

3. Systematization of the studied material;

4. Processing the material, writing conclusions.

The combination of the methods used made it possible to achieve the goal of the work.

Practical significance lies in the fact that my work can be used in the lessons of history, literature, class hours, during literary and historical events (for example, "Literary Lounge").

Survey of respondents (Appendix).

The results of the survey were disappointing, because the percentage of students and adults who know about the salt riot in Siberia and P. Vasiliev's poem "Salt Riot" is very small. At the same time, the results of the survey gave confidence in the need for my work.

I think that my questions aroused the curiosity of the respondents and some will read the poem themselves.

1. a) Pavel Vasiliev and his poem "Salt Riot"

Pavel Vasiliev (Appendix) was born on December 25, 1910 in the county town of Zaisan, Semipalatinsk region. The formation of the poetic character of Pavel Vasilyev was greatly influenced by his grandmother Maria Fedorovna and grandfather Kornila Ilyich. Illiterate, they had the gift to compose, tell fairy tales, Vasilyev owes much to them for his knowledge of Russian folklore, which later reflected in different ways in his work.

The spiritual development of the poet took place among the provincial teachers, who played a huge role in Russia. Teachers brought to the people not only literacy, but also the advanced ideas of the Russian intelligentsia, they were "generalists" - they taught children, staged performances, and introduced the population to classical literature and music. It was this environment that instilled in P. Vasiliev a love for art and poetry.

He began to write his poems at a time when Yesenin was no longer alive and when the best successors of Yesenin's literary traditions were driven into the Soviet underworld and called "bards of the kulak village." His first poems appeared in the magazine "Siberian Lights" in the years. In Moscow, as a result of long efforts, he wrote the poem "Salt Riot". The poem was immediately embraced by a wave of criticism.

The poet (allegedly for a hooligan brawl committed in the apartment of the poet Altauzen), was sentenced to a year and a half in prison. It was a slander on one of the most gifted poets of that time.

His poetry is distinguished by a humane attitude towards the man of the past Russia, the incorruptible simplicity of the language and the inimitable method of creativity given only to true talents.

Pavel Vasiliev, in the course of 26 years of his life, created a multifaceted and beautiful world of his poetry in Russian literature.

One of the Soviet critics wrote an article "From foreign shores" about Vasiliev's poem "Salt Riot". The article appeared in the Soviet journal "Literary Critic" for January 1934. and belongs to the pen of one of the editors of this magazine, Elena Usievich: “The appearance on the literary horizon of the young poet Pavel Vasiliev gave rise to various rumors in the literary environment. These gossips, only partly caused by Vasiliev's undoubted talent for everyone, were largely due to the incorrectness of his work, arousing the wariness of Soviet writers, some hopes of the reactionary elements and, most importantly, unhealthy curiosity, rumors and gossip created around Pavel Vasilyev a specific atmosphere of scandalous fame, which preceded the appearance in print of his major works.

With the publication of his poem "Salt Riot", an opportunity opens up to talk seriously about him and about the place that he can take in Soviet poetry. In this poem, for the first time, he makes attempts to revise a number of clearly reactionary tendencies that still characterize his work, to overcome the traditions and skills gravitating over him and hostile to all Soviet reality, to look at his usual, familiar material from childhood with different, more objective eyes. The fact that Vasiliev managed to do, so to speak, "at full speed", that is, without reducing the power of his voice, without losing the richness of images characteristic of these verses, without falling into rhetoric and recitation - creates hope that rich talent will give him the opportunity to get out of the reactionary quagmire in which his work has been bogged down until now.

From this critical article by Elena Usievich it is clear that, on the one hand, the poet Vasiliev is "undoubtedly" a talented poet, but, on the other hand, his poetry is hostile to "the entire Soviet public." It is easy to understand to what extent this hostility could reach in the conditions of the Soviet philistine.

The ambiguity of the perception of the poem after it appeared in print is obvious, as are the attacks on Pavel Vasiliev, who expressed his opinion about the historical fact - the "salt riot" in Siberia. Critics admitted: “For all its ideological controversy, Pavel Vasilyev’s poem “Salt Riot” is a significant event on our poetic front” (Alexander Kurilovich).

Pavel Vasiliev stood at the pinnacle of his poetic activity, and if it were not for prison and all sorts of hardships generated by prison, we would have one of the most talented singers of the Cossacks, his wide liberties and inexhaustible hatred of oppression ...

That is why they sent to prison one of the most glorious singers of this former support of "old" Russia, the poet Vasiliev, because "how could he dare to have his own opinion" in the "reconstructive" period.

Usievich not only "criticizes" the poem "Salt Riot", but downright calls for a "Soviet rebellion" against the poet Vasiliev as a person in general and as a writer in particular.

Yelena Usiyevich, called upon to "guard the purity of Soviet poetry," especially sharply attacks the poet Vasiliev for the following lines snatched from the poem "Salt Riot." This is the “apologetics of the kulak life” of the Cossacks:

They live there in our way,

In the mountains, the floors are painted,

In five iron pretzels

The chests are shackled.

fourteen rubles

The sun is traded.

Pavel Vasiliev fell victim precisely to the vile conspiracy of all those “poets who themselves were not good at being “musicians”, and since they were not good at being musicians, they turned out to be the most suitable for various slander and provocation, in order to behead one of the most powerful “Soviet eagles” in this way ”, who dared to rise above the usual Soviet everyday life and soar in the heights of their creativity inaccessible to them.

"Salt Riot" largely grew out of folklore, from a Cossack song. Pavel Vasiliev almost did not try to rethink, re-emphasize the proprietary and chauvinistic basis of this folklore, carefully preserving its "spirit", even stylizing his own verse after it.

The brightness of the verbal plumage, the decorative advantage of the material still captivate our poets.

For us, modern readers, the poem is dear because it tells about the history of our harsh region. Through time, we can look into the past of Siberia, find out the whole truth.

The poem "Salt Riot" is a "time machine" that plunges us into the 17th century and allows us to see the salt riot with our own eyes.

b) The historical basis of the work.

The poem is based on a real historical fact - the uprising of the Kazakhs, called the "salt riot". Unbearable living conditions forced the Kazakhs to rise up: hunger, poverty, overwork. But to understand all the reasons for the rebellion, you need to delve into the background. “The Cossacks of the Omsk Irtysh region ethnically belong to the Middle Zhuz. The official date of entry of the Kazakhs of the Middle Zhuz into Russian citizenship is considered to be 1740, but this process began earlier. In 1731, the khan of the Younger Zhuz Abulkhair entered Russian citizenship. He was supported by the batyr Bugenbay, whose clan belonged to the Middle Zhuz. Almost until the end of the 18th century, the Middle Zhuz was nominally subordinate to Russia.

In the "Salt Riot" this is clearly visible. The Cossacks worked, not knowing rest, for a penny. Their rights were equated with the rights of animals. They had no food, they ate salt because there was nothing else to eat. They died of hunger, of diseases, children were born dead, if they were born at all. At the salt lakes they were not allowed to take a break. For stopping work or other errors they were simply killed. The brewing conflict could not be resolved peacefully, because the Kazakhs had already suffered. They raised a revolt, but the Cossacks crushed it and killed everyone.

The main conclusion is that if the authorities oppress the poor, profiting from their slave labor, then first of all it leads to an uprising of the downtrodden and to the degradation of the personality of the oppressors themselves.

No one has the right to take away the life given by God.

III Conclusion. Main conclusions

The poem is very relevant today. Firstly, it has no analogues in Russian literature. Secondly, it teaches us to live according to the laws of morality and God. It shows the negative moments in the history of Siberia and Russia as a whole.

The poem also proves that it is necessary to memorize historical lessons, to draw moral conclusions so as not to repeat the mistakes of the past. It proves that the imposition of one's will by another people leads to riots or wars, as, for example, in Afghanistan, in Chechnya. If we do not learn historical and moral lessons, then this always ends badly for the state.

I recommend reading this poem and, in general, all the works of Pavel Vasiliev, because he lived in Siberia, like us, and if someone wants to know little-known events from the history of Siberia, you don’t have to look for it on the Internet, but just go to the library and take the book of Pavel Vasiliev.

Literature

Vasiliev P. N Salt riot. Poems. - Omsk: Omsk book publishing house 1982 Vasiliev and poems - Bashkir publishing house, Ufa * 1976 Vasiliev P.N. Pavel Vasiliev - West Siberian book edition New Illustrated Encyclopedia - Scientific publishing house "Great Russian Encyclopedia", 2000. Knyazev Sergey "Russian golden eagle" ( excerpt from the book), magazine "Our Contemporary" No. Internet resources (Wikipedia). Tursunov of the history of the Kazakhs of the Omsk Irtysh region: a textbook .- Omsk: OOIPKRO, 2000 Tomilov N. “Kazakhs of Western Siberia” (Newspaper “Vecherniy Omsk” for

The porch flaps its yellow wings,
yellow wing
Gathers the people
A bunch of silver bells
Wedding
Overhead
Shakes.

light bell,
Little burden,
Any bell -
God's berry
Grows on the arc
on the birch
A covered arc
Pink paint.
In Kuyandy arc
favored,
Rose large
Painted.

wedding hops
Heavier than crowns
Day-from wedding
Quite drunk.
A handful of silver bells
wedding tossed
In blue fog.
Devya oblique
twisted scourge,
Harness in the stars
In Tatar, cast.
Got up on the cart
Kornila Ilyich.
- Fathers-lights! Why not the groom!

Blue jacket, that the sky, on it,
As if dressed on a tree, -
Andel with the clerk together
Measured his shoulders.
Curly tobacco -
To the very eyebrow
Yes, on the lamps -
Dog blood.

Horses! unsteady,
Brown, roan...
For frying fun
Pegashi and karki,
Danced all day
Good suit of games:
The devil is shod
Stolen by a gypsy
The barrel is not crippled,
Marked with a woman's finger
Dogs don't sniff
Tropota and amble!
And the bride
Face be-e-lo,
Dark eyes...
Looks like he's waiting...
- Would you, Anastasyushka, sing a song?
- The daughter-in-law's voice is pure honey ...
- Would you, Anastasyushka, sing better?
- How old is the bride?
- Sixteenth year.

Year sixteen. barefoot girl,
frayed braid,
The whitest in Atbasar,
The most ripe, even barefoot.
The most currant Nastya Barefoot:
Mole on the lips
To the heel braid.
The most forelock in Atbasar
The harmonist went to bass.

He walked there
Razmalina,
Long-a
On the lower waters
on the bass
And than
Brought out the Saratov
To the Volga
Splashes greeted the Irtysh.

And for those basses
For sadness
Brought to the forelock
Vodka bass (*),
(* Bass (or rather - boss) - mug
for vodka. (Author's note.))
To raspberry,
Bursts to
Fingers in frets,
Razmalina,
To the dance:
Boots behind a skirt
Dove after dove
goiter inflated,
Dove after dove
Boots behind a skirt
Behind the chintz blizzard,
Dove for a friend
Down beak.
Boots behind a skirt
through,
Dove after dove
Damn with a wing.
Heels are thin
Easy to fly
Got up on my toes
All w-wee-deeds!

And the house was full of guests:
Ustyuzhanins,
Menshikovs,
Yarkovs.
Waving wedding
patterned hem,
And in her ears
Not earrings - horseshoes.

Ustyuzhanins mixed with kargyz,
Horse thieves, whipped by a blizzard,
Large-mouthed, with a gray eyebrow,
Wolf teeth, arched legs.

Menshikovs, redheads, hoarders,
With one curl, they will set fire to whatever you want,
bouncers,
Uches,
cow straw,
A hidden knife sleeps behind the bootleg.

And Yark_o_vy is a pure Cossack family:
Lihars, instigators,
drunk sleigh,
Eight rings, first people,
And they live
Ataman's stations.

Ustyuzhaninskaya girl
shakes the scythe,
Whispers bright_o_vskim girls: - Look,
Cursed, bitch,
Dropped Barefoot -
The first king on the whole Irtysh.

Yes, bright_o_vsky what!
They have themselves
None stayed up:
Breathe easily in their hair
Late northern spring...

They have apple canopies.
The table is shaky
The groom gets up.
His eyebrow flies to his temple,
Looking at Nastya
Narrowed eye.
He, like a wolf, drove melancholy,
Thought -
About the married girl.

He waited for the spree! And so
He waited for the guests to call!
Takes the bride by the elbow
And leads the bride -
Dance.

And leads his bride
Circle her - a weak bird,
Poison her, fox, under uly-lu
And find out the raw woman.
Squeeze it all

Lightly in the palm
Like a dove! hear the heart,
Let and catch her under the accordion,
And squeeze to become quieter
To become meek.
plant nearby,
Sadovaya, happiness is not far away,
look into the eyes,
Drink affection,
Her hand to nurse in her hand.

Oh Anastasia...
Oh my
Ohotka! Dew. Honey.
Eh, Anastasia, eh, yes I ...
Anastasia!..
Fate!
Dark-browed!

Am I, scarlet, to beat you?
Am I, anyone, not to love?
whisper
relax
At least that much...
- Groom!
With the bride!
Bitterly!

And Arseniy Der_o_v, old beaver,
visiting guest,
Merchant from the Urals
volodetel
Salty local lakes,
He waves his glass, laughs:
- Few!..

He laughs a little, and now, in laughter,
He fell on the table
Groan from laughter.
He is the bride, the bride
The house gave
Gave the groom - an ox,
He watered the priests, watered the bell ringers,
To thicken the fog from the censer,
For the bells to ring.

The Cossacks are his friends,
The Cossacks are his support,
Him with a Cossack
You can't be friends:
Cossacks -
Guards
From kargyz,
From the steppe
Hama
And a thief!

And stuck to the window, ivy noses.
heaped
People are dumped at the house -
Listen as gone on the bass
Harmonist
The famous one.
See how Arseniy Der_o_v
Shows kindness
Judge,
What is the groom
Like a damn sharp-browed
Judge
About that bride.
Over midnight, over night...
Above the village for a month -
Narrow gypsy earring.
The horses are tired
Ring a bell...
Over midnight, over night...
Across the river, in distant willows,
Quacking,
The first duck rose
Pond pike
By warm water
Draw circles.
Falling down the chicken coops
Fluff and litter
And staggered
Roosters on perches,
They didn’t shout, they drank the dawn ...
wedding feather
The night swept
Sleeping guests who did not disperse.

And the groom took the bride there,
Where the roses on calico burned,
yes swan pillows
Wings were not beaten
Yes, broken hands
Yes so hot
Fire-heat...

the poem WEDDING (FROM THE POEM SALT REVOLT) has no audio recordings yet...

Pavel Vasiliev

Bishop of Vologda and Belozersky.

Born in the city of Vologda.

He was a hieromonk of the Alexander Nevsky Monastery.

He was buried in the Vologda Sophia Cathedral.

Literature:

Tolstoy M.V. Travel letters from the North. - M., 1868, p. 23, 24.

Bulgakov S.V. Handbook for clergymen. - Kyiv, 1913, p. 1397. Tolstoy Yu. V. Lists of bishops and episcopal departments of the All-Russian hierarchy since the establishment of the Holy Governing Synod (1721-1871). - M., 1872, No. 12. Denisov L. I. Orthodox monasteries of the Russian Empire: a complete list of all 1105 currently operating in 75 provinces and regions of Russia. - M., 1908, p. 127. Stroev PM Lists of hierarchs and abbots of the monasteries of the Russian Church. - St. Petersburg, 1877, p. 732.

N. D[urnovo]. Nine hundredth anniversary of the Russian hierarchy 988-1888. Dioceses and Bishops. - M., 1888, p. 48.

Lists of bishops of the hierarchy of the All-Russian and episcopal departments since the establishment of the Holy Governing Synod (1721-1895). - St. Petersburg, 1896, No. 12. Memoirs of Archimandrite Pimen, rector of the Nikolaev Monastery, on Ugresh. - M., 1877, p. 4.

Orthodox Theological Encyclopedia or Theological Encyclopedic Dictionary:

in 12 volumes // Ed. A. P. Lopukhin and N. N. Glubokovsky. - St. Petersburg, 1900-1911. - T. 3, p. 708. Complete Orthodox Theological Encyclopedic Dictionary: in 2 volumes // Ed. P. P. Soykina. - SPb., b. g. - T. 1, p. 541. Russian biographical dictionary: in 25 volumes - St. Petersburg; M., 1896-1913. - T. 13, p. 78. Orthodox interlocutor. - Kazan, 1898, October, p. 385.

Other books on similar topics:

author	Book	Description	Year	Price	book type
Alexander Bokhanov		In the center of the fateful for Russia of the XVII century is the figure of Tsar Alexei Mikhailovich. Even during his lifetime among the people, he received the nickname of the Quietest, which very accurately reflected the moral and psychological ... - VECHE, (format: 84x108 / 32mm, 384 pages) GREAT HISTORICAL PERSONS	2012	170	paper book
Pavel Vasiliev		The book of the outstanding Soviet poet Pavel Vasiliev (1910 - 1937), a great epic artist and a subtle soulful lyricist, includes monumental realistic poems "Salt Riot", "Song of ... - Fiction. Moscow, (format: 84x108 / 32, 414 pages. )	1988	340	paper book
Pavel Vasiliev		The life of the remarkable Soviet poet Pavel Vasiliev (1910-1937) ended tragically - he was repressed. His works are marked by rare expressiveness and figurativeness. Real… - Truth, (format: 84x108/32, 448 pages)	1991	100	paper book
Pavel Vasiliev		We bring to your attention a collection of poems and poems by Pavel Vasiliev - West Siberian Book Publishing House, (format: 70x108 / 32, 360 pages) Library of Siberian Poetry	1966	200	paper book
		Life edition. St. Petersburg, early 20th century. Printing house of the Imperial Academy of Sciences. Edition without cover. The safety is good. On the title page there is a dedicatory inscription, autographed by S. F ... - Printing house of the Imperial Academy of Sciences, (format: 150x230, 12 pages) Journal of the Ministry of Public Education	1900	18573	paper book
Berkh Vasily Nikolaevich		The work of the Russian historian and geographer Vasily Nikolaevich Berkh (1781-1834) is one of the first and most authoritative studies on the history of the reign of Alexei Mikhailovich the Quietest, the second ... - Kuchkovo field, (format: 84x108 / 32mm, 352 pages)	2013	591	paper book
Vasily Nikolaevich Berkh		The work of the Russian historian and geographer Vasily Nikolaevich Berkh (1781–1834) is one of the first and most authoritative studies on the history of the reign of Alexei Mikhailovich the Quietest, the second ... - Kuchkovo field, (format: 84x108 / 32mm, 352 pages) e-book	1831	199	electronic book
Vasily Berkh		The work of the Russian historian and geographer Vasily Nikolaevich Berkh (1781–1834) is one of the first and most authoritative studies on the history of the reign of Alexei Mikhailovich the Quietest, the second ... - Kuchkovo field, (format: 84x108 / 32mm, 352 pages)	2013		paper book

See also other dictionaries:

The Moscow uprising of 1648, the "Salt Riot", one of the largest urban uprisings of the middle of the 17th century in Russia, the masses ... Wikipedia