Since the seas and rivers provided a great overview for tracking down and attacking foreign invaders.

The supply of water made it possible to maintain ditches and ditches, which were an indispensable part of the castle's defense system. Castles also functioned as administrative centers, and reservoirs helped facilitate the collection of taxes, since rivers and seas were important trade waterways.

Also, castles were built on high hills or in cliffs of rocks that were difficult to attack.

Stages of building a castle

At the beginning of the construction of the castle, ditches were dug in the ground around the location of the future building. Their contents were piled up inside. It turned out a mound or hill, which was called "mott". A castle was later built on it.

Then the walls of the castle were built. Often two rows of walls were erected. The outer wall was lower than the inner one. It had towers for the defenders of the castle, a drawbridge and a lock. Towers were built on the inner wall of the castle, which were used for. The basement rooms were intended to store food in case of a siege. The platform, which was surrounded by an inner wall, was called "bailey". On the site there was a tower where the feudal lord lived. Castles could be supplemented with extensions.

What were castles made of?

The material from which the castles were made depended on the geology of the area. The first castles were built of wood, but later stone became the building material. Sand, limestone, granite were used in construction.

All construction was done by hand.

The walls of castles were rarely made entirely of solid stone. Outside, the wall was lined with processed stones, and on its inside, uneven shapes and different sizes were laid out. These two layers were connected with lime mortar. The solution was prepared right on the site of the future structure, and stones were also whitened with it.

Wooden scaffolding was erected at the construction site. At the same time, horizontal beams were stuck into holes made in the walls. Boards were laid on top of them. On the walls of the castles of the Middle Ages, you can see square recesses. These are the marks from the scaffolding. At the end of the construction, the construction niches were filled with limestone, but over time it fell off.

The windows in the castles were narrow openings. On the tower of the castle, small openings were made so that the defenders could shoot arrows.

What did the locks cost?

If it was a royal residence, then specialists from all over were hired for the construction. So the king of medieval Wales, Edward the First built his ring castles. The masons cut the stones into blocks of the correct shape and size, using a hammer, chisel and measuring tools. This work required a high level of skill.

Stone castles were expensive. King Edward almost ruined the state treasury by spending 100,000 pounds on their construction. About 3,000 workers were involved in the construction of one castle.

The construction of castles took from three to ten years. Some of them were built in the war zone and took longer to complete. Most of the castles built by Edward the First are still standing.

You write about the baron in the castle - if you please, at least roughly imagine how the castle was heated, how it was ventilated, how it was lit ...
From an interview with G. L. Oldie

At the word "castle" in our imagination there is an image of a majestic fortress - the calling card of the fantasy genre. There is hardly any other architectural structure that would attract so much attention from historians, experts in military affairs, tourists, writers and fans of “fabulous” fantasy.

We play computer, board and role-playing games where we have to explore, build or capture impregnable castles. But do we know what these fortifications really are? What interesting stories are associated with them? What are the stone walls hiding behind them - witnesses of entire eras, grandiose battles, knightly nobility and vile betrayal?

Surprisingly, it is a fact - the fortified dwellings of feudal lords in different parts of the world (Japan, Asia, Europe) were built according to very similar principles and had many common design features. But in this article, we will focus primarily on medieval European feudal fortresses, since it was they that served as the basis for creating a mass artistic image of the “medieval castle” as a whole.

The birth of a fortress

The Middle Ages in Europe was a turbulent time. The feudal lords, for any reason, arranged small wars among themselves - or rather, not even wars, but, in modern terms, armed “showdowns”. If a neighbor had money, they had to be taken away. Lots of land and peasants? It's just indecent, because God ordered to share. And if knightly honor is hurt, then here it was simply impossible to do without a small victorious war.

Under such circumstances, the large aristocratic landowners had no choice but to strengthen their dwellings with the expectation that one fine day their neighbors might come to visit them, whom you don’t feed with bread - let someone slaughter.

Initially, these fortifications were made of wood and did not resemble the castles known to us in any way - except that a moat was dug in front of the entrance and a wooden palisade was erected around the house.

The lordly courts of Hasterknaup and Elmendorv are the ancestors of castles.

However, progress did not stand still - with the development of military affairs, the feudal lords had to modernize their fortifications so that they could withstand a massive assault using stone cannonballs and rams.

The European castle has its roots in the era of antiquity. The earliest structures of this kind copied the Roman military camps (tents surrounded by a palisade). It is generally accepted that the tradition of building gigantic (by the standards of that time) stone structures began with the Normans, and classical castles appeared in the 12th century.

The besieged castle of Mortan (withstood the siege for 6 months).

Very simple requirements were imposed on the castle - it must be inaccessible to the enemy, provide observation of the area (including the nearest villages belonging to the owner of the castle), have its own water source (in case of a siege) and perform representative functions - that is, show the power, wealth of the feudal lord.

Beaumarie Castle, owned by Edward I.

Welcome

We are on our way to the castle, which stands on a ledge of a mountain slope, on the edge of a fertile valley. The road goes through a small settlement - one of those that usually grew up near the fortress wall. Common people live here - mostly artisans, and warriors guarding the outer perimeter of protection (in particular, guarding our road). This is the so-called "castle people".

Scheme of castle structures. Note - two gate towers, the largest stands separately.

The road is laid in such a way that the aliens always face the castle with their right side, not covered by a shield. Directly in front of the fortress wall there is a bare plateau, lying under a significant slope (the castle itself stands on a hill - natural or bulk). The vegetation here is low, so that there is no shelter for the attackers.

The first barrier is a deep ditch, and in front of it is a rampart of excavated earth. The moat can be transverse (separates the castle wall from the plateau), or sickle-shaped, curved forward. If the landscape allows, the moat encircles the entire castle in a circle.

Sometimes dividing ditches were dug inside the castle, making it difficult for the enemy to move through its territory.

The shape of the bottom of the ditches could be V-shaped and U-shaped (the latter is the most common). If the soil under the castle is rocky, then ditches were either not made at all, or they were cut down to a shallow depth, which only hindered the advancement of infantry (it is almost impossible to dig under the castle wall in the rock - therefore, the depth of the moat was not decisive).

The crest of an earthen rampart lying directly in front of the moat (which makes it seem even deeper) often carried a palisade - a fence of wooden stakes dug into the ground, pointed and tightly fitted to each other.

A bridge over the moat leads to the outer wall of the castle. Depending on the size of the moat and bridge, the latter supports one or more supports (huge logs). The outer part of the bridge is fixed, but its last segment (right next to the wall) is movable.

Scheme of the entrance to the castle: 2 - gallery on the wall, 3 - drawbridge, 4 - lattice.

Counterweights on the gate lift.

Castle gate.

This drawbridge is designed so that in a vertical position it closes the gate. The bridge is powered by mechanisms hidden in the building above them. From the bridge to the lifting machines, ropes or chains go into the wall holes. To facilitate the work of people servicing the bridge mechanism, the ropes were sometimes equipped with heavy counterweights that took part of the weight of this structure onto themselves.

Of particular interest is the bridge, which worked on the principle of a swing (it is called “overturning” or “swinging”). One half of it was inside - lying on the ground under the gate, and the other stretched across the moat. When the inner part rose, closing the entrance to the castle, the outer part (to which the attackers sometimes managed to run) fell down into the moat, where the so-called “wolf pit” was arranged (sharp stakes dug into the ground), invisible from the side, until the bridge is down.

To enter the castle with the gates closed, there was a side gate next to them, to which a separate lifting ladder was usually laid.

Gates - the most vulnerable part of the castle, were usually made not directly in its wall, but were arranged in the so-called "gate towers". Most often, the gates were double-leaf, and the wings were knocked together from two layers of boards. To protect against arson, they were upholstered with iron on the outside. At the same time, in one of the wings there was a small narrow door, which could be entered only by bending over. In addition to locks and iron bolts, the gate was closed by a transverse beam lying in the wall channel and sliding into the opposite wall. The transverse beam could also be wound into hook-shaped slots on the walls. Its main purpose was to protect the gate from their landing attackers.

Behind the gate was usually a drop-down portcullis. Most often it was wooden, with iron-bound lower ends. But there were also iron gratings made of steel tetrahedral rods. The lattice could descend from a gap in the vault of the gate portal, or be behind them (on the inside of the gate tower), descending along the grooves in the walls.

The grate hung on ropes or chains, which, in case of danger, could be cut off so that it quickly fell down, blocking the way for the invaders.

Inside the gate tower there were rooms for guards. They kept watch on the upper platform of the tower, asked the guests for the purpose of their visit, opened the gates, and, if necessary, could hit all those who passed under them with a bow. For this purpose, there were vertical loopholes in the vault of the gate portal, as well as “tar noses” - holes for pouring hot resin on the attackers.

Resin noses.

All on the wall!

The most important defensive element of the castle was the outer wall - high, thick, sometimes on an inclined plinth. Worked stones or bricks made up its outer surface. Inside, it consisted of rubble stone and slaked lime. The walls were placed on a deep foundation, under which it was very difficult to dig.

Often double walls were built in castles - a high outer and a small inner one. An empty space appeared between them, which received the German name “zwinger”. The attackers, overcoming the outer wall, could not take with them additional assault devices (bulky ladders, poles and other things that cannot be moved inside the fortress). Once in the zwinger in front of another wall, they became an easy target (there were small loopholes for archers in the walls of the zwinger).

Zwinger at Laneck Castle.

On top of the wall was a gallery for defense soldiers. From the outside of the castle, they were protected by a solid parapet, half the height of a man, on which stone battlements were regularly arranged. Behind them it was possible to stand at full height and, for example, load a crossbow. The shape of the teeth was extremely diverse - rectangular, rounded, in the form of a dovetail, decoratively decorated. In some castles, the galleries were covered (wooden canopy) to protect the warriors from bad weather.

In addition to the battlements, behind which it was convenient to hide, the walls of the castle were equipped with loopholes. The attackers were firing through them. Due to the peculiarities of the use of throwing weapons (freedom of movement and a certain shooting position), the loopholes for archers were long and narrow, and for crossbowmen - short, with expansion on the sides.

A special type of loophole - ball. It was a freely rotating wooden ball fixed in the wall with a slot for firing.

Pedestrian gallery on the wall.

Balconies (the so-called “mashikuli”) were arranged in the walls very rarely - for example, in the case when the wall was too narrow for the free passage of several soldiers, and, as a rule, performed only decorative functions.

At the corners of the castle, small towers were built on the walls, most often flanking (that is, protruding outward), which allowed the defenders to fire along the walls in two directions. In the late Middle Ages, they began to adapt to storage. The inner sides of such towers (facing the courtyard of the castle) were usually left open so that the enemy who broke into the wall could not gain a foothold inside them.

Flanking corner tower.

The castle from the inside

The internal structure of the castles was diverse. In addition to the mentioned zwingers, behind the main gate there could be a small rectangular courtyard with loopholes in the walls - a kind of “trap” for the attackers. Sometimes castles consisted of several "sections" separated by internal walls. But an indispensable attribute of the castle was a large courtyard (outbuildings, a well, premises for servants) and a central tower, also known as a donjon.

Donjon at the Château de Vincennes.

The life of all the inhabitants of the castle directly depended on the presence and location of the well. Problems often arose with him - after all, as mentioned above, castles were built on hills. Solid rocky soil also did not make it easier to supply the fortress with water. There are known cases of laying castle wells to a depth of more than 100 meters (for example, the Kuffhäuser castle in Thuringia or the Königstein fortress in Saxony had wells more than 140 meters deep). Digging a well took from one to five years. In some cases, this consumed as much money as all the interior buildings of the castle were worth.

Due to the fact that water had to be obtained with difficulty from deep wells, personal hygiene and sanitation issues faded into the background. Instead of washing themselves, people preferred to take care of animals - first of all, expensive horses. There is nothing surprising in the fact that the townspeople and villagers wrinkled their noses in the presence of the inhabitants of the castles.

The location of the water source depended primarily on natural causes. But if there was a choice, then the well was dug not in the square, but in a fortified room in order to provide it with water in case of shelter during the siege. If, due to the peculiarities of the occurrence of groundwater, a well was dug behind the castle wall, then a stone tower was built above it (if possible, with wooden passages to the castle).

When there was no way to dig a well, a cistern was built in the castle to collect rainwater from the roofs. Such water needed to be purified - it was filtered through gravel.

The combat garrison of castles in peacetime was minimal. So in 1425, two co-owners of the Reichelsberg castle in the Lower Franconian Aub entered into an agreement that each of them exposes one armed servant, and two gatekeepers and two guards are paid jointly.

The castle also had a number of buildings that ensured the autonomous life of its inhabitants in conditions of complete isolation (blockade): a bakery, a steam bath, a kitchen, etc.

Kitchen at Marksburg Castle.

The tower was the tallest structure in the entire castle. It provided the opportunity to observe the surroundings and served as a last refuge. When the enemies broke through all the lines of defense, the population of the castle took refuge in the donjon and withstood a long siege.

The exceptional thickness of the walls of this tower made its destruction almost impossible (in any case, it would take a huge amount of time). The entrance to the tower was very narrow. It was located in the courtyard at a significant (6-12 meters) height. The wooden staircase leading inside could easily be destroyed and thus block the way for the attackers.

Donjon entrance.

Inside the tower there was sometimes a very high shaft going from top to bottom. It served as either a prison or a warehouse. The entrance to it was possible only through a hole in the vault of the upper floor - “Angstloch” (in German - a frightening hole). Depending on the purpose of the mine, the winch lowered prisoners or provisions there.

If there were no prison facilities in the castle, then the prisoners were placed in large wooden boxes made of thick boards, too small to stand up to their full height. These boxes could be installed in any room of the castle.

Of course, they were taken prisoner, first of all, for a ransom or for using a prisoner in a political game. Therefore, VIP-persons were provided according to the highest class - guarded chambers in the tower were allocated for their maintenance. This is how Friedrich the Handsome spent his time in the Trausnitz castle on Pfaimd and Richard the Lionheart in Trifels.

Chamber at Marksburg Castle.

Abenberg castle tower (12th century) in section.

At the base of the tower there was a cellar, which could also be used as a dungeon, and a kitchen with a pantry. The main hall (dining room, common room) occupied an entire floor and was heated by a huge fireplace (it spread heat only a few meters, so that iron baskets with coals were placed further along the hall). Above were the chambers of the feudal lord's family, heated by small stoves.

At the very top of the tower there was an open (rarely covered, but if necessary, the roof could be dropped) platform where a catapult or other throwing weapon could be installed to fire at the enemy. The standard (banner) of the owner of the castle was also hoisted there.

Sometimes the donjon did not serve as living quarters. It could well be used only for military and economic purposes (observation posts on the tower, dungeon, provisions storage). In such cases, the feudal lord's family lived in the "palace" - the living quarters of the castle, standing apart from the tower. The palaces were built of stone and had several floors in height.

It should be noted that the living conditions in the castles were far from the most pleasant. Only the largest carpets had a large knight's hall for celebrations. It was very cold in the donjons and carpets. Fireplace heating helped out, but the walls were still covered with thick tapestries and carpets - not for decoration, but to keep warm.

The windows let in very little sunlight (the fortification character of the castle architecture affected), not all of them were glazed. Toilets were arranged in the form of a bay window in the wall. They were unheated, so visiting the outhouse in winter left people with simply unique sensations.

Castle toilet.

Concluding our “tour” around the castle, one cannot fail to mention that it always had a room for worship (temple, chapel). Among the indispensable inhabitants of the castle was a chaplain or priest, who, in addition to his main duties, played the role of a clerk and teacher. In the most modest fortresses, the role of the temple was performed by a wall niche, where a small altar stood.

Large temples had two floors. The common people prayed below, and the gentlemen gathered in the warm (sometimes glazed) choir on the second tier. The decoration of such premises was rather modest - an altar, benches and wall paintings. Sometimes the temple played the role of a tomb for the family living in the castle. Less commonly, it was used as a shelter (along with a donjon).

Many tales are told about underground passages in castles. There were moves, of course. But only very few of them led from the castle somewhere into the neighboring forest and could be used as an escape route. As a rule, there were no long moves at all. Most often there were short tunnels between individual buildings, or from the donjon to the complex of caves under the castle (additional shelter, warehouse or treasury).

War on earth and underground

Contrary to popular belief, the average military garrison of an ordinary castle during active hostilities rarely exceeded 30 people. This was quite enough for defense, since the inhabitants of the fortress were in relative safety behind its walls and did not suffer such losses as the attackers.

To take the castle, it was necessary to isolate it - that is, to block all the ways of supplying food. That is why the attacking armies were much larger than the defending ones - about 150 people (this is true for the war of mediocre feudal lords).

The issue of provisions was the most painful. A person can live without water for several days, without food - for about a month (in this case, one should take into account his low combat capability during a hunger strike). Therefore, the owners of the castle, preparing for the siege, often went to extreme measures - they drove out of it all commoners who could not benefit the defense. As mentioned above, the garrison of the castles was small - it was impossible to feed the whole army under the siege.

The inhabitants of the castle infrequently launched counterattacks. This simply did not make sense - there were fewer of them than the attackers, and behind the walls they felt much calmer. Food outings are a special case. The latter were carried out, as a rule, at night, in small groups that walked along poorly guarded paths to the nearest villages.

The attackers had no less problems. The siege of castles sometimes dragged on for years (for example, the German Turant defended itself from 1245 to 1248), so the question of supplying the rear of an army of several hundred people was particularly acute.

In the case of the siege of Turant, the chroniclers claim that during all this time the soldiers of the attacking army drank 300 fouders of wine (a fuder is a huge barrel). This is about 2.8 million liters. Either the scribe made a mistake, or the constant number of besiegers was over 1,000.

The most preferred season for taking the castle by starvation was summer - it rains less than in spring or autumn (in winter, the inhabitants of the castle could get water by melting the snow), the harvest has not yet ripened, and the old stocks have already run out.

The attackers tried to deprive the castle of a source of water (for example, they built dams on the river). In the most extreme cases, "biological weapons" were used - corpses were thrown into the water, which could provoke outbreaks of epidemics throughout the district. Those inhabitants of the castle who were taken prisoner were mutilated by the attackers and released. Those returned back, and became unwitting freeloaders. They might not have been accepted in the castle, but if they were the wives or children of the besieged, then the voice of the heart outweighed considerations of tactical expediency.

No less brutally treated the inhabitants of the surrounding villages, who tried to deliver supplies to the castle. In 1161, during the siege of Milan, Frederick Barbarossa ordered the hands of 25 citizens of Piacenza, who were trying to supply the enemy with provisions, to be cut off.

The besiegers set up a permanent camp near the castle. It also had some simple fortifications (palisades, earth ramparts) in case of a sudden sortie by the defenders of the fortress. For protracted sieges, a so-called “counter-castle” was erected next to the castle. Usually it was located higher than the besieged one, which made it possible to conduct effective observation of the besieged from its walls and, if the distance allowed, to fire at them from throwing guns.

View of the castle Eltz from the counter-castle Trutz-Eltz.

The war against castles had its own specifics. After all, any more or less high stone fortification was a serious obstacle for conventional armies. Direct infantry attacks on the fortress could well have been successful, which, however, came at the cost of heavy casualties.

That is why a whole range of military measures was necessary for the successful capture of the castle (it was already mentioned above about the siege and starvation). Undermining was one of the most time-consuming, but at the same time extremely successful ways to overcome the protection of the castle.

Undermining was done with two goals - to provide troops with direct access to the courtyard of the castle, or to destroy a section of its wall.

So, during the siege of Altwindstein Castle in Northern Alsace in 1332, a brigade of sappers of 80 (!) People took advantage of the distracting maneuvers of their troops (periodic short attacks on the castle) and for 10 weeks made a long passage in solid rock to the southeastern part of the fortress .

If the castle wall was not too large and had an unreliable foundation, then a tunnel broke through under its foundation, the walls of which were reinforced with wooden struts. Next, the spacers were set on fire - just under the wall. The tunnel collapsed, the base of the foundation sagged, and the wall above this place crumbled into pieces.

Storming of the castle (miniature of the 14th century).

Later, with the advent of gunpowder weapons, bombs were planted in tunnels under the walls of castles. To neutralize the tunnel, the besieged sometimes dug counterdigs. Enemy sappers were poured with boiling water, bees were launched into the tunnel, feces were poured there (and in ancient times, the Carthaginians launched live crocodiles into Roman tunnels).

Curious devices were used to detect tunnels. For example, large copper bowls with balls inside were placed throughout the castle. If the ball in any bowl began to tremble, this was a sure sign that a mine was being dug nearby.

But the main argument in the attack on the castle were siege machines - catapults and battering rams. The first ones were not much different from those catapults that were used by the Romans. These devices were equipped with a counterweight, giving the throwing arm the greatest force. With proper dexterity of the “gun crew”, catapults were quite accurate weapons. They threw large, smoothly hewn stones, and the combat range (on average, several hundred meters) was regulated by the weight of the shells.

A type of catapult is a trebuchet.

Sometimes barrels filled with combustible materials were loaded into catapults. To deliver a couple of pleasant minutes to the defenders of the castle, catapults threw the severed heads of captives to them (especially powerful machines could throw even whole corpses over the wall).

Assault the castle with a mobile tower.

In addition to the usual ram, pendulum ones were also used. They were mounted on high mobile frames with a canopy and were a log suspended on a chain. The besiegers hid inside the tower and swung the chain, forcing the log to hit the wall.

In response, the besieged lowered a rope from the wall, at the end of which steel hooks were fixed. With this rope, they caught a ram and tried to lift it up, depriving it of mobility. Sometimes a gaping soldier could get caught on such hooks.

Having overcome the shaft, breaking the palisades and filling up the moat, the attackers either stormed the castle with the help of ladders, or used high wooden towers, the upper platform of which was on the same level with the wall (or even higher than it). These gigantic structures were doused with water to prevent arson by the defenders and rolled up to the castle along the flooring of the boards. A heavy platform was thrown over the wall. The assault group climbed up the internal stairs, went out onto the platform and with a fight invaded the gallery of the fortress wall. Usually this meant that in a couple of minutes the castle would be taken.

Silent glanders

Sapa (from the French sape, literally - a hoe, saper - to dig) - a method of extracting a moat, trench or tunnel to approach its fortifications, used in the 16-19 centuries. Flip-flop (quiet, secretive) and flying glanders are known. The work of the throwing glanders was carried out from the bottom of the original ditch without the workers coming to the surface, and the flying glanders were carried out from the surface of the earth under the cover of a pre-prepared protective mound of barrels and bags of earth. In the second half of the 17th century, specialists - sappers - appeared in the armies of a number of countries to perform such work.

The expression to act "on the sly" means: sneak, slowly, imperceptibly go, penetrate somewhere.

Fights on the stairs of the castle

It was possible to get from one floor of the tower to another only through a narrow and steep spiral staircase. The ascent along it was carried out only one after another - it was so narrow. At the same time, the warrior who went first could only rely on his own ability to fight, because the steepness of the turn of the turn was chosen in such a way that it was impossible to use a spear or a long sword from behind the leader. Therefore, the fights on the stairs were reduced to single combat between the defenders of the castle and one of the attackers. It was the defenders, because they could easily replace each other, since a special extended area was located behind their backs.

In all castles, the stairs are twisted clockwise. There is only one castle with a reverse twist - the fortress of the Wallenstein counts. When studying the history of this family, it turned out that most of the men in it were left-handed. Thanks to this, historians realized that such a design of stairs greatly facilitates the work of the defenders. The strongest blow with the sword can be delivered towards your left shoulder, and the shield in your left hand covers the body best from this direction. All these advantages are available only to the defender. The attacker, on the other hand, can only strike to the right side, but his striking arm will be pressed against the wall. If he puts forward a shield, he will almost lose the ability to use weapons.

samurai castles

Himeji Castle.

We know the least about exotic castles - for example, Japanese ones.

Initially, the samurai and their overlords lived on their estates, where, apart from the watchtower “yagura” and a small moat around the dwelling, there were no other defensive structures. In case of a protracted war, fortifications were erected on hard-to-reach areas of the mountains, where it was possible to defend against superior enemy forces.

Stone castles began to be built at the end of the 16th century, taking into account European achievements in fortification. An indispensable attribute of a Japanese castle is wide and deep artificial ditches with steep slopes that surrounded it from all sides. Usually they were filled with water, but sometimes this function was performed by a natural water barrier - a river, a lake, a swamp.

Inside, the castle was a complex system of defensive structures, consisting of several rows of walls with courtyards and gates, underground corridors and labyrinths. All these structures were located around the central square of the honmaru, on which the feudal lord's palace and the high central tenshukaku tower were erected. The latter consisted of several rectangular tiers gradually decreasing upwards with protruding tiled roofs and gables.

Japanese castles, as a rule, were small - about 200 meters long and 500 wide. But among them there were also real giants. Thus, Odawara Castle occupied an area of ​​170 hectares, and the total length of its fortress walls reached 5 kilometers, which is twice the length of the walls of the Moscow Kremlin.

The charm of antiquity

Castles are being built to this day. Those of them that were in state ownership are often returned to the descendants of ancient families. Castles are a symbol of the influence of their owners. They are an example of an ideal compositional solution that combines unity (defense considerations did not allow picturesque distribution of buildings across the territory), multi-level buildings (main and secondary) and the ultimate functionality of all components. Elements of the castle's architecture have already become archetypes - for example, a castle tower with battlements: its image sits in the subconscious of any more or less educated person.

Saumur French castle (14th century miniature).

And finally, we love castles because they are simply romantic. Knightly tournaments, ceremonial receptions, vile conspiracies, secret passages, ghosts, treasures - in relation to castles, all this ceases to be a legend and turns into history. Here, the expression “walls remember” fits perfectly: it seems that every stone of the castle breathes and hides a secret. I would like to believe that medieval castles will continue to retain an aura of mystery - because without it they will sooner or later turn into an old pile of stones.

Hello dear reader!

Still, medieval architects in Europe were geniuses - they built castles, luxurious buildings that were also extremely practical. Castles, unlike modern mansions, not only demonstrated the wealth of their owners, but also served as powerful fortresses that could hold the defense for several years, and at the same time life did not stop in them.

medieval castles

Even the fact that many castles, having survived wars, natural disasters and the carelessness of the owners, are still intact, suggests that they have not yet come up with a more reliable home. And they are insanely beautiful and seem to have appeared in our world from the pages of fairy tales and legends. Their high spiers are reminiscent of the times when beauties fought for the hearts, and the air was saturated with chivalry and courage.

In order for you to be imbued with a romantic mood, I have collected in this material 20 of the most famous castles that still remain on Earth. They will certainly want to visit and, possibly, stay to live.

Reichsburg Castle, Germany

The thousand-year-old castle was originally the residence of the King of Germany, Conrad III, and then of the King of France, Louis XIV. The fortress was burned down by the French in 1689 and would have sunk into oblivion, but a German businessman purchased the remains in 1868 and spent most of his wealth rebuilding the castle.

Mont Saint Michel, France

The impregnable castle of Mont Saint-Michel, surrounded on all sides by the sea, is one of the most popular attractions in France after Paris. Built in 709, it still looks stunning.

Hochosterwitz Castle, Austria

The medieval castle Hochosterwitz was built in the distant 9th century. Its towers are still vigilantly watching the surrounding area, proudly towering above it at a height of 160 m. And in sunny weather, they can be admired even at a distance of 30 km

Bled Castle, Slovenia

The castle is located on a hundred-meter cliff, menacingly hanging over Lake Bled. In addition to the magnificent view from the windows of the castle, this place has a rich history - the residence of the Serbian queen of the dynasty, and later Marshal Josip Broz Tito, was located here.

Hohenzollern Castle, Germany

This castle is located on the top of the Hohenzollern mountain, 2800 meters above sea level. During its heyday, the castle in this fortress was considered the residence of the Prussian emperors.

Barciense Castle, Spain

Barciense Castle in the Spanish province of Toledo was built in the 15th century by a local count. For 100 years, the castle served as a powerful artillery fortress, and today these empty walls attract only photographers and tourists.

Neuschwanstein Castle, Germany

The romantic castle of the Bavarian king Ludwig II was built in the middle of the 19th century, and at that time its architecture was considered very extravagant. Be that as it may, it was its walls that inspired the creators of the Sleeping Beauty Castle in Disneyland.

Methoni Castle, Greece

Since the 14th century, the Venetian castle-fortress of Methoni has been the center of battles and the last outpost of Europeans in these parts in battles against the Turks, who dreamed of capturing the Peloponnese. Today, only ruins remain of the fortress.

Hohenschwangau Castle, Germany

This castle-fortress was built by the knights of Schwangau in the 12th century and was the residence of many rulers, including the famous King Ludwig II, who hosted the composer Richard Wagner within these walls

Chillon Castle, Switzerland

This medieval bastille resembles a warship from a bird's eye view. The rich history and characteristic appearance of the castle served as inspiration for many famous writers. In the 16th century, the castle was used as a state prison, as George Byron described in his poem The Prisoner of Chillon.

Eilean Donan Castle, Scotland

The castle, located on a rocky island in the Loch Duich fjord, is one of the most romantic castles in Scotland, famous for its heather honey and legends. Many films were filmed here, but the most important thing is that the castle is open to visitors and everyone can touch the stones of its history.

Bodiam Castle, England

Since its founding in the 14th century, Bodiam Castle has gone through many owners, each of whom liked to fight. Therefore, when Lord Curzon acquired it in 1917, only ruins remained of the castle. Fortunately, its walls were quickly restored, and now the castle stands as good as new.

Guaita Castle, San Marino

The castle has been located on the top of the impregnable Monte Titano mountain since the 11th century and, together with two other towers, protects the oldest state in the world, San Marino.

Swallow's Nest, Crimea

Initially, on the rock of Cape Ai-Todor there was a small wooden house. And the Swallow's Nest got its current look thanks to the oil industrialist Baron Steingel, who loved to relax in the Crimea. He decided to build a romantic castle that resembles medieval buildings on the banks of the Rhine River.

Castle Stalker, Scotland

Castle Stalker, which means "Falconer", was built in 1320 and belonged to the MacDougal clan. Since that time, its walls have experienced a huge number of strife and wars, which affected the state of the castle. In 1965, Colonel D. R. Stewart of Allward became the owner of the castle, who personally restored the structure with his wife, family members and friends.

Bran Castle, Romania

Bran Castle is the pearl of Transylvania, a mysterious museum-fort, where the famous legend of Count Dracula, a vampire, murderer and governor Vlad the Impaler, was born. According to legend, he spent the night here during the periods of his campaigns, and the forest surrounding Bran Castle was Tepes's favorite hunting ground.

Vyborg Castle, Russia

Vyborg Castle was founded by the Swedes in 1293, during one of the crusades against Karelian land. It remained Scandinavian until 1710, when the troops of Peter I pushed the Swedes back far and for a long time. Since that time, the castle managed to visit both a warehouse, and a barracks, and even a prison for the Decembrists. And today there is a museum here.

Cashel Castle, Ireland

Cashel Castle was the seat of the kings of Ireland for several hundred years before the Norman invasion. Here in the 5th century A.D. e. Saint Patrick lived and preached. The walls of the castle witnessed the bloody suppression of the revolution by the troops of Oliver Cromwell, who burned soldiers alive here. Since then, the castle has become a symbol of the cruelty of the British, the real courage and fortitude of the Irish.

Kilchurn Castle, Scotland

The very beautiful and even slightly creepy ruins of Kilchurn Castle are located on the shores of the picturesque Lake Eyve. The history of this castle, unlike most castles in Scotland, proceeded quite calmly - numerous earls lived here, who succeeded each other. In 1769, the building was struck by lightning and was soon abandoned, as it remains to this day.

Lichtenstein Castle, Germany

Built in the 12th century, this castle has been destroyed several times. It was finally restored in 1884 and since then the castle has become a filming location for many films, including the film The Three Musketeers.

Not every castle is actually a castle. Today, the word "castle" we call almost any significant building of the Middle Ages, whether it be a palace, a large estate or a fortress - in general, the dwelling of a feudal lord of medieval Europe. This everyday use of the word "castle" is at odds with its original meaning, because the castle is primarily a fortification. Inside the castle territory there could be buildings for various purposes: residential, religious, and cultural. But still, first of all, the main function of the castle is defensive. From this point of view, for example, the famous romantic palace of Ludwig II - Neuschwanstein is not a castle.

location, and not the structural features of the castle - the key to its defensive power. Of course, the layout of the fortification is important for the defense of the castle, but what really makes it impregnable is not the thickness of the walls and the location of the loopholes, but the correctly chosen construction site. A steep and high hill, which is almost impossible to get close to, a sheer cliff, a winding road to the castle, which is perfectly shot from the fortress, determine the outcome of the battle to a much greater extent than any other equipment.

Gates- the most vulnerable place in the castle. Of course, the fortress should have had a central entrance (in peaceful moments, it happens that you want to enter beautifully and solemnly, the castle is not always defended). When capturing, it is always easier to break into the entrance that already exists than to create a new one by destroying massive walls. Therefore, the gates were designed in a special way - they had to be wide enough for carts and narrow enough for the enemy army. Cinema often sins by depicting a castle entrance with large wooden gates locked: such would be extremely impractical in defense.

The interior walls of the castle were colored. The interiors of medieval castles are often depicted in gray-brown tones, without any cladding, just like the inside of bare cold stone walls. But the inhabitants of medieval palaces loved bright colors and generously decorated the interior of their living quarters. The inhabitants of the castles were rich and, of course, wanted to live in luxury. Our ideas are connected with the fact that in most cases the paint has not stood the test of time.

Large windows are a rarity for a medieval castle. As a rule, they were absent altogether, giving way to multiple small window "slots" in the castle walls. In addition to the defensive purpose, the narrow window openings protected the privacy of the inhabitants of the castle. If you come across a castle building with luxurious panoramic windows, most likely they appeared at a later time, as, for example, in the castle of Roctaiade in southern France.

Secret passages, secret doors and dungeons. Walking through the castle, be aware that somewhere under you lie corridors hidden from the eyes of the layman (perhaps someone wanders through them today?). Poterns - underground corridors between the buildings of the fortress - made it possible to quietly move around the fortress or leave it. But the trouble is if a traitor opens a secret door to the enemy, as happened during the siege of Corfe Castle in 1645.

Assault on the castle was not such a fleeting and easy process as it is portrayed in the movies. A massive attack was a rather extreme decision in an attempt to capture the castle, putting the main military force at unreasonable risk. Castle sieges were carefully thought out and implemented for a long time. The most important thing was the ratio of the trebuchet, the throwing machine, to the thickness of the walls. It took a trebuchet from several days to several weeks to make a breach in the castle wall, especially since a simple hole in the wall did not guarantee the capture of the fortress. For example, the siege of Harlech Castle by the future King Henry V lasted about a year, and the castle fell only because the city ran out of provisions. So the rapid attacks of medieval castles are an element of cinematic fantasies, and not historical realities.

Hunger- The most powerful weapon when taking the castle. Most castles had tanks that collected rainwater, or wells. The chances of the castle inhabitants to survive during the siege depended on the water and food supplies: the option to “sit out” was the least risky for both sides.

For the defense of the castle it didn't take as many people as it seems. Castles were built in such a way as to allow those inside to calmly fight off the enemy, managing with small forces. Compare: the garrison of Harlech Castle, which held out for almost a whole year, consisted of 36 people, while the castle was surrounded by an army numbering hundreds or even thousands of soldiers. In addition, an extra person on the territory of the castle during the siege is an extra mouth, and as we remember, the issue of provisions could be decisive.

As mentioned above, medieval castles and each of their components were built according to certain rules. The following main structural elements of the castle can be distinguished:

Courtyard

fortress wall

Let's consider them in more detail.

Most of the towers were built on natural hills. If there were no such hills in the area, then the builders resorted to arranging the hill. As a rule, the height of the hill was 5 meters, but there were more than 10 meters high, although there were exceptions - for example, the height of the hill on which one of the Norfolk castles near Thetford was placed reached hundreds of feet (about 30 meters).

The shape of the territory of the castle was different - some had an oblong shape, some - square, there were courtyards in the form of a figure eight. Variations were very diverse depending on the size of the host state and the configuration of the site.

After the site for construction was chosen, it was first dug in with a moat. The excavated earth was thrown onto the inner bank of the moat, resulting in a rampart, an embankment called a scarp. The opposite bank of the moat was called, respectively, the counterscarp. If it was possible, then the ditch was dug around a natural hill or other elevation. But, as a rule, the hill had to be filled, which required a huge amount of earthwork.

The composition of the hill included earth mixed with limestone, peat, gravel, brushwood, and the surface was covered with clay or wooden flooring.

The first fence of the castle was protected by all sorts of defensive structures designed to stop an enemy attack that was too swift: hedges, slingshots (placed between posts driven into the ground), earthen embankments, hedges, various protruding structures, for example, a traditional barbican that protected access to lift bridge. At the foot of the wall there was a ditch, they tried to make it as deep as possible (sometimes more than 10 m deep, as in Trematon and Lass) and wider (10 m - in Loches, 12 - in Dourdan, 15 - in Tremworth, 22 m - - in Kusi). As a rule, ditches were dug around the castles as part of the defensive system. They made it difficult to access the fortress walls, including siege weapons such as a battering ram or a siege tower. Sometimes the moat was even filled with water. In shape, it more often resembled the letter V than U. If a ditch was dug right under the wall, a fence was erected over it, the lower shaft, to protect the sentinel path outside the fortress. This piece of land was called a palisade.

An important property of a moat filled with water is the prevention of undermining. Often, rivers and other natural bodies of water were connected to ditches to fill them with water. The ditches needed to be periodically cleared of debris to prevent shallowing. Sometimes stakes were placed at the bottom of the ditches, making it difficult to overcome it by swimming. Access to the fortress, as a rule, was organized through drawbridges.

Depending on the width of the moat, it is supported by one or more pillars. While the outer part of the bridge is fixed, the last segment is movable. This is the so-called drawbridge. It is designed so that its plate can rotate around an axis fixed at the base of the gate, breaking the bridge and closing the gate. To set the drawbridge in motion, devices are used, both on the gate itself and on its inside. The bridge is raised by hand, on ropes or chains passing through the blocks in the slots of the wall. To facilitate the work, counterweights can be used. The chain can go through the blocks to the gate, located in the room above the gate. This gate can be horizontal and rotated by a handle, or vertical and driven by beams horizontally threaded through it. Another way to raise the bridge is with a lever. Swinging beams are threaded through the slots in the wall, the outer end of which is connected by chains to the front end of the bridge plate, and counterweights are attached to the rear inside the gate. This design facilitates the rapid lifting of the bridge. And, finally, the bridge plate can be arranged according to the rocker principle.

The outer part of the plate, turning around the axis at the base of the gate, closes the passage, and the inner part, on which the attackers may already be, goes down into the so-called. a wolf pit, invisible while the bridge is down. Such a bridge is called overturning or swinging.

In Fig.1. The diagram of the entrance to the castle is presented.

The fence itself was made up of thick solid walls - curtains - part of the fortress wall between two bastions and various side structures, collectively called

Fig.1.

towers. The fortress wall rose directly above the moat, its foundations went deep into the ground, and the bottom was made as gentle as possible to prevent possible undermining by the attackers, and also so that shells dropped from a height would ricochet off it. The shape of the fence depended on its location, but its perimeter is always significant.

The fortified castle did not at all resemble an individual dwelling. The height of the curtains ranged from 6 to 10 m, the thickness - from 1.5 to 3 m. However, in some fortresses, for example, in Chateau Gaillard, the thickness of the walls in places exceeds 4.5 m. Towers, usually round, less often square or polygonal , were built, as a rule, on the floor above the curtains. Their diameter (from 6 to 20 m) depended on the location: the most powerful - in the corners and near the entrance gate. The towers were built hollow, inside they were divided into floors by ceilings made of wooden boards with a hole in the center or on the side, through which a rope passed, used to raise shells to the upper platform in case of protecting the fortress. The stairs were hidden by partitions in the wall. Thus, each floor was a room where the warriors were located; in the fireplace, arranged in the thickness of the wall, it was possible to make a fire. The only openings in the tower are the archery slits, long and narrow openings widening inwards (Fig. 2).

Fig.2.

In France, for example, the height of such loopholes is usually 1 m, and the width is 30 cm outside and 1.3 m inside. Such a structure made it difficult for enemy arrows to penetrate, but the defenders were able to shoot in different directions.

The most important defensive element of the castle was the outer wall - high, thick, sometimes on an inclined plinth. Worked stones or bricks made up its outer surface. Inside, it consisted of rubble stone and slaked lime. The walls were placed on a deep foundation, under which it was very difficult to dig.

At the top of the fortress wall was the so-called sentinel path, protected from the outside by a battlemented parapet. It served for observation, communication between the towers and protection of the fortress. A large wooden board, held on a horizontal axis, was sometimes attached to the battlements between the two embrasures, and crossbowmen took cover behind it to load their weapons. During the wars, the sentinel path was supplemented with something like a folding wooden gallery of the desired shape, mounted in front of the parapet. Holes were made in the floor so that the defenders could shoot from above if the attackers were hiding at the foot of the wall. Starting from the end of the 12th century, especially in the southern regions of France, these wooden galleries, which were not very strong and easily flammable, began to be replaced by real stone ledges built along with the parapet. These are the so-called mashikuli, galleries with hinged loopholes (Fig. 3). They performed the same function as before, but their advantage was greater strength and the fact that they made it possible to throw down shots, which then ricocheted off the gentle slope of the wall.

Fig.3.

Sometimes several secret doors were made in the fortress wall for the passage of infantrymen, but always only one large gate was built, invariably fortified with special care, since it was on them that the main blow of the attackers fell.

The earliest way to protect the gates was to place them between two rectangular towers. A good example of this type of protection is the arrangement of gates in the Exeter Castle of the 11th century that has survived to this day. In the 13th century, square gate towers give way to the main gate tower, which is a merger of the two former ones with additional floors built on top of them. Such are the gate towers in the castles of Richmond and Ludlow. In the 12th century, a more common way to protect the gate was to build two towers on both sides of the entrance to the castle, and only in the 13th century did gate towers appear in their finished form. Two flanking towers are now connected into one above the gate, becoming a massive and powerful fortification and one of the most important parts of the castle. The gate and entrance are now transformed into a long and narrow passage, blocked at each end by porticoes. These were doors sliding vertically along the gutters cut in stone, made in the form of large lattices of thick timber, the lower ends of the vertical bars were sharpened and bound with iron, so the lower edge of the portico was a series of sharpened iron stakes. Such lattice gates were opened and closed using thick ropes and a winch located in a special chamber in the wall above the passage. Later, the entrance was protected by mertieres, deadly holes drilled into the vaulted ceiling of the passage. Through these holes, anyone who tried to break through to the gate by force, poured and poured objects and substances common in such a situation - arrows, stones, boiling water and hot oil. However, another explanation seems more plausible - water was poured through the holes if the enemy tried to set fire to the wooden gate, since the best way to get into the castle was to fill the passage with straw, logs, soak the mixture well with combustible oil and set it on fire; they killed two birds with one stone - they burned the lattice gates and roasted the defenders of the castle in the gate rooms. In the walls of the passage there were small rooms equipped with shooting slots, through which the defenders of the castle could hit from close range with bows a dense mass of attackers who were trying to break into the castle. In Fig.4. various types of shooting slots are presented.

In the upper floors of the gate tower there were quarters for soldiers and often even living quarters. In special chambers there were gates, with the help of which a drawbridge was lowered and raised on chains. Since the gate was the place that was most often attacked by the enemy besieging the castle, they were sometimes supplied with another means of additional protection - the so-called barbicans, which began at some distance from the gate. Usually the barbican consisted of two high thick walls running parallel outward from the gate, thus forcing the enemy to squeeze into a narrow passage between the walls, exposing themselves to the arrows of the archers of the gate tower and the upper platform of the barbican hidden behind the battlements. Sometimes, to make access to the gate even more dangerous, the barbican was set at an angle to it, which forced the attackers to go to the gate on the right, and parts of the body not covered by shields turned out to be a target for archers. The entrance and exit of the barbican was usually very fancifully decorated.

Fig.4.

Each more or less serious castle had at least two more rows of defensive structures (ditches, hedges, curtain walls, towers, parapets, gates and bridges), smaller in size, but built on the same principle. Quite a considerable distance was left between them, so each castle looked like a small fortified city. Freteval can again be cited as an example. Its fences are round in shape, the diameter of the first is 140 m, the second is 70 m, the third is 30 m. The last fence, called the “shirt”, was erected very close to the donjon in order to block access to it.

The space between the first two fences was the lower courtyard. A real village was located there: the houses of peasants who worked on the master's fields, workshops and dwellings of artisans (blacksmiths, carpenters, masons, carvers, carriage workers), a threshing floor and a barn, a bakery, a communal mill and a press, a well, a fountain, sometimes a pond with live fish, washroom, counters of merchants. Such a village was a typical settlement of that time with randomly arranged streets and houses. Later, such settlements began to go beyond the castle and settle in its vicinity on the other side of the moat. Their inhabitants, as, indeed, the rest of the inhabitants of the seigneury, took refuge behind the fortress walls only in case of serious danger.

Between the second and third fences there was an upper courtyard with many buildings: a chapel, housing for soldiers, stables, kennels, dovecotes and a falcon yard, a pantry with food supplies, kitchens, a pond.

Behind the "shirt", that is, the last fence, the donjon towered. It was usually built not in the center of the castle, but in its most inaccessible part; it simultaneously served as the dwelling of the feudal lord and the military center of the fortress. Donjon (fr. donjon) - the main tower of a medieval castle, one of the symbols of the European Middle Ages.

It was the most massive building that was part of the castle buildings. The walls were gigantic in thickness and were set on a powerful foundation, capable of withstanding the blows of picks, drills and battering rams of the besiegers.

In height, it surpassed all other buildings, often exceeding 25 m: 27 m - in Etampes, 28 m - in Gisors, 30 m - in Uden, Dourdan and Freteval, 31 m - in Châteauden, 35 m - in Tonquedek, 40 - in Locher, 45 m - in Provins. It could be square (Tower of London), rectangular (Loches), hexagonal (Tournoel Castle), octagonal (Gizors), four-lobed (Etampes), but more often there are round ones with a diameter of 15 to 20 m and a wall thickness of 3 to 4 m.

Flat buttresses, called pilasters, supported the walls along their entire length and at the corners, at each corner such a pilaster was crowned with a turret on top. The entrance was always located on the second floor, high above the ground. An external staircase led to the entrance, located at a right angle to the door and covered by a bridge tower, installed outside directly against the wall. For obvious reasons, the windows were very small. On the first floor there were none at all, on the second they were tiny and only on the next floors they became a little larger. These distinguishing features - the bridge tower, the outer staircase and the small windows - can be clearly seen at Rochester Castle and Headingham Castle in Essex.

The forms of donjons are very diverse: in the UK, quadrangular towers were popular, but there were also round, octagonal, regular and irregular polygonal donjons, as well as combinations of several of these shapes. The change in the shape of donjons is associated with the development of architecture and siege technology. A round or polygonal turret is better able to withstand projectiles. Sometimes, when building a donjon, builders followed the terrain, for example, placing a tower on an irregularly shaped rock. This type of tower arose in the 11th century. in Europe, more precisely in Normandy (France). Initially, it was a rectangular tower, adapted for defense, but at the same time being the residence of the feudal lord.

In the XII-XIII centuries. the feudal lord moved to the castle, and the donjon turned into a separate structure, significantly reduced in size, but stretched vertically. From now on, the tower was located separately outside the perimeter of the fortress walls, in the most inaccessible place to the enemy, sometimes even separated by a moat from the rest of the fortifications. It performed defensive and sentinel functions (at the very top there was always a combat and sentinel platform, covered with battlements). It was considered as the last refuge in the defense against the enemy (for this purpose there were weapons and food warehouses inside), and only after the capture of the donjon the castle was considered conquered.

By the 16th century the active use of cannons turned the donjons towering above the rest of the buildings into too convenient targets.

The donjon was divided inside into floors by means of wooden ceilings (Fig. 5).

Fig.5.

For defensive purposes, its only door was at the level of the second floor, that is, at a height of at least 5 m above the ground. They got inside by stairs, scaffolding or a bridge connected to a parapet. However, all these structures were very simple: after all, they had to be removed very quickly in the event of an attack. It was on the second floor that there was a large hall, sometimes with a vaulted ceiling - the center of the seigneur's life. Here he dined, had fun, received guests and vassals, and even administered justice in winter. One floor above were the rooms of the owner of the castle and his wife; climbed up a narrow stone staircase in the wall. On the fourth and fifth floors there are common rooms for children, servants and subjects. The guests slept there. The top of the donjon resembled the upper part of the fortress wall with its battlemented parapet and sentinel path, as well as additional wooden or stone galleries. To this was added a watchtower to monitor the surroundings.

The first floor, that is, the floor under the great hall, did not have a single opening that went out. However, it was neither a prison nor a stone bag, as archaeologists of the last century assumed. Usually there was a pantry where firewood, wine, grain and weapons were stored.

In some donjons in the lower room, in addition, there was a well or an entrance to a dungeon dug under the castle and leading to an open field, which, however, was quite rare. By the way, the dungeon, as a rule, served to store food during the year, and not at all to facilitate a secret flight, romantic or forced Lapin R.I. Donjon article. Encyclopedic Fund of Russia. Access address: http://www.russika.ru/.

Of particular interest in the framework of the work is also the interior of the donjon.

DONJON INTERIOR

The interior of the lord's dwelling can be characterized by three features: simplicity, modesty of decoration, and a small amount of furniture.

No matter how high (from 7 to 12 meters) and spacious (from 50 to 150 meters) the main hall was, the hall always remained one room. Sometimes it was divided into several rooms by some kind of drapery, but always only for a while and due to certain circumstances. Trapezoidal window openings separated in this manner and deep niches in the wall served as small living rooms. Large windows, rather high than wide, with a semicircular top, were arranged in the thickness of the walls in the same way as tower loopholes for archery.

No matter how high (from 7 to 12 meters) and spacious (from 50 to 150 meters) it was, the hall always remained one room. Sometimes it was divided into several rooms by some kind of drapery, but always only for a while and due to certain circumstances. Trapezoidal window openings separated in this manner and deep niches in the wall served as small living rooms. Large windows, rather high than wide, with a semicircular top, were arranged in the thickness of the walls in the same way as tower loopholes for archery. In front of the windows there was a stone bench, which served to talk or look out the window. Windows were rarely glazed (glass is an expensive material used mainly for church stained-glass windows), more often they were closed with a small lattice of wicker or metal, or tightened with glued cloth or an oiled sheet of parchment nailed to the frame.

A hinged wooden sash was attached to the window, often internal rather than external; usually it was not closed, unless they slept in a large hall.

Despite the fact that the windows were few and rather narrow, they still let in enough light to illuminate the hall on summer days. In the evening or winter, sunlight replaced not only the fire of the fireplace, but also resin torches, tallow candles or oil lamps, which were attached to the walls and ceiling. Thus, internal lighting always turned out to be a source of heat and smoke, but this was still not enough to defeat dampness - a real scourge of a medieval dwelling. Wax candles, like glass, were reserved only for the richest houses and churches.

The floor in the hall was covered with wooden boards, clay or, more rarely, stone slabs, however, whatever it was, it was never left uncovered. In winter, it was covered with straw - either finely chopped, or woven into coarse mats. In spring and summer - reeds, branches and flowers (lilies, gladioli, irises). Fragrant herbs and incense plants such as mint and verbena were placed along the walls. Wool carpets and embroidered bedspreads were generally used for seating only in bedrooms. In the great hall, everyone was usually located on the floor, spreading skins and furs.

The ceiling, which is also the floor of the upper floor, often remained unfinished, but in the 13th century they already began to decorate it with beams and caissons, creating geometric patterns, heraldic friezes or ornate ornaments depicting animals. Sometimes the walls were painted in the same way, but more often they were simply painted in some particular color (red and yellow ocher were preferred) or covered with a pattern that imitated the appearance of hewn stone or a chessboard. Frescoes are already appearing in princely houses depicting allegorical and historical scenes borrowed from legends, the Bible or literary works. It is known, for example, that King Henry III of England liked to sleep in a room whose walls were decorated with episodes from the life of Alexander the Great, a hero who aroused special admiration in the Middle Ages. However, such a luxury remained available only to the sovereign. An ordinary vassal, inhabitant of a wooden dungeon, had to be content with a rough bare wall, ennobled only by his own spear and shield.

Instead of wall paintings, tapestries with geometric, floral or historical motifs were used. However, more often these are not real tapestries (which were usually brought from the East), but mostly embroidery on thick fabric, like the so-called “Queen Matilda carpet”, stored in Bayeux.

Tapestries made it possible to hide a door or a window, or to divide a large room into several rooms - "bedrooms".

This word quite often meant not the room where they slept, but the totality of all the tapestries, embroidered canvases and various fabrics intended for interior decoration. Going on a trip, they always took tapestries with them, because they were the main element of decorating an aristocratic home, capable of giving it personality traits.

Furniture in the XIII century existed only wooden. She was constantly moved (The word "furniture" comes from the word mobile (fr.) - movable. (Note. Lane)), because, with the exception of the bed, the rest of the furniture did not have a single purpose. So, the chest, the main type of furniture, served simultaneously as a cabinet, table and seat. To perform the latter function, he could have a back and even handles. However, the chest is only an extra seat. They mostly sat on common benches, sometimes divided into separate seats, on small wooden benches, on small stools without a back. The chair was intended for the owner of the house or an honored guest. The squires and women sat on bundles of straw, sometimes covered with embroidered cloth, or simply on the floor, like servants and lackeys. Several boards laid on the goats made up a table; for the duration of the meal, it was arranged in the center of the hall. It turned out to be long, narrow and somewhat taller than modern tables. Companions sat on one side, leaving the other free to serve dishes.

There was little furniture: in addition to chests, in which dishes, household utensils, clothes, money and letters were shoved at random, sometimes there was a wardrobe or sideboard, less often a sideboard where the richest placed precious dishes or jewelry. Often, such furniture was replaced by niches in the wall, hung with draperies or closed with doors. Clothes were usually not folded, but rolled up and scented. They also rolled letters written on parchment before putting them in a linen bag, which served as a kind of safe, where, in addition, one or more leather wallets were kept.

To get a more complete picture of the furniture and decor of the main hall of the donjon, we need to add a few caskets, some knick-knacks and some cult accessories (relics, sprinklers). As we can see, in this respect it is very far from abundance. There was even less furniture in the bedrooms: the men had a bed and chest, the women had a bed and something like a dressing table. No benches or chairs, sitting on straw covered with cloth, on the floor or on the bed. The huge square bed looked more wide than long. One usually did not sleep.

Even if the owner of the castle and his wife had separate bedrooms, they still had one common bed. In the rooms of children, servants or guests, the beds were also shared. Two, four or six of them slept on them.

The bed of the lord usually stood on a raised platform, with his head to the wall, his feet to the fireplace. A kind of vault was created from a wooden frame, where a canopy was hung to isolate the sleeping people from the outside world. The bedding was almost indistinguishable from modern ones. A feather bed was laid on a straw mattress or mattress, and a bottom sheet was laid on top of it. She was covered with a top sheet that was not tucked in. On top lay a duvet or wadded blanket, quilted like modern ones. The bolster and pillowcases are also similar to those we use today. White embroidered sheets were made of linen or silk, woolen bedspreads were lined with ermine or squirrel fur. For less prosperous people, burlap was used instead of silk, and twill was used instead of wool.

In this soft and spacious bed (so wide that it was possible to make it only by helping oneself with a stick) they usually slept completely naked, but with a cap on their heads. Before going to bed, clothes were hung on a rod driven into the wall like a hanger, protruding almost to the middle of the room parallel to the bed, only a shirt was left on itself, but it was also taken off already in bed and, folded, put under the pillow to put it on again in the early morning before getting up.

The fireplace in the bedroom was not heated all day. It was bred only in the evening during the family vigil, which took place here in a more intimate atmosphere than in the great hall. In the hall there was a truly gigantic fireplace, designed for large logs; in front of him stood several shops, which could accommodate ten, fifteen or even twenty people. A conical hood with protruding posts formed something like a house inside the hall. The fireplace was not decorated with anything; the custom of placing a family coat of arms on it appeared only at the beginning of the 14th century. In some, more spacious halls, two or three fireplaces were sometimes built, but not at opposite walls, but all together in the center of the room; for their hearth they used a solid flat stone of enormous size, and the exhaust hood was erected in the form of a pyramid of brick and wood.

The donjon could well be used only for military and economic purposes (observation posts on the tower, a dungeon, a storehouse of provisions). In such cases, the feudal lord's family lived in the "palace" - the living quarters of the castle, standing apart from the tower. The palaces were built of stone and had several floors in height.

medieval castle residential interior