Entrance hall in Gothic style. Gothic style in the interior: a bold harmony of ancient and modern aesthetics

Characteristic features and features of the Gothic style

Of all the known styles for interior decoration, the Gothic style is one of the most interesting and unique. Its beginning was laid in the Middle Ages during the reign of Queen Victoria in Great Britain. There is an opinion that this style is gloomy and is suitable only for people who are closed in themselves. It is completely erroneous, because Gothic in the interior is the elegance of aristocracy and a rich color palette.

The clear outlines of this style in design were formed in Europe during the period of the 12th-15th centuries, which was preceded by revolutionary changes in religious trends, art and socio-political foundations. Even now you can see the majestic works of architects of those times in the form of ancient castles in Western Europe. Gothic perfectly emphasizes status and combines:

• severity;
• restraint;
• richness of forms, colors;
• lots of decor.

For a long period of existence, the Gothic style in the interior has undergone various changes and has come to our time in an updated form. So it appeared more light shades, which makes it possible to make a more diverse design.

He also adapted to city apartments and small country cottages, despite the fact that he loves a lot of space. Modern hotels, hotels and restaurants often use this style to decorate halls and rooms so that guests can plunge headlong into the era of knights.

Gothic in the interior is a highly aesthetic style; only natural materials (wood, marble, glass, animal furs) are used in the work on it. They allow you to convey the spirit of the Victorian era and create a unique atmosphere in the house. Features of the Gothic style are:

• Color spectrum. The period of the Middle Ages is shrouded in secrets and mysticism, therefore dark shades are characteristic of the style: brown, burgundy, black, blue, dark green, purple, violet.
• Stained glass. This type of arts and crafts was already considered a sign of wealth and influence in society in the Middle Ages. Stained-glass windows were mainly decorated with large and arched windows. In the modern interpretation of the Gothic style, they are appropriate on the glass inserts of interior doors, cabinets, wall panels.
• Enhanced lighting. The color palette of the Gothic is usually dark, so a lot of light is needed to emphasize all the advantages of the interior. Traditionally, this is a large wrought iron chandelier and, if necessary, wall lamps made in the same style.
• Comfortable furniture. Furnished design objects should not only be made of natural materials, but also give comfort. That is why tables, chairs, sofas are massive and rather large and rough, but not devoid of artistic carving and forging on the protruding backs, armrests and other parts.
• Abundant decor. Gothic style is favorably emphasized with dense fabric curtains, forged lamps, glass vases and metal utensils, tapestries with historical images, paintings and objects of knightly prowess.

In the Gothic style, there are many patterns on the walls, curtains, furniture upholstery. Large mirrors in massive frames with decorative design expand the space favorably, emphasizing the symmetry of the design. Decorating windows with stained-glass windows, it is possible to create an interesting play of light in the room. Such special lighting can in no way make the interior gloomy or boring.

Materials and finishes

For interior design in the Middle Ages, mainly wood, iron and animal skins were used, since they were widely available. In 2018, designers continue this trend, but make small adjustments. So massive glass tables, instead of wooden ones, successfully played in the Gothic style. Glass is also actively used for the manufacture of decorative elements - vases, dishes, ashtrays, figurines and more.

The Gothic floor is made of wood or natural stone (marble, granite). The ceiling is usually decorated with wooden beams. Walls can be decorated in different ways: textured wallpaper imitating masonry, plaster, paint, textiles. The main thing is that there is no contrasting transition between the walls and the ceiling. Decoration with relief and sculptural openwork is also welcome.

Today, flooring with marble and decorating walls with mahogany or stones can be a very expensive investment, but the building materials market provides excellent alternative coatings that imitate textiles, wood, and natural stone with high realism.

It can be a worthy replacement for both stone and wood. The Italian manufacturer of wall decorative paints and plasters San Marco offers environmentally friendly and safe materials for interior decoration that have the same properties. To create a unique Gothic style in the interior of an apartment or house can help:

• - decorative paint with a metallic effect has good adhesion to the treated surface and fits perfectly into the Gothic style. The color "tin" is best suited for thematic styling of the room, it is moderately dark, but actively plays with the light due to metallic overflows.
• - decorative paint with sand, creates unique sand whirlwinds on the wall.
• - textured plaster, which allows you to create various effects, for example, aged concrete or formwork. The decoration on the walls will look creative and moderately rough for the Gothic style. Plaster can be applied using different techniques.
• - facade plaster imitating natural granite. The material has increased strength, and therefore is ideal for decorating open courtyards, verandas, balconies in the Gothic style.
• - decorative coating with maximum realism imitates aged marble.

“If you use plaster with the effect of antiquity, then historical tapestries and frescoes will be the most successful addition, and wall paintings will successfully emphasize the plain paint of a noble color.”

Furniture and decor details

Massive, but elegant dark wood furniture best characterizes the Gothic style. The bed is characterized by a high headboard and artistic carvings, while the chairs are characterized by a raised back with patterns and carved legs. Often, pieces of furniture in this style are decorated with forged metal parts. The upholstery is distinguished by beautiful embroidery, patterns with a large number of curls. Usually it is lighter shades than the walls, which makes the interior softer and more sophisticated.

“To maintain a unified style, it is appropriate to use forged elements on all pieces of furniture, as well as on mirrors and chandeliers.”

The Gothic style in the interior, although it appeared in knightly times, is not without a nice-looking decor. Traditionally, rooms are decorated with large mirrors, frescoes, bronze vases, goblets, crockery, unusual sculptures made of wood or metal, paintings with historical themes. Alternatively, you can complement the interior with bright textile drapery.

Photos of the Gothic style

Romanesque art and the established style were replaced by Gothic art ( Gothic; from ital. gotico - Gothic, after the name of the Germanic tribe ready). Term Gothic As a synonym for barbarism, it was first used by Renaissance people to characterize medieval art (as opposed to Roman art), which did not follow the traditions and stylistic features of antiquity and therefore was of no interest to contemporaries.

Increased exaltation and interest in feelings distinguish this art from the Romanesque. Between romanesque and gothic style it is difficult to draw a chronological boundary.

The heyday of the Romanesque style, which falls on the 12th century, at the same time served as an impetus for the emergence of another style with other characteristic aesthetic ideals and principles for the addition of forms. In the history of art, it is customary to single out early, mature (high) and late (so-called flaming) Gothic. High Gothic reached its peak in the XIII century, late - in the XIV-XV centuries. Gothic art, developing in countries where the Christian church dominated, remained predominantly cult in purpose and religious in theme. It is characterized by a symbolic-allegorical type of thinking and the conventionality of artistic language. From the Romanesque style, Gothic inherited the primacy of architecture in the system of arts and traditional types of buildings. A special place in Gothic art was occupied by the cathedral - the highest example of the synthesis of architecture, sculpture and painting.

Gothic style in architecture

Cathedral in Strasbourg. End of XII-XV centuries. France - Strasbourg Cathedral Cathedral in Cologne. Construction began in 1248, completed in 1842-1880. Germany - Cologne Cathedral Cathedral in Reims, west facade. Construction began in 1211, completed in the 15th century. Notre Dame Cathedral, west facade. 1163-ser. 14th century France - Notre Dame Cathedral Salisbury Cathedral, lancet arches. England - Salisbury Cathedral Exeter Cathedral. 1112-1400 England - Cathedral Church of St. Peter in Exeter Lincoln Cathedral of Our Lady. 1185-1311 England - The Cathedral Church of the Blessed Virgin Mary of Lincoln Cathedral of Chartres, north portal. Construction began in 1194, consecrated in 1260 France - Chartres Cathedral ... the western (royal) portal, completed in 1150. The sculptures are a visible transition from Romanesque to Gothic

The gigantic expanse of the cathedral, directed upwards, the subordination of sculpture to the rhythms of architectural articulations, the stone carving of decorative ornaments, and the painting of stained glass windows had a strong emotional impact on the faithful.

Urban architectural ensembles included cult and secular buildings, fortifications, bridges, etc. The main city square was often lined with residential buildings with arcades, on the lower floors of which there were retail and warehouse premises. Along the streets diverging from the square and along the embankments, two- and three-story houses were built, often with high gables.

Cities were surrounded by powerful walls with travel towers. Castles gradually turned into complex complexes of fortresses, palaces and cultural buildings.

Usually a cathedral was built in the center of the city, which was the cultural center of the whole city. Divine services were held in it, theological disputes were arranged, mysteries were played out, meetings of the townspeople were held. In that era, construction was carried out not only by the church, but also by the community through professional workshops of artisans.

The most significant buildings and, above all, cathedrals, were built at the expense of the townspeople. Often many generations worked on the creation of one temple. The grandiose Gothic cathedrals differed sharply from the monastic churches of the Romanesque style. They are tall, richly decorated and very roomy.

The dynamism and picturesqueness of the cathedrals began to define the character of the urban landscape. Following the cathedral, city houses also rushed up. The entire composition of the cathedral, with the rhythmics of all its main elements increasing from bottom to top, was generated by the religious, idealistic aspiration of the soul to heaven. The Gothic cathedral developed the basilica type of building, in which all its elements began to obey a single style system. The main difference between a Gothic cathedral and a Romanesque one is a stable frame system, in which the main role is played by cross-rib lancet vaults made of stone and lancet arches, which largely determine the internal and external appearance of the cathedral.

The frame arches formed at the intersection of the cross vaults, the so-called ribs (from the French nervure - rib, fold) in mature Gothic, connected the supports of the spans of the central and side aisles, where for each rectangular span of the main nave there were two square side spans naves.

The forms of architecture began to express the Christian idea of ​​spirituality, ascension, aspiration upward, towards heaven. A feature of the Gothic style is the dematerialization of form. The design and properties of the material no longer determine the visual image. Entering the temple, a person saw a row of thin columns going up, which ended with a bunch of even thinner ribs of the vaults (ribs), as if floating in height. In fact, these huge vaults pressed against special pillars hidden in a bundle of thin columns. The lateral thrust of the vaults of the main nave was extinguished not by the walls, which were solid stone lace, but through flying buttresses by massive pillars-buttresses, carried out and supporting the frame of the buildings and therefore invisible to a person inside the cathedral. Here the visual image did not coincide with the work of the real structure. If the design worked for compression, then the visual image expressed the idea of ​​ascension, the aspiration of the soul to heaven.

The complex frame construction of the Gothic cathedral, the highest manifestation of the architectural and building art of that time, made it possible to overcome the massiveness of the Romanesque buildings, to lighten the walls and vaults, to ensure the unity and interconnection of all elements of its object-spatial environment.

Gothic originated in the northern part of France (Ile-de-France) in the middle of the XII century, reached its peak in the first half of the XIII century. and lasted until the mid 1920s. 16th century Stone Gothic cathedrals received their classical form in France. As a rule, these are 3-5-nave basilicas with a transverse nave-transept and a semi-circular bypass of the choir (deambulatory-thorium), which is adjoined by radial chapels (crown of chapels). The impression of movement up and towards the altar is created by rows of slender columns and the rise of pointed pointed arches, accelerated by the rhythm of the arcades of the upper gallery (triforium). The picturesqueness of the interior space of the cathedral is set primarily due to the contrast of illumination of the main and semi-dark side naves and colored stained-glass windows.

The facades of the cathedrals are decorated with lancet arches and such compositional and figurative-plastic elements of architectural decoration as patterned vimperg, phial, crabb, etc. Statues on consoles in front of the columns of the portals and in the upper arched gallery, reliefs on the capitals of the columns, plinths and tympanums of the portals form a kind of multi-plot picture, which, as it were, shows various episodes of Holy Scripture, allegorical images, real characters, etc.

On the main squares of cities, town halls begin to be built, which are usually decorated. Castles are converted into palaces (for example, the papal palace in Avignon, 1334-1352). In the XV century. a type of rich city house-mansion arose, the so-called. hotel (for example, the hotel of Jacques Kerr in Bourges, 1453, the hotel of Cluny in Paris, the end of the 14th century, etc.).

At this time, there was an enrichment and complication of the synthesis of arts, which was outlined even in the Romanesque, which reflected the medieval idea of ​​the real and the afterlife. The main type of fine art was sculpture, which received a new plastic interpretation in the Gothic style. The static Romanesque sculpture was replaced by a dynamic Gothic one, where the depicted figures seem to turn to each other and to the viewer.

Mature Gothic is marked by a further increase in the verticalism of lines, a dynamic aspiration upwards. Reims Cathedral - the place of the coronation of French kings - is one of the most integral works of Gothic, a wonderful synthesis of architecture and sculpture.

An important place in Gothic art, including sculpture, begins to occupy the plot. The role of secular plots is increasing, but the Last Judgment remained the most common plot in Gothic. Iconographic plots begin to gradually expand. Interest in a person, in his spiritual and worldly life, found expression in the depiction of scenes from the life of saints. An outstanding example of the depiction of legends about saints is dated to the last quarter of the 13th century. tympanum History of St. Stephen on the portal of Notre Dame Cathedral.

The inclusion of real motifs is also characteristic of many small reliefs. As in Romanesque churches, images of monsters and fantastic creatures - the so-called chimeras - occupy a large place in Gothic cathedrals.

It is believed that the first work of Gothic architecture appeared in the process of rebuilding the abbey church of Saint-Denis in 1137-1144. Early Gothic also includes the cathedrals of Lani, Chartres and Paris. The greatest achievement of the early Gothic - Notre Dame Cathedral (Notre Dame de Paris), founded in 1163, was completed until the middle of the XIV century. Cathedral in Chartres, founded in the XII century. and consecrated in 1260, remains one of the most beautiful in Europe.

The grandiose cathedrals of mature Gothic in Reims (1211-XV century) - the largest cathedral in France (150 m long with a tower height of 80 m) and in Amiens (1220-1269) are distinguished by the perfection of the architectural composition, the richness of the sculptural and pictorial decor. , where the cathedral has a length of 145 m and a height of the main nave of 42.5 m, as well as the Sainte-Chapelle church in Paris (1243-1248), built as a royal palace chapel, with its numerous stained-glass windows. Approximately from the middle of the XIII-XIV centuries. majestic Gothic cathedrals were built in other European countries: in Italy (in Venice, Siena, Milan), Germany (in Marburg, Naumburg, Ulm, Cologne), England (in London, Salisbury), Spain (in Barcelona, ​​Burgos, Lona, Toledo ), Austria (Vienna), Flanders (Brussels), the Czech Republic (Prague) and others, where Gothic received a peculiar local interpretation. As a result of the Crusades, the architects of Rhodes, Cyprus and Syria became acquainted with Gothic building principles.

In the Gothic era, genuine masterpieces of sculpture were created: reliefs and statues of the north portal of the cathedral in Chartres, a deeply human image of Christ blessing on the western facade of the cathedral in Amiens, images of the group Visitation of Mary Elisabeth on the western portal of the cathedral in Reims. These works had a great influence on the development of all Western European sculpture.

The sculpture of cathedrals in Germany (in Bamberg, Magdeburg, Naumburg) is distinguished by expression, life-like concreteness and monumentality of images. The temples were decorated with reliefs, statues, stained-glass windows, floral ornaments, images of fantastic animals. In the decoration of temples, in addition to religious, there were already many secular motifs.

In Gothic painting, the stained-glass window became the main element of the color design of the interior. The stained-glass windows of the Sainte-Chapelle chapel and the cathedral in Chartres stand out in particular. Fresco painting, which, along with canonical scenes, included secular subjects and portraits, adorned the walls of palaces and castles (murals of the papal palace in Avignon). In the Gothic miniature, the desire for a reliable reproduction of nature intensified, the range of illustrated manuscripts expanded, and their subjects were enriched. Under the influence of Dutch and Italian art, easel paintings and portraits appeared.

The French Gothic style manifested itself, in addition to cathedrals, in the creation of comfortable and, at the same time, solemn buildings, palaces of kings and the highest nobility, elegantly decorated urban private houses. For example, in the castles of Amboise (1492-1498), in Gaillon (1501-1510), in the palace of justice in Rouen (1499-mid-XVI century), etc.

In late (flaming) Gothic, especially in France, sculptural altars in interiors became widespread, combining wooden painted and gilded sculpture and tempera painting on wooden boards. The finest examples of French Gothic art include small ivory sculpture, silver reliquaries, Limoges enamel, tapestries and carved furniture. Late Gothic is characterized by abundant decor that hides architectural divisions, the appearance of curved lines, a whimsical, flame-like pattern of window openings (the Church of Saint-Maclou in Rouen, 1434-1470, the completion of construction dragged on until the 1580s). In miniatures, there has been a desire to convey space and volume. The number of secular buildings under construction (city gates, town halls, shop and warehouse buildings, etc.) is increasing.

Gothic style furniture

Early Gothic interiors are still quite modest, and their elements still bear traces of Romanesque. This time is characterized by wooden or tiled floors covered with carpets. The walls are lined with plank panels, decorated with bright wall paintings or carpets. The windows are glazed, but there are no curtains yet. Paintings are rarely used to decorate rooms, instead wall paintings and woodcuts are made, the ceilings are made, as a rule, of wooden, beam construction with rafters open to the outside, however, well decorated. There are also hemmed ceilings lined with smooth boards or dissected with frequent slats and decorated with decorative painting. In countries such as France and England, the center of the interior was a fireplace, very richly decorated. In Germany since the middle of the XV century. tiled stoves begin to play an important role in the interior. All furnishings are heavily proportioned, overstocked, clumsy, and usually lined up along walls. At first, almost every piece of furniture (and not only) of early Gothic is of ecclesiastical origin. Later, with the development of furniture technology, excellent church furniture was created for sacristies, kliros, etc., which greatly influenced the further development of furniture in urban dwellings. This was facilitated by the introduction into the design of furniture objects of the technique of frame-panel knitting of wood and almost all other carpentry techniques for connecting parts, as well as the invention of a two-handed saw, forgotten since antiquity. The saw was reinvented only at the beginning of the 14th century. in Germany, and from that time on, it became possible to get thin and even sawn boards instead of hewn thick, roughly axed boards. Already by the beginning of the XV century. all the techniques known to us for box-shaped knitting of boards were developed.

Gradually, the houses of the medieval aristocracy were increasingly decorated, this is especially noticeable in the interiors of the reception halls and guest rooms, furnished with well-decorated furniture. The residential houses of wealthy citizens follow the example of the nobility, but retain a certain restraint and simplicity of decoration and furnishings. All decoration corresponds to the architectural decoration of stone buildings, especially temple buildings. Only by the 15th century, during the period of flaming Gothic, when Gothic architecture began to be especially actively saturated with sculptural decoration, did Gothic ornament begin to richly decorate the previously established stable furniture forms, in which constructive techniques appeared associated with the building principles of Gothic architecture. In addition to the borrowed architectural forms of window bindings, portals, pointed turrets with phials (spiers), columns, lancet vaults, niches, etc., furniture is also decorated with carved ornaments along the frame and panels, in which four main types can be distinguished. These are an openwork geometric ornament, a floral (leafy) ornament, a ribbon weaving ornament and a so-called ornament. linen folds or napkins. In addition, in the late Gothic style, in addition to carving, furniture is decorated with paintings, gilding and richly decorated metal parts of fittings, locks, hinges, oarlocks, as well as sculptural images of human faces and figures.

The gothic openwork geometric ornament is based on simple geometric shapes: a circle, a triangle, a square, which are easily drawn with a ruler and a compass. The openwork ornament represents the so-called. maswerk (from German maßwerk - literally work according to the applied dimensions) in the form of a complex intersection of parts of a circle and straight lines, resulting in a complex pattern with lancet arches and interweaving, reminiscent of the ribs of Gothic structures.

The famous Gothic shamrock, rosette, quadrifole, drawing of the central window of the cathedral - a large rose were built in a similar way. The late Gothic maswerka ornament was very common throughout Europe and in England. As a rule, the walls of chests, cabinet doors, and chair backs were decorated with such an ornament. Masverk is performed using deep carving techniques, when the background deepens relative to the ornament, due to which the elements of the ornament are finely profiled, their outlines are smoothed and rounded. This is a bit like a relief carving, although the relief here is cut entirely in the plane of the board (panel), without rising above its surface. The floral ornament is made in the form of stylized sharp leaves and curls, gradually acquiring naturalistic forms.

Since the end of the XV century. on panels, a flat ornament is especially common in the form of a piece of parchment or canvas with patterned edges laid in double-sided byte folds. The ornament is made in flat relief. This type of ornament is found in large numbers on furniture objects in France, Germany and England. It was especially widely used on wardrobes and chests made in Cologne and Ghent.

Gothic furniture in the north and west of Europe (in France, the Netherlands, northwestern Germany and England) was made mainly of oak, in the south and east (in Tyrol, Switzerland, Austria, Hungary) pine and spruce wood was used, as well as larch and juniper .

The main type of furniture for storing things, as well as sitting and lying in the houses of the nobility and ordinary townspeople, is the chest, from the forms of which such new types of furniture objects as the armchair-chest, postavets (dressoir), credenza and sideboard were formed over time. In size, Gothic chests are wider and taller than Italian Renaissance cassone chests. As a rule, chests have overhead iron hinges with which the lid was attached. These hinges, as well as large overhead iron locks with openwork ornaments, are elements of chest decoration.

From the 15th century the side walls of the chests are covered with rich carvings in the form of a masverk ornament, floral ornament, stone bindings of Gothic windows and other architectural elements of building decoration. The front wall is also richly decorated, a special place is reserved for the coat of arms of the owner of the chest and a patterned, well-chiselled lock. Sometimes, in addition to architectural motifs, entire sculptural scenes on religious and secular themes are performed. The painter and the gilder also participate in the final finishing of the chest.

In medieval houses, regardless of the status of the owner, it was cold and even damp, so the furniture had to be raised above the floor level. Therefore, some chests not only had a massive and highly profiled plinth, but were also made with legs that were a continuation of the side racks of the frame or flat side walls with a figured cutout at the bottom. In the south of Germany, pine chests with engraving and painting with flowers became widespread. This decor was complemented by a carved ornament on a painted background. The openwork pattern undoubtedly comes from deep carving, but the process of its creation is less laborious. With the advent of thin sawn boards, through ornaments began to be used, superimposed on the main painted board that made up the background. With a much lower labor input, the same impression of decor was created in two planes. This technique was very widespread and lingered for a long time not only in German, but also in Swiss folk art.

Characteristic for the Gothic types of containers were, in addition to chests, supplies (dresseers). The prototype of such a wardrobe is a chest placed on four high legs, which were connected at the bottom by a horizontal frame, the upper part of which was sewn up with a board. Thanks to this, the bottom shelf, near the floor, was obtained. Subsequently, the legs of the cabinet on three sides (from the back and two sides) also began to be tightly sewn up with boards - a kind of niche was obtained. The upper part of the supplier had shelves that were closed with hinged or folding doors.

Such supplies were intended, as a rule, for storing dishes and drinks. The most valuable metal, including silver, and glass utensils were placed in the upper compartment, and polished copper utensils were placed on the lower shelf, located in the basement. The postavets was borrowed from church use, where it was purely altar furniture, and only then penetrated into worldly life. Such containers were called credenza there, sometimes they had the shape of a tall chest with a horizontal upper surface. And only with the passage of time such a chest was raised and placed on high legs. In the earliest French supplies, the upper parts were made in the form of a rectangular box, the plank walls of which were connected by the simplest box knit. The back and two side walls of the box continued to the floor and were connected for rigidity and strength at the bottom by another plane, thanks to which the delivery set stood high above the floor. Two, and sometimes three, front doors, made of solid thick boards, were fastened on openwork iron hinges. The doors themselves were decorated with ornaments made using in-depth carving techniques. A wooden canopy was made on top of the supply to protect against the ash and soot of the still-smoking fireplaces. Dishes were placed under the canopy and on the lower plane.

In the future, with the development of the frame-and-panel construction, the suppliers begin to make a more complex hexagonal shape, in which the desire of the craftsmen to lighten the proportions, develop the vertical shape, including through the upper chiseled decorative elements in the form of phials, or spiers, is clearly visible. In later and richly decorated postavets, its side walls rest on thin twisted columns, which are connected in the upper part by lancet arches. The front three facets-walls of the supplier have the same arches, but without supports, ending with weights hanging in the air. The ribs formed at the intersection of the sides of the walls are decorated with carved pointed Gothic turrets, or phials. The walls of the supplier are made up of several frames with panels. The frames are strongly profiled from the sides and from above, which creates the impression of niches in which panels with religious carvings are deeply placed. In other cases, the panels are filled with either a Gothic floral ornament, or a masverk, or a linen fold pattern, which would be very actively used along with Renaissance ornaments on furniture objects in the 16th century.

In the XV century. there are large and very bulky cabinets with two or four doors (in the form of bunk cabinets), the panels of which, as a rule, are decorated with a pattern of linen folds.

Seating furniture gradually became more diverse, but was still reluctant to separate from the walls, although some of such furniture is already beginning to be freely placed in the room. For a long time, benches and chests attached to the walls remained the most common furniture for sitting and lying.

The seats of stools and chairs take on a variety of shapes in terms of square, round, rectangular, multifaceted.

A characteristic variety of the Gothic chair is the chest, to which a very high blank back with blank elbows was attached. The seat was usually arranged as a lifting one, and the back was decorated with floral ornaments or masverk and ended with an openwork Gothic crest, phials, French lilies, etc. The front and side panels of a box (chest) of such an armchair were processed, as a rule, with linen folds. Armchairs were usually placed near the bed and therefore they were called bedside chairs. They also served as a home closet. The seat was wooden, hard, the lower box interfered with the legs when sitting, because. they could not be pulled back, and the carved vertical back did not contribute to the comfort of a seated person. These chairs were very common in France, and were of little use in the countries to the north of it.

In addition to armchairs, the most common seating furniture was stools, benches and chairs.

In poor houses, the only type of seating was probably stools, the construction of which consisted of a round or triangular board with three or four cylindrical or rectangular legs. Stools of a more complex shape were also made with a rectangular seat standing on side supports, which were sometimes decorated with Gothic lancet arches. Benches were often made in the form of elongated stools with a rectangular seat for several people, or they resembled ordinary chests, the top cover of which was adapted for sitting. Such benches had a high back and, as a rule, were placed against the wall. There were also benches with a reversible backrest (with a span), which were freely placed indoors or installed by the fireplace. A fairly primitive type of cylindrical chair is also known, which was made on the basis of a conventional barrel, to which several additional back parts were attached. Other types of chairs were also used, for example, a swivel chair (the so-called Lutheran), chairs (armchairs) on three or four legs of lathe work, reminiscent of the seating areas of the Romanesque era. The rest of the seating furniture was much more perfect and better adapted for a person. These were stools and chairs made on the basis of old X-shaped stools, chairs and curule chairs. These criss-cross seatings have the oldest pedigree, dating back to ancient Egypt and antiquity.

Such furniture spoke of the power that the owner of the chair or armchair possessed, which was additionally emphasized by a special elevation on which they stood, and in some cases, also by a canopy.

The earliest known X-shaped stools could be folded. The supporting parts were fastened with crossbars, the upper of which were pulled together by brightly decorated straps that formed the seat. In other cases, in order to make a chair, the back support was made higher than the seat and turned into a back support. Additional convenience of such a chair was achieved with the help of felt upholstery, a pillow and a footstool.

Appeared in late Gothic, especially in Italy and Spain, X-shaped chairs and armchairs only imitate a folding form and, in fact, represent Renaissance furniture, the so-called. curule chairs, in which their side parts rise above the seat and are a kind of armrests, sometimes connected to the back. Such chairs were richly decorated with flat carvings, painted and gilded.

Very few beds have survived from Gothic times, mainly due to the dilapidation of lush draperies. Beds played an important role in expressing the social status of the owner, which can be seen, at least, from the surviving numerous paintings of that era. During this period, state beds in the homes of nobles were considered one of the most expensive and prestigious pieces of furniture and were often intended more for display than for sleeping.

Like chests, beds in Western European countries had to be elevated to protect them from drafts and cold damp floors. Beds in the Gothic era, if they were not built into the wall, had a half-canopy, a full canopy, or a large, closet-like, wooden canopy box, decorated with carvings and paintings. There were warm draperies that could be detached and packed into chests during the journey.

The design of the Gothic tables is similar to the tables of the Romanesque period, however, their nomenclature has increased. The most characteristic type of table is a dining rectangular table with a strongly protruding top on two plank rectangular side panels-supports. These shields had flat carvings with a Gothic ornament, and the middle part had openings made in the form of a single or double Gothic temple window with its characteristic shape, including the lattice of the binding. Sometimes deep drawers were made in the underframe boxes. The side shields at the bottom near the floor were pulled together with a special bar or proleg board.

On the basis of this type of table, an early form of a desk was subsequently formed with a massive raised tabletop, under which there were many compartments and small drawers in the underframe box, and below there was a container hidden from prying eyes. Such types of tables, which are typical, for example, for Southern Germany and Switzerland, were used by merchants and money changers until the 16th century.

Traditional ribbon weave or vegetal gothic carvings in oak fill the tops of these tables. An additional decorative effect is achieved through the contrast of this wide, flat waxed carving and a slightly sunken flat background. The side support shields are connected by a horizontal bar, the outer ends of which are usually locked with wedges. There are also tables standing on four obliquely set legs connected by prolegs. Such legs, as a rule, had a flat thread. In late Gothic, sliding tables were also known. Tables with rectangular and round tops began to appear, standing on one central support. The tabletops are beginning to be covered with veneer. Attempts of still primitive inlay are known.

Tables borrowed from Romanesque continued to exist in the form of a simple wooden shield, which was mounted on goats or on two hollow rectangular frames that folded together.

Gothic style in furniture characterized by significant local differences. French furniture was distinguished by the greatest elegance of proportions, decorations, and proportionality of parts, which is characterized by a large number of types of chests, armchairs with drawers and high backs, chairs, benches, supplies, cabinets, etc. True, in Northern France, furniture was strongly influenced by the Dutch furniture and had a very heavy shape, but was still beautifully decorated. This influence was due to the work of many visiting Netherlandish woodcarvers. In other countries, the furniture range was much poorer, and the forms of products were somewhat uniform. Nevertheless, in Spain, the development of furniture art went in line with the French Gothic trend, however, the decor of furniture objects, as well as architecture, was strongly influenced by the Arab-Moorish style - a kind of mixture of geometric motifs, as well as motifs of climbing plants with already intricate lines of openwork ornament of late, flaming, gothic. Spanish furniture is characterized by extremely complex and rich planar surface finishes. Unfortunately, apart from church pews and choir chairs, we do not know of any other Spanish seating furniture from the Middle Ages. Wood carving flourished in medieval Spain, but other types of decoration were also used. For example, chests were covered with colored or embossed leather, rich metal (iron and bronze) fittings, stalactite motifs, and turned bars were used.

In the Gothic style, the furniture art of Germany and the Netherlands was highly developed and also had much in common with the art of France. Artistically and constructively, the furniture was beautifully executed. The material was solid wood. Furniture, as a rule, had a frame structure with thin panels. Beautiful carved plant elements, free openwork and folded ornaments were used as decorations. Typical pieces of furniture are tall double-leaf wardrobes with four, six or even nine panels, as well as sideboards with a canopy ladder and high legs. Carpentry work was carried out very carefully, with great precision. Carvings were distinguished by subtlety and elegance. In Northern Germany, on the Rhine, high-quality gothic furniture was used with tenon corner joints. Large cabinets are similar in design to the Flemish ones. Noteworthy is a tall wardrobe with legs, decorated with a folded ornament, and later with a floral ornament on the panels. Such cabinets in most cases were decorated with decorative forging. Typical bench chests were also made. The South German style would be common in the Alpine countries (Switzerland, South Bavaria, Tyrol, Upper Austria). South German furniture was made mainly of soft and semi-hard wood, had a plank structure and was decorated with flat carvings.

Such furniture was more diverse both in form and decor than northern furniture. The furniture was decorated with openwork ornaments on floral motifs with curls and ribbons using the technique of flat carving, made on a colored base and enriched with animal figures and heraldic shields. The interiors were wood paneled with profiled planks.

This technology of decorating the furnishings of residential premises, including furniture, with a shallow flat carved ornament (Flachschnitt) with a color, as a rule, in red and green, was called Tyrolean carpentry Gothic (Tiroler Zimmergotik). Beautiful Gothic furniture has been preserved in Tyrolean castles. These are various types of tables, canopy beds decorated with rich carvings, chests, chairs, benches, narrow cabinets for washing accessories built into the wall and other furniture items. Here we see the first attempts at veneering and primitive inlay work.

The southern direction of Gothic also captured Upper Hungary, where beautiful furniture was made. First of all, objects of church furnishings have come down to us: chairs for the kliros, libraries, tables, etc., which have simple shapes, flat openwork carvings, painting and gilding.

The Gothic style had a very superficial influence on Italian architecture and furniture art, which can be explained by differences in living conditions and climate.

In Italy, where the influence of ancient traditions was still extremely strong, the Gothic style was considered barbaric; already in its very name found an expression of disdain for the art of the northern countries, alien in spirit. The Gothic style in Italy brought its own ornamentation, but all the sharp Gothic angles were blunted. The flat carvings of South German furniture influenced the ornamentation of North Italian cabinets. In the XV century. in Venice and Verona, wooden chests were decorated with beautiful openwork carvings with rosettes and Gothic leaf ornaments. Chests from Central Italy (Tuscany and Siena, c. 1400) had figured stucco, which was painted and covered with gilding (stucco).

The Gothic style in England lasted a very long time. It is customary to divide English Gothic into three periods: early Gothic (1189-1307), decorative Gothic (1307-1377) and late, so-called. vertical, rectilinear Gothic (1377-1590). This is precisely the time when the Renaissance was already in full bloom in Italy, and England was still going through the Gothic of the third period, which the British call the perpendicular style, which received this name because of the predominance of vertical rectilinear lines of structural and decorative elements. At that time, it was customary to sew up the walls of the premises with wooden panels of a frame-panel construction. The panels were decorated with carved ornaments. Carvings were also used to decorate the interior wooden ceilings of the premises. In the early period of English Gothic, furniture is heavy, its profiles are simple and rude. The main decorative element is a folded ornament. Later, in the articulation of furniture, the influence of architecture begins to be felt.

English furniture, even late Gothic, is characterized by simplicity of design and a small amount of decoration.

The main furniture universal object continues to be the chest. As throughout Western Europe, the frame of the chest consists of thick bars, between which panels with flat carvings of decorations are inserted. The frame of the chest is also bound with iron strips for strength, and locks are attached above the panels. The prototype of the English cabinet, as elsewhere in Europe, are two chests placed one on top of the other. The front part of such a cabinet is divided by frame bars into six cells-frames into which panels are inserted. Moreover, the central panels are wider, and the side panels are narrow. Narrow side panels are decorated with linen pleats. Frames of wide panels are cabinet doors hung on massive and well-decorated metal hinges.

Late Gothic English furniture is characterized by massive armchairs, the frame of which is connected from thick bars, rectangular in cross section, between which thin paneling boards decorated with flat carvings are inserted into the tongue. The panels of the back are finished with a masverk ornament, and the panels of the armrests and the lower part of the chair are finished with a folded ornament.

The side pillars of the backrest and armrests are additionally decorated with vertical pillars and spiers. In addition to cabinets, low and wide supplies have become widespread in England - coupe board. Tables at this time have, as a rule, a rectangular top and a massive underframe, which is attached to the side panels instead of legs. These shields and underframes are primitively decorated with figuratively sawn edges and shallow carvings of a simple floral pattern. The side support shields of the tables are often fastened with prolegs, wedges are inserted into the outer ends of which.

The beds have a canopy, which is mounted on four posts, which are a kind of continuation of the legs. In the lower part, the legs have a tetrahedral section, and above the bed frame, the posts are carved with floral motifs in the form of polyhedrons, intercepts of various shapes, etc. The headboard of the bed is made high, and its five panels are decorated with low relief carvings.

In general, English Gothic furniture was of uncomplicated construction, the elements of which were never disguised and were used as well as decorative elements. All nodes and joints are clearly visible and understandable. All furniture was made exclusively from oak. At the end of the XV - beginning of the XVI century. in England, a mixed style is formed - a kind of transition from Gothic to the Renaissance, which was called the Tudor style. A classic pattern begins to appear on the Gothic structure.

The through openwork ornament and a special type of arched decorations still belong to the Gothic, however, the early Renaissance invasion is already noticeable in the new profiling of furniture parts, rosettes and other motifs. In most cases, this applies to Dutch-influenced furniture, such as cupboards. On the panels of a wide variety of furniture objects, the coats of arms of the owners begin to appear.

The influence of the new Italian Renaissance art begins to penetrate into Central Europe around 1500, primarily in France, where Italian artists worked at the royal court. French furniture of the late 15th - early 16th century. acquires a new, completely original character.

The decor of this time in the form of a grotesque ornament, for example, is combined here with Gothic decorations. Overhead openwork iron hinges and locks are still in use. One part of the supply panels, for example, is decorated with linen folds, and the other - with a grotesque. The front supports are made in the form of bars, but the wooden back wall continues to sink to the bottom. The postavets continues to be hexagonal, but its front wall is made wider than the side ones. However, in Germany, for example, deliveries usually differed from French ones by a simpler rectangular hull shape and the absence of a solid rear wall. In their decoration, profile images of human faces in a grotesque ornament are sometimes replaced by sculpted male and female heads strongly pushed forward. It was a transitional time, when constructive and compositional clarity and certainty began to be felt in the morphology of furniture objects, and all articulations and profiles were specially emphasized and manifested in external form.

Gothic style- an important stage in the history of the development of furniture styles. Many new types of furniture were created and the forgotten antique furniture technique was resurrected to a new life. Carpentry, with its lively original form of expression in ornamentation, was on the rise. In the Gothic interior, furniture is still not completely mobile: many of its types still gravitate towards the walls or are built into building envelopes, have a close relationship with architecture in terms of borrowing its forms, the nature of their divisions and decorative finishes. Already in the late Gothic period, carpentry was highly developed, which served as the basis for performing even more complex tasks in the Renaissance.

Used study materials. benefits: Grashin A.A. A short course in the style evolution of furniture - Moscow: Architecture-S, 2007

Gothic style in the interior with easily recognizable features causes ambiguous opinion among design art adherents: some tirelessly admire the appearance of majestic castles in the Gothic style, others do not accept excessive gloom in the appearance of the house, but no one can be indifferent to such a dynamic design concept that embodies the era of tapestries and the Middle Ages.

The history of the development of the Gothic interior genre

This unique design trend originated in France in the 12th century. During the Middle Ages, the design of mansions was welcomed with knightly armor, made of wood and metal with a deliberately rough finish, round windows framed in lead and many details of the furnishings elongated upwards. The heyday of the Gothic direction of art occurred in the 15th century. During this period of time, architects radically changed the idea of ​​\u200b\u200bbuilding houses. Their ascetic features were transformed beyond recognition thanks to talented architects who managed to turn unremarkable houses into remarkable castles:

• decorate the facades with an abundance of glass and metal elements of ornate form, massive metal ones;
• radically change the configuration of residential premises - double the height of the walls by installing high columns with a massive base, fan vaults, coffered ceilings, maximize the boundaries of the rooms to create a feeling of maximum spaciousness;
• to install numerous large-format windows in rooms, regardless of their purpose, be it a bedroom or a bathroom;

• replace interior doors with arches lancet shape;
• use natural materials for interior decoration - marble, granite, precious woods, tiles.

In the process of development of the Gothic style of design, the manner of housing design was constantly changing: majestic mansions with an abundance of gilded and bronze interior elements adapted to the lifestyle of modern people. Today, designers create the interior of a Gothic-style house from newfangled and wood, and instead decorate the walls with drawings with medieval scenes made in. Thanks to this, the atmosphere of mystery, genuine luxury, magical charm, characteristic of the Gothic style of interior design, prevails in the houses.

Advice! The Gothic interior style has been used for more than ten centuries for home improvement. Over the centuries, it has been constantly improved as a result of the development of new directions in design and architectural art. Therefore, interior paintings in this style can radically differ from each other: it is advisable for lovers of space to fill the house with the aesthetics of ancient art with minimal use of furniture with rough processing, and admirers of luxury need to pick up old canvases with darkened from time to time, chests or metal figurines.

Signs of the Gothic style

The unique interior genre delights with the skillful execution of frescoes on dark walls and stained-glass windows on the windows, enchants with the predominance of dark-colored furnishings, impresses with original furniture with carved facades made of precious wood and filigree decor.

Interior design in the Gothic style can radically change the familiar look of the house, turning it into a fairy-tale castle. The aesthetic guidelines of this stylistic direction is a list of features:

• saturated colors with a predominance of black, burgundy, purple,,;

• a large number of metal furnishing details - hinged double doors with heavy handles made in the form of large hinged rings, made of heavy fabrics, a massive headboard and footboard in the form of a pointed arch, overall wall and floor mirrors with carved bronze frames;
• the predominance of antiques - antiques, candelabra, figurines, table clocks, chests and other rare interior items, acting as a link between the ascetic antiquity of the Middle Ages and the excesses of modernity;

• with a forged portal decorated with floral patterns, intricate interweaving of ornate decorative elements reflecting Celtic motifs or heraldic emblems;

• a mantelpiece lined with tiles and lined with candelabra with burning candles, table mirrors;
• curtains from valuable types of fabric - velvet, velor, jacquard, veil, damask silk, satin;

• large-sized arched windows with lancet tops and numerous metal sashes are necessarily complemented by massive wooden frames with iron bolts.

The abundance of architectural inclusions and frills of medieval art that characterize the Gothic interior style requires large rooms in housing with high ceilings. Therefore, recreating the atmosphere of a medieval castle is much easier in a house with a large living area than in an apartment, where massive interior items in dark colors can create a sense of intimacy and look clumsy. Therefore, designers recommend using the Gothic style in the interior of an apartment for two-level housing, where a harmonious symbiosis of stone wall and floor decoration, furniture with dimensional candlesticks will look organic and fascinate, conveying the manner of decorating castles and houses during the Middle Ages.

Ancient aesthetics in the shape of modern houses

Gothic style in a modern interior is a rare phenomenon that allows you to unify the look of an apartment or a private house. Luxurious apartments, filled with virtuoso details of intricately shaped furnishings with dynamic dark finishes, focus the attention of others on the filigree decor of furniture facades with carved panels, figured overlays made using the marquetry technique, and an abundance of artsy interior details. This noble design style embodies medieval art, which is characterized by the following features:

• the construction of mansions with, equipped with many towers, acute-angled elements of an elongated shape, lancet arches and fan arches;
• and dominant in the interior stained glass windows depicting knightly duels and everyday life during the Middle Ages;

• wood beam ceiling with a deliberately rough finish;

• covering the floor with ceramic granite tiles of a non-standard shape - hexagonal, octagonal or triangular with a non-uniform texture;

• decoration of walls, furniture upholstery, curtains and other furnishings with medieval motifs and plots - the image of a trefoil, four-petal ornaments, a Gothic rose framed by a circle.

Initially, a specific Gothic art direction was used to decorate Catholic cathedrals. Over time, the manner of decorating cathedrals with icons in gilded frames, windows with picturesque stained-glass windows, filling with bronze candlesticks migrated to the interior of private houses. Installing cabinets with, decorating your home with paintings and mirrors with baguettes made of precious metals, lamps with antique-styled metal details will create an easily recognizable interior composition in the Gothic style.

In order to create a characteristic magical aura in a modern interior and divide spacious living quarters into functional zones, it is advisable to install wrought iron partitions decorated with hardwood and ribbon weaving in a studio-style apartment, or install a fake stained-glass window in plasterboard partitions. The aesthetics of ancient art in a modern interior looks unique, prompting guests of the house to endlessly admire the delights of the Gothic design style.

As a rule, based on our own worldview, we form the styles of the interiors of our own housing. Gothic style in the interior is incomparable with anything.

He is original and unique, prefers dark colors, the predominant among which is black, purple or burgundy. There are also light green, pink, white, but less often. Of course, only those people who are crazy about Gothic and its culture will prefer to decorate the interior in this style. Here you can not do without originality and gloom, romanticism.

And most importantly, that style can only be realized in a large-sized apartment or country house! It is preferable that there are also high ceilings, but this is not at all necessary.

Materials used

Despite the long origin of the style, its concept is relatively young. The main materials are stone, wood, which are processed in a rough way. In fact, few people will use natural materials. Indeed, in this case, it will be necessary to build a whole castle of the Middle Ages. In our time, this is not the best option for today. Using the preferred materials, the result will be the most unsurpassed.

Gothic style lighting

Since the gothic style is relevant, this style of lamps are perfect for creating a medieval atmosphere. Since the demand for them is relatively small, they are not produced in very large quantities, and sometimes not at all, only single copies. And this provides the possibility of creating an individual interior, in which individuality and originality are emphasized. At the same time, if the selected lamp was made to decorate an apartment in the Gothic style, this does not mean at all that it cannot be used in other styles. In such cases, as a rule, individual approaches are considered.

In addition, attention should be paid to lighting, as well as backlighting and effects, thanks to which it turns out to create a special mystery and mystery inherent in the style. Such lamps are able to create coziness and comfort in the interior.

Decoration of windows and archways

Surely you have seen various pictures and photos of the Gothic style in the interior, where you can clearly see how the windows and arches tend upwards. As a decor, you can use openwork towers, ornaments characteristic of Gothic. It is unacceptable to combine this with other styles at all. There is a majestic and elegant atmosphere here. Windows are decorated with ornaments, stained-glass windows. Windows and arches should be given a lot of attention as they draw a lot of attention to themselves. It is also important to understand here that the style of the Middle Ages should be as close as possible in the interior, while you will use modern materials and objects.

Furniture selection

For complete completeness and harmony, furniture must be chosen with special care. A sideboard on high legs, a double-leaf cabinet with 6 panels and high backs would be quite appropriate here. Everything should be made of natural wood, decorated with original carvings. In addition, pieces of furniture should be massive and refined. The interior, although it will be rough, but at the same time, refined.

We decorate the ceiling

The peculiarity of the ceiling in the Gothic style is in the attraction upwards. Yes, it's just great if this factor can be taken into account at the design stage of the building. But if the housing is already ready, and the ceilings in it are still not too high, the combined effects, stucco, open rafters of the open type will help to visually raise them.

Gothic housing decor

To do this, you can use mythical sculptures, lions, various types of draperies, paintings, knightly armor.

Despite the retro perception of the Gothic style, in fact it belongs to the modern. Everything that seems old and ancient is created so on purpose, for the sake of appearance. And besides, for gothic fans, it is important to understand that when designing an interior in this style, you should take into account a lot of nuances!

37 real photos

The luxurious and pompous Romanesque style was replaced by a more restrained Gothic, which exuded mysticism. The term "Gothic" originated in the state of Italy, when the Renaissance was just beginning.

However, using it, the Romans showed their dismissive attitude towards the style, which they considered barbaric and disappearing into oblivion. That is why the authors used the word "Gothic" to ironically denote distorted Latin in the text.

And only many years later, this term began to denote a style in architecture, which was distinguished by majesty and gloom.

The most common features of the Gothic style are mosaic stained-glass windows, decorative elements painted in gold, as well as a skillful combination of such a fragile material as glass with a rough stone.

At first glance, it may seem that it will be quite simple to reproduce this in a modern apartment, however, designers are of a completely different opinion.

It is impossible to completely recreate such a complex style in an ordinary apartment, from the point of view of a professional, therefore only some elements of the Gothic style are used.

It is worth noting that when designing an interior design in the Gothic style, you need to be prepared for waste, since you will have to use natural materials, which are quite expensive. Natural stone, marble, as well as solid wood are used as finishing materials.

Gothic style is impossible to imagine without tiled mosaics and large multi-colored stained-glass windows, so it is best to abandon the idea of ​​​​installing ordinary windows.

Main elements

If you still decide to use the Gothic style in the interior, you need to purchase several of its main attributes in advance. These include: a spiral staircase, stained-glass windows and a fireplace.

These, at first glance, ordinary decor elements can not only decorate any room, but also add a mystical atmosphere to it. To decorate stained-glass windows, it is best to use an ornament.

You can use images of flowers such as a rose or a lily. Such images can and should be applied not only to stained-glass windows, but also to any surface.

This is the main feature of the Gothic style, without which it is impossible to recreate it.

Do not forget that guild crafts were actively developing during the dawn of the Gothic, so they definitely need to decorate the interior of the room.

You can use various designs made of glass or metal, carvings in stone or solid wood. By adding these elements, you are guaranteed to enhance the effect of the style you use, as well as add high cost and luxury to it.

How to choose the right furniture?

In addition to the fact that you should choose the right materials for decoration and small decorative elements, you must also pay special attention to the choice of furniture.

This style requires you to use high sideboards, cabinets. The bed should be quite massive, and it is better to choose chairs with a high back.

The furniture should be as similar as possible to the one used in the Middle Ages, so it is better to familiarize yourself with the photos of the Gothic style in advance, they will help you make the right choice.

Pay attention to how the palace halls and chambers of churches used to be decorated. It was quite common to use a variety of chests, which should also be included in your interior.

At the same time, you should not worry that this design will only take up free space, and you will not get any benefit from it. You can use chests to store clothes and small tools.

All furniture in the house should be quite massive and dark. It is absolutely unacceptable to use light shades that will simply destroy all the Gothic atmosphere you create.

Pay attention to examples of the Gothic style, which are provided for your attention below. On them you will notice that preference is given to darker woods, which are further decorated with carvings or forged structures.

Does goth always mean dark?

Many people are still convinced that Gothic-style rooms look rather gloomy. But professional designers do not agree with this opinion at all.

With the right design, the Gothic style in the interior of the apartment looks quite bright, as some lightness and spirituality are added. We should not forget that this style can turn an ordinary unremarkable room into a masterpiece.

It will look more like a palace room, decorated elegantly and expensively.

Skillfully placing accents with the help of individual decorative elements, you can achieve a stunning effect that will delight the owner of the apartment for many years, because Gothic, like the classics, does not go out of fashion.

In addition, even people who prefer more modern styles will be able to find something of their own in it. If you are wondering how to design in the Gothic style, or are afraid of doing something wrong, then you should just look at the photos provided on the Internet.

They clearly demonstrate how in the Middle Ages it was customary to design the design of a room.

Photo of the Gothic style in the interior